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Faculty

Musicology

Allan W. Atlas:
William Bauer:
Zdravko Blazekovic:
Royal Brown: film music
Scott Burnham: history of tonal theory; problems of analysis and criticism; 18th and 19th century music and culture
Raymond Erickson:
Tina Frühauf: Jewish Studies, postmodernism, 19th-century music, 20th-century music
David Grubbs: Sound art and experimental music, pop music, poetry, and sound recording.
Karen Henson:
Amy Herzog: Theatre, film music, and Women’s Studies
Chadwick Jenkins: history of music theory, music and philosophy, early African-American music
Stephanie Jensen-Moulton: American music after 1900, opera and disability in 20th-century America
Sylvia Kahan: 19th-century and 20th-century French music
Richard Kramer: 18th and 19th centuries
Bruce MacIntyre: Classical era; Haydn
Barbara Dobbs Mackenzie: 18th century opera
Jennifer Oates: 19th-20th century British music, women and music
Arbie Orenstein: 20th century; French music
Antoni Pizà: Criticism; biographical studies; Spanish music
Dennis Slavin: 15th century, Renaissance
Anne Stone: Medieval and Renaissance music
Anne Swartz: Romantic music; eastern European; women composers
Jeffrey Taylor: American music; jazz history
Janette Tilley: 17th-century music, gender studies, Canadian music
Emily Wilbourne: 17th-century music, gender studies

Theory/Analysis

Kofi Agawu: Music analysis, musical semiotics, African music, postcolonial theory
Mark Anson-Cartwright: Schenkerian Analysis, 18th-Century Music
L. Poundie Burstein: Schenkerian Analysis; theories of form
Norman Carey: scale theory, Schenkerian Analysis; performance/analysis issues
Johanna Devaney: computational musicology, music cognition and psychology, performance studies
Philip Ewell: Modernist Russian music and music theory
Philip Lambert: post-tonal theory; popular music; musical theater
Shaugn O’Donnell: 20th Century; transformational networks; rock music
Jonathan Pieslak: 20th Century; critical theory; popular music
William Rothstein: Schenkerian Analysis; theories of rhythm; theories of form
Mark Spicer: popular music; postmodern theory and aesthetics
Joseph Straus: Music since 1900, musical modernism, post-tonal theory, disability studies

Ethnomusicology

Ray Allen: music of urban America
Eliot Bates: musics of Turkey; audio technologies; recording studios; critical organology; science and technology studies
Stephen Blum: music of West and Central Asia; ethnomusicological analysis
James Cowdery:
Barbara L. Hampton: music of Africa; urban music
Benjamin Lapidus: Caribbean music, jazz, musical analysis and transcription.
Peter L. Manuel: music of India and the Caribbean; world popular music
Jane Sugarman: music of Southeastern Europe; gender studies; cultural theory

Composition

Benjamin Bierman

John Corigliano

David Del Tredici

Jason Eckardt

Suzanne Farrin

Douglas Geers

Tania León

Jeff Nichols

David Olan

Bruce Saylor

David Schober

Performance

Voice: Amy Burton, Susan Gonzalez, Robert White
Piano: Jeffrey Biegel, Geoffrey Burleson, Norman Carey, Alan Feinberg, Sylvia Kahan, Julian Martin, John Musto, Ursula Oppens, Jerome Rose, Thomas Sauer
Harpsichord: Raymond Erickson, Gwendolyn Toth
Guitar: Oren Fader, Frederic Hand
Violin: Daniel Phillips, Rolf Schulte, Mark Steinberg
Viola: Junah Chung, Paul Neubauer
Cello:  Natasha Brofsky, Julia Lichten, Marcy Rosen   
Flute: Robert Dick, Tara Helen O’Connor   
Oboe: Humbert Lucarelli, Sherry Sylar
Clarinet: Marianne Gythfeldt, Charles Neidich, Ayako Neidich
Bassoon: Harry Searing
French Horn: David Jolley, Ann Ellsworth
Percussion: Morris Lang, Jonathan Haas
Performance Practice: Raymond Erickson, Alan Feinberg, Ursula Oppens, Gwendolyn Toth