Danielle Dean, Pleasure to Burn (still), 2011. Courtesy the artist.
Soft Skills, a group exhibition curated by Kaegan Sparks, 2016–17 Andrew W. Mellon Curatorial Fellow and doctoral student in Art History, will be on view at the James Gallery from April 14 through June 3, 2017. Read more
Danica Dakić, La Grande Galerie 2, 2004 C-Print © Danica Dakić
James Gallery NSK State Art exhibition opens Wednesday, February 8, 6pm. Open to the public through March 25, 2017. Read more
Zbigniew Gostomski, Windows Without a View (Winter Assemblage), 1969. Photo J. Borowski. Image courtesy of the Foksal Gallery, Warsaw.
On view at the James Gallery November 19 through December 17, 2016. More information on the exhibition and all related programs at the James Gallery website. Read more
Alison Knowles, The House of Dust. Image courtesy the artist and James Fuentes Gallery.
On view at the James Gallery September 8 through October 29, 2016. More information on the exhibition and all related programs at the James Gallery website. Read more
Dor Guez, Samira, Lod Ghetto, a year after 1948, from the series Scanogram #1, 2010, manipulated readymade, archival inkjet print, 23 1/2 x 29 1/2 inches.
On view at the James Gallery from April 8 through June 4, 2016.
Dor Guez founded the Christian Palestinian Archive (CPA) in 2009 after he discovered a suitcase under his grandparents’ bed... Read more
Arkadi Zaides, installation view of Capture Practice, two-channel video projection, 2014.
in collaboration with Daniel Landau, Dana Shalev, Effi Weiss & Amir Borenstein
On view at The James Gallery from February 5 – March 19, 2016.
For more... Read more
Zoe Beloff, Film still from “Two Marxists in Hollywood,” 2015.
Eisenstein was invited to Hollywood in 1930 under contract to Paramount. Fleeing from the Nazis, Brecht arrived in 1941. Both attempted the impossible, to challenge the formulas of the motion picture... Read more
Installation view of "Left Coast: California Political Art" with artworks by Futurefarmers, Precita Eyes Mural Collective, Andrew Schoultz, and Rigo 23.
Left Coast: California Political Art includes artworks from the 1980s to the present that focus on the spirit of protest and resistance, which has come to be synonymous with the West Coast in recent years. The title of the exhibition takes its name from a playful moniker for the left-wing politics associated with California, a place that curator and art historian Peter Selz has referred to as “America’s edge.” By exploring how the roles of these artists cross into the realm of activism, the show brings to the fore timely political tensions and social movements that are unfolding across the country. The exhibition will feature sculptures, drawings, paintings, video and prints by several contemporary artists currently working in California, as well as newly commissioned works by Los Angeles-based artist Andrew Schoultz, the Bay Area-based mural collective Precita Eyes Mural Collective, and the international artist collective Futurefarmers, founded by San Francisco artist Amy Franceschini. Also included in the presentation are works by artists Judith F. Baca, Evan Bissell, Libby Black, Enrique Chagoya, Bruce Conner, Estudio Teddy Cruz with Fonna Forman, Jennifer Moon, PERSIA and DADDIE$ PLA$TIK, Lari Pittman, Rigo 23, Favianna Rodriguez, Martin Wong, and Imin Yeh. This exhibition is curated by Nadiah Fellah, the Andrew W. Mellon Curatorial Fellow. - See more at: http://centerforthehumanities.org/program/left-coast-california-political-art#sthash.GOHr5XU5.dpuf Read more
Specters of Communism: Contemporary Russian Art
The Brooklyn Rail, 3.5.15 Read more
The Political Poseurs of Contemporary Russian Art
Hyperallergic,”Galleries,” 2.25.15 Read more