The GC’s Stone Center on Socio-Economic Inequality has been tapped as the first-ever U.S.-based host of the prestigious Society for the Study of Economic Inequality (ECINEQ) conference. Read more
The GC will host a one-day performance on Thursday, April 27, by Mexican multidisciplinary artist and neuroscientist Arantxa Araujo that will explore the physical ravages experienced by low-wage, immigrant kitchen workers.
Luke Waltzer, Director of the Teaching and Learning Center, discusses his goals for this year’s event and how GC students benefit by teaching at CUNY. Read more
Gornick and Danziger discuss the possible motivations behind Trump’s budget plans and how federal cuts will impact states and cities.
Installation view of "Left Coast: California Political Art" with artworks by Futurefarmers, Precita Eyes Mural Collective, Andrew Schoultz, and Rigo 23.
Left Coast: California Political Art includes artworks from the 1980s to the present that focus on the spirit of protest and resistance, which has come to be synonymous with the West Coast in recent years. The title of the exhibition takes its name from a playful moniker for the left-wing politics associated with California, a place that curator and art historian Peter Selz has referred to as “America’s edge.” By exploring how the roles of these artists cross into the realm of activism, the show brings to the fore timely political tensions and social movements that are unfolding across the country. The exhibition will feature sculptures, drawings, paintings, video and prints by several contemporary artists currently working in California, as well as newly commissioned works by Los Angeles-based artist Andrew Schoultz, the Bay Area-based mural collective Precita Eyes Mural Collective, and the international artist collective Futurefarmers, founded by San Francisco artist Amy Franceschini. Also included in the presentation are works by artists Judith F. Baca, Evan Bissell, Libby Black, Enrique Chagoya, Bruce Conner, Estudio Teddy Cruz with Fonna Forman, Jennifer Moon, PERSIA and DADDIE$ PLA$TIK, Lari Pittman, Rigo 23, Favianna Rodriguez, Martin Wong, and Imin Yeh. This exhibition is curated by Nadiah Fellah, the Andrew W. Mellon Curatorial Fellow. - See more at: http://centerforthehumanities.org/program/left-coast-california-political-art#sthash.GOHr5XU5.dpuf Read more
In 2013, the Graduate Center presents a yearlong public programming series, Cultural Capital: The Promise and Price of New York’s Creative Economy, produced by Graduate Center’s Office of... Read more
PRELUDE, the annual festival dedicated to artists at the forefront of contemporary New York City theatre and performance, celebrates its tenth anniversary at the Graduate Center this fall.... Read more
Caitlin Masley, Symmetric Tectonics2 (ode to patch dynamics), 2013. Site-specific installation, The James Gallery. Pigment acrylics, spray paint, and whiteout with hand-cut foamcore. Photo: Carrie Kinsella. Courtesy the James Gallery, The Graduate Center, CUNY.
What do the visual principles of modernism look like today in the hands of contemporary artists? Observed Ratios, on view at the Graduate Center’s James Gallery from August 14 to October 19,... Read more
Experts from the City University of New York, public and nonprofit sectors, and city government discussed lessons learned from Superstorm Sandy in three sessions, all free and open to the public,... Read more
Paul Griffiths at the Museum of Modern Art, Oxford, 2010. Painting: Howard Hodgkin, Where the Deer and the Antelope Play, courtesy of Gagosian Gallery. Photo: Edmund Blok.
“We Are What We Hear,” a talk by acclaimed music critic Paul Griffiths; a fifteen-minute concert; and a conversation between critic and conductor—these are the aural delights in... Read more