Jennifer Oates
Assistant Professor, Queens College and the Graduate Center; Head of the Music Library, Queens College
Degrees/Diplomas: Ph.D., Florida State University
Campus Affiliation: CUNY Graduate Center|Queens College
Research Interests: 19th-20th century British music, women and music
Jennifer Oates is a musicologist specializing in nineteenth- and twentieth-century British music. Additional research interests include women and music, Scotland in music, and American music. She received the 2004 Ralph Vaughan Williams Fellowship, the Music Library Association’s 2003 Walter Gerboth for research, and won the 2002 National Opera Association Scholarly Paper Competition. She is also a founding member of the North American British Music Studies Association.
REPRESENTATIVE PUBLICATIONS:
Three Overtures of Hamish MacCunn (1868–1916): The Dowie Dens o’ Yarrow, Land of the Mountain and the Flood, and The Ship o’ the Fiend, full-score edition. Recent Researches in Music of the Late Nineteenth- and Early Twentieth-Centuries. Madison, WI: AR Editions, expected December 2009.
“Brigadoon: Lerner and Loewe’s Scotland,” Studies in Musical Theatre 3/1 (2009): 91–99.
Hamish MacCunn (1868-1916): A Musical Life. Aldershot, UK: Ashgate, forthcoming.
Three Overtures of Hamish MacCunn (1868–1916): The Dowie Dens o’ Yarrow, Land of the Mountain and the Flood, and The Ship o’ the Fiend, full-score edition. Recent Researches in Music of the Late Nineteenth- and Early Twentieth-Centuries. Madison, WI: AR Editions, forthcoming.
“Hamish MacCunn (1868–1916): A Scottish National Composer?,” in Europe, Empire and Spectacle in 19th-Century British Music, edited by Rachel Cowgill and Julian Rushton, pp. 145-57. Aldershot, UK: Ashgate, 2006.
“Practical Ways to Bring Information Literacy into the Undergraduate Music Curriculum,” College Music Symposium 44 (2004): 74–82.
“Music Librarianship Education: Problems and Solutions,” Music Reference Services Quarterly 8/3 (2004): 1–24.
“The Making of Scottish National Opera: Hamish MacCunn’s Jeanie Deans,” The Opera Journal, 35/2–3 (June-September 2002): 3–28.