Selected Publications:

Books:

• Reader in Tragedy, co-edited with Marcus Nevitt. London: Bloomsbury, 2019. 
• Greek Tragic Women on Shakespearean Stages. Oxford: Oxford University Press, 2017.
• Milton, Drama, and Greek Texts, co-edited with Tania Demetriou (London: Routledge, 2017; previously published as a special issue of The Seventeenth-Century Journal 31:2 (2016).
• Shakespearean Sensations: Experiencing Literature in Early Modern England. Co-editor, with Katharine Craik. Cambridge: Cambridge University Press, 2013.
• Drugs and Theater in Early Modern England. Oxford: Oxford University Press, 2005.
• Shakespeare’s Theater: A Sourcebook. Oxford: Blackwell Publishing, 2003.

Edited collections:

• Homer and Greek Tragedy in Early Modern England’s Theatres, co-edited with Tania Demetriou; special issue of Classical Receptions Journal 9:1 (2017).

Articles/Chapters:

• “Knowing Kin and Kind in The Winter’s Tale,” in Blind Spots of Knowledge in Shakespeare and his World, ed. Subha Mukherji (Kalamazoo: Medieval Institutes Publications, 2019, 123-132). 
• “Encountering Homer through Greek Plays in Sixteenth-century Europe,” in Epic Performances: from the Middle Ages into the Twenty-first Century, ed. Fiona Macintosh and Justine McConnell (Oxford: Oxford University Press, 2018), 63-75.
• “Tragicomic Conceptions: The Winter’s Tale as response to Amphitryo,” co-written with Beatrice Bradley, English Literary Renaissance 47:2 (2017), 251-269.
• “Staging Ford in New York, 2015: An Interview with Jesse Berger, Artistic Director of the Red Bull Theater,” Early Modern Literary Studies Special Issue 26 (2017).
• “Genre: Comedy and Tragedy,” in The Routledge Research Companion to Shakespeare and Classical Literature, ed. Sean Keilen and Nicholas Moschovakis (New York: Routledge, 2017), 42-56.
• "Homer and Greek Tragedy in Early Modern England's Theatres: An Introduction," co-written with Tania Demetriou in Homer and Greek Tragedy in Early Modern England's Theatres, 9:1 (2017), 1-35.
• "Milton, Drama, and Greek Texts: Preface," co-written with Tania Demetriou in Milton, Drama and Greek Texts 31:2 (2016), 131-137.
• ​“'Tragicomedy,” in The Oxford History of Classical Reception in English Literature, Vol. 2: The Renaissance, eds. Patrick Cheney and Philip Hardie (Oxford: Oxford University Press, 2015), 419-432.
• ​“Hecuba,” in A Dictionary of Shakespeare's Classical Mythology, ed. Yves Peyré, http://www.shakmyth.org/myth/107/hecuba (2015)
• ​“Teaching Petrarch and Shakespeare,” in Approaches to Teaching Petrarch’s “Canzoniere” and Petrarchism, ed. Christopher Kleinhenz and Andrea Dini (New York: MLA, 2014), 230-233.
• ​"Greek Playbooks and Dramatic Forms in Early Modern England,” in Forms of Early Modern Writing, ed. Allison Deutermann and Andras Kisery. (Manchester: Manchester University Press, 2013), 99-123.
• ​“Introduction: Imagining Audiences” (co-written with Katharine Craik), in Shakespearean Sensations (Cambridge: Cambridge University Press, 2013), 1-25.
• ​"Conceiving Tragedy,” in Shakespearean Sensations (Cambridge: Cambridge University Press, 2013), 85-100.
• ​“Audience reception,” in The Oxford Handbook to Shakespeare, ed. Arthur Kinney (Oxford: Oxford University Press, 2012), 452-467.
• “What’s Hecuba to Shakespeare?,” Renaissance Quarterly 65:4 (winter 2012), 1060-1093.
• ​“Drugs, Remedies, Poisons, and the Theatre,”Middleton in Context, ed. Suzanne Gossett (Cambridge: Cambridge University Press, 2011), 287-94.
• ​“Tragedy and Revenge,” in The Cambridge Companion to English Renaissance Tragedy, eds. Emma Smith and Garrett Sullivan (Cambridge: Cambridge University Press, 2010), 58-72.
• “Enclosing the Body: Tudor Conceptions of Skin,” in A Companion to Tudor Literature and Culture, 1485-1603. Ed. Kent Cartwright. Oxford: Blackwell, 2010, 111-123.
• ​“‘A Thing Like Death’: Poisons and Sleeping Potions in Romeo and Juliet and Antony and Cleopatra,” reprinted (from Renaissance Drama, 2003) in Harold Bloom’s Modern Critical Interpretations, William Shakespeare’s Romeo & Juliet, New Edition. New York: Chelsea House, 2009, 29-54.
• ​“Romancing the Greeks: Cymbeline’s Genres and Models,” in How To Do Things with Shakespeare. Ed. Laurie Maguire. Oxford: Blackwell Publishing, 2007, 34-53.
• “Spelling the Body,” in Inhabiting the Body, Inhabiting the World. Ed. Garrett Sullivan and Mary Floyd-Wilson. Basingstoke: Palgrave, 2007, 171-86.
• ​“A Kind of Wild Medicine: Revenge as Remedy in Early Modern England,” in Revista Canaria de Estudios Ingleses 50 (2005), 57-69. Invitational contribution to special journal issue on changing paradigms in literature and science.
• ​“The Pleasures and perils of smoking in early modern England,” in Smoke: A Global History of Smoking. Eds. Sander Gilman and Zhou Xun. London: Reaktion Press, 2004, 38-45.
• “‘No Faith in Physic’: Masquerades of Medicine Onstage and Off,” in Disease, Diagnosis and Cure on the Early Modern Stage: Praxis and Performance, Eds. Stephanie Moss and Kaara Peterson. Aldershot and Burlington, VT: Ashgate Press, 2004.
• ​“‘A Thing Like Death’: Poisons and Sleeping Potions in Romeo and Juliet and Antony and Cleopatra,” Renaissance Drama 32 (2003), 95-121.
• “Les dangers de la beauté: Maquillage et théâtre au dix-septième siècle en Angleterre,” La Beauté et Ses Monstres. Eds. Line Cottegnies, Tony Gheeraert et Gisèle Venet. Paris: Presses de la Nouvelle Sorbonne, 2002, 231-241.
• “Beauty’s Poisonous Properties,” Shakespeare Studies 27 (1999), 187-210.
• “Translating and Transgendering Orestes in Early Modern England,” Translation and Literature 29.1 (2020), 101-116.
• “The Classical Tradition,” in Shakespeare/Sense, ed. Simon Smith (London: Bloomsbury, 2020), 62-81.
• “Playhouses,” in Shakespeare and Emotion, ed. Katharine Craik (Cambridge: Cambridge University Press, 2020), 109-121.

• Reader in Tragedy: An Anthology of Classical Criticism to Contemporary Theory. Co-editor with Marcus Nevitt (Bloomsbury, in contract)