SEGAL TALKS: Zuleikha Chaudhari (India)

MAY 07, 2020 | 12:00 PM TO 1:00 PM

Details

WHERE:

Live Stream

WHEN:

May 07, 2020: 12:00 PM-1:00 PM

ADMISSION:

Free

Description

 

Daily Live Online Conversations with US and Global Theatre Artists on howlround.tv

New Times need new Forms of Theatre.” Bertolt Brecht

Watch the HowlRound Live Stream
Watch the Segal Facebook Live Stream
Watch previous talks on the Segal YouTube Channel

SEGAL TALKS lineup for Thursday, May 7

Zuleikha Chaudhari (India)
Join us for an update on the situation for theatre artists in India.

  
Zuleikha Chaudhari
 is a theatre director and lighting designer – her work takes the form of performances and installations and her ongoing research considers the structures and codes of performance as well the function and processes of the actor as reality and truth production. Formally she is very interested in the role of the viewer in the performative experience and the tension between looking or watching and doing or acting.

Her current research uses archival documents (texts and photographs) to develop theatrical performances as a way of thinking about the relationship between production of memory, the role of the archive and how that pertains to the retrieval and reliving of an event. The constructed narratives within the works looked at the relationship between personal lived experience and memories and larger historical events and narratives. These works use a combination of reportage, portraiture, documentary, and fiction – the editing, re-interpretation and re-positioning of speculative ideas, opinions, beliefs and anecdotes towards the production of new narratives is central to these investigations about the relationship between history and theatre.

Since 2014 she has been exploring the framework of law as performance, the role of performance in law and the performativity of legal truth-production. Law’s performativity describes a way of forming, of per-forming the world through a certain structure of the use of signs that is always at the same time a procedure and a connection of a (historical) sign to a (new) context. The concept of performativity here describes a mode of doing something to the world.


About SEGAL TALKS

SEGAL TALKS is a daily one-hour LIVE online conversation from Monday to Friday — about making art and making sense in the Time of Corona.

SEGAL TALKS was conceived, created and curated by Frank Hentschker in March 2020.

SEGAL TALKS has been made possible by the support of Susan and Jack Rudin(†), the Hearst Foundation, and Marvin Carlson, Sidney E. Cohn Chair, The Graduate Center CUNY.

The Martin E. Segal Theatre Center is proud to announce the fourth weekly line-up of its new global series, SEGAL TALKS. New York, US, and international theatre artists, curators, researchers and academics will talk daily for one hour with Segal Center’s director, Frank Hentschker, about life and art in the Time of Corona and speak about challenges, sorrows, and hopes for the new Weltzustand— the State of the World. The Segal Center is the only theatre institution in New York City and the US creating original programming every day during the week.

SEGAL TALKS will be live-streamed in English on howlround.tv and on the Segal Center Facebook page, and previous weeks' talks can be viewed on the Segal Center YouTube Channel.

Week 5 Participants: Rimini Protokoll’s Daniel WetzelHelgard Haug, & Stefan Kaegi(Germany); Guy Régis Jr (Haiti); Jalila Baccar (Tunis); Peter Sellars (USA); Oskar Eustis & Tony Torn(NYC, USA)
Week 4 Participants: Milo Rau (Switzerland); Richard Schechner (NYC, US); Basil Jones (South Africa); Arthur Nauzyciel Keren Ann (France); Guillermo Calderón (Chile)
Week 3 Participants: The New BlackFest’s Keith Adkins with Dennis A. Allen II, France-Luce Benson, & Lisa Strum (NYC); Nature Theatre of Oklahoma’s Kelly Copper & Pavol Liska + The Big Dance Theatre’s Annie-B Parson & Paul Lazar (NYC); The Foundry Theatre’s Melanie Joseph with Aaron Landsman Aurin Squire (NYC); Shahid Nadeem (Pakistan) + Abhishek Majumdar Anurupa Roy (India); TR Warszawa’s Grzegorz Jarzyna with Agata Kołacz & Roman Pawłowski (Poland)
Week 2 Participants: Laila Soliman, Dalia Basiouny (Egypt) + Sahar Assaf (Lebanon); Chou Tung-Yen, Kathy Hong, Wu-Kang Chen (Taiwan); Lucia Calamaro, Graziano Graziani, Valeria Orani (Italy); Meredith Monk (New York, US); Aristide Tarnagda & Safoura Kaboré (Burkina Faso)
Week 1 Participants: Taylor Mac & Kristin Martin (New York, US); Mok Chiu Yu (Hong Kong) + Hanchen FengShuyi Liao (China); Thomas Ostermeier (Germany); Teatro delle Albe’s Marco MartinelliErmanna Montanari (Italy); Toshiki Okada (Japan)

The Segal Theatre Center will raise money for theatre artists and companies. This work is in collaboration with HowlRound Theatre Commons, based at Emerson Collage.

Viewers can submit questions during the live streaming at SegalTalks@gmail.com

Contact

Learn more about SEGAL TALKS or contact mest@gc.cuny.edu for more information.

For press information please contact Frank Hentschker at fhentschker@gc.cuny.edu

Follow us @segalcenter on FacebookInstagram or Twitter


About the Martin E. Segal Theatre Center: Originally founded in 1979 as the Center for Advanced Studies in Theatre Arts (CASTA), The Martin E. Segal Theatre Center was renamed in March of 1999 to recognize Martin E. Segal, one of New York City’s outstanding leaders of the arts. The Segal Center curates over thirty events throughout the Spring and Fall academic seasons, all free and open to the public. Dedicated to bridging the gap between the professional and academic theatre communities, the Segal Center presents readings, performance, lectures, and artists and academics in conversation. In addition, the Segal Center presents three annual festivals (PRELUDEPEN World Voices: International Pay Festival, and The Segal Center Film Festival on Theatre and Performance) and publishes and maintains three open access online journals (Arab StagesEuropean Stages, and The Journal of American Drama and Theatre). The Segal Center also publishes many volumes of plays in translation and is the leading publisher of plays from the Arab world. The Martin E. Segal Theatre Center (MESTC) is a vital component of the Theatre Program’s academic culture and creating in close collaboration a research nexus, focusing on dramaturgy, new media, and global theatre. The Segal Center provides an intimate platform where both artists and theatre professionals can actively participate with audiences to advance awareness and appreciation. www.TheSegalCenter.org

The Segal Team:
Creative Producer: Sunyoung Kim
Media Supervisor: Jackie Spaventa
Next Generation Fellow: May Adra
Senior Assistant Director of Programs: Cory Tamler
Junior Assistant Director of Programs: Kyueun Kim

The Graduate Center, CUNY, of which the Martin E. Segal Theatre Center is an integral part, is the doctorate-granting institution of The City University of New York (CUNY). An internationally recognized center for advanced studies and a national model for public doctoral education, the school offers more than thirty doctoral programs, as well as a number of master’s programs. Many of its faculty members are among the world’s leading scholars in their respective fields, and its alumni hold major positions in industry and government, as well as in academia. The Graduate Center is also home to twenty-eight interdisciplinary research centers and institutes focused on areas of compelling social, civic, cultural, and scientific concerns. Located in a landmark Fifth Avenue building, The Graduate Center has become a vital part of New York City’s intellectual and cultural life with its extensive array of public lectures, exhibitions, concerts, and theatrical events.

HowlRound Theatre Commons is a free and open platform for theatre makers worldwide that amplifies progressive, disruptive ideas about the art form and facilitates connection between diverse practitioners. HowlRound envisions a theatre field where resources and power are shared equitably in all directions, contributing to a more just and sustainable world.

HowlRound was founded on an organizing principle in the “commons”—a social structure that invites open participation around shared values. HowlRound is a knowledge commons that encourages freely sharing intellectual and artistic resources and expertise. It is our strong belief that the power of live theatre connects us across difference, puts us in proximity of one another, and strengthens our tether to our commonalities. HowlRound is based at Emerson College, Boston.