Faculty
Musicology
| Scott Burnham: history of tonal theory; problems of analysis and criticism; 18th and 19th century music and culture |
| Tina Frühauf: Jewish Studies, postmodernism, 19th-century music, 20th-century music |
| David Grubbs: Sound art and experimental music, pop music, poetry, and sound recording. |
| Amy Herzog: Theatre, film music, and Women’s Studies |
| Chadwick Jenkins: history of music theory, music and philosophy, early African-American music |
| Antoni Pizà: Criticism; biographical studies; Spanish music |
| Anne Swartz: Romantic music; eastern European; women composers |
Theory/Analysis
| Norman Carey: scale theory, Schenkerian Analysis; performance/analysis issues |
| Edward Klorman: Music analysis and performance, theories of form and meter, Schenkerian analysis and chamber music |
| Mark Spicer: popular music; postmodern theory and aesthetics |
Ethnomusicology
| Stephen Blum: music of West and Central Asia; ethnomusicological analysis |
| Jane Sugarman: music of Southeastern Europe; gender studies; cultural theory |
Composition
John Corigliano
David Del Tredici
Jason Eckardt
Suzanne Farrin
Douglas Geers
Tania León
Jeff Nichols
David Olan
Bruce Saylor
David Schober
Performance
Voice: Richard Barrett, Amy Burton, Susan Gonzalez, Robert White, Robert C. White
Piano: Jeffrey Biegel, Geoffrey Burleson, Norman Carey, Alison Deane, Steven Graff, Sylvia Kahan, Phillip Kawin, John Musto, Ursula Oppens, Morey Ritt, Gerald Robbins, Jerome Rose, Thomas Sauer
Harpsichord: Raymond Erickson
Guitar: Oren Fader, Frederic Hand
Violin: Chin Kim, Daniel Phillips, Rolf Schulte, Mark Steinberg
Viola: Junah Chung, Paul Neubauer, Karen Ritscher
Cello: Marcy Rosen
Flute: Robert Dick, Tara Helen O’Connor
Oboe: Humbert Lucarelli, Sherry Sylar
Clarinet: Marianne Gythfeldt, Charles Neidich, Ayako Neidich
Bassoon: Harry Searing
French Horn: David Jolley, Ann Ellsworth
Percussion: Morris Lang
Performance Practice: Jason Eckardt, Raymond Erickson, Edward Klorman, Tania León, Ursula Oppens