News and Events

Authored by GC alumna Jeehy Kim, Ph.D. '15, Art History.

From the late nineteenth century, when Korean travellers brought Western photographic technology home from China, to modern times, photography has been interwoven into Korea’s political and cultural history. In Photography and Korea, the first history of Korean photography for a Western readership, Jeehey Kim presents multiple visions of the country, including the divided peninsula, Korea as imagined through foreign eyes, key Korean artists, Korean diasporas and local professional and vernacular photographers. Kim explores studio and institutional practices during the Japanese colonial period, and the divergence of practices after the division of Korea.

Investigating the unsolved murder of a female law student and the pervasive violence against Guatemalan women that drives migration.

Part memoir and part forensic investigation, Textures of Terror is a gripping first-person story of women, violence, and migration out of Guatemala—and how the United States is implicated. Accompanying Jorge Velásquez in a years-long search for answers after the brutal murder of his daughter Claudina Isabel, Victoria Sanford explores what it means to seek justice in "postconflict" countries where violence never ended.

Through this father's determined struggle and other stories of justice denied, Textures of Terror offers a deeper understanding of US policies in Latin America and their ripple effect on migration. Sanford offers an up-close appraisal of the inner workings of the Guatemalan criminal justice system and how it maintains inequality, patriarchy, and impunity. Presenting the stories of other women who have suffered at the hands of strangers, intimate partners, and the security forces, this work reveals the deeply gendered nature of power and violence in Guatemala.

Neither a cautionary tale nor a polemic, Men as Friends is about a variety of male friendships and a variety of men. A “coming-of-old-age story,” it speaks to an audience of men who love or have loved other men but are too embarrassed to say so, opening the reader to the deep sadness of loss as well as the joy of its acknowledgment.

Celebrities in the United States have drawn significant attention and resources to the complex issue of human trafficking—a subject of feminist concern—and they are often criticized for promoting sensationalized and simplistic understandings of the issue. In this comprehensive analysis of celebrities’ anti-trafficking activism, however, Samantha Majic finds that this phenomenon is more nuanced: even as some celebrities promote regressive issue narratives and carceral solutions, others use their platforms to elevate more diverse representations of human trafficking and feminist analyses of gender inequality. Lights, Camera, Feminism? thus argues that we should understand celebrities as multilevel political actors whose activism is shaped and mediated by a range of personal and contextual factors, with implications for feminist and democratic politics more broadly.

By GC Alumnus, Calvin John Smiley (Ph.D. in Sociology, 2014)

Reentry after release from incarceration is often presented as a story of redemption. Unfortunately, this is not the reality. Those being released must navigate the reentry process with diminished legal rights and amplified social stigmas, in a journey that is often confusing, complex, and precarious. Making use of life-history interviews, focus groups, and ethnographic fieldwork with low-income urban residents of color, primarily Black men, Calvin John Smiley finds that reentry requires the recently released to negotiate a web of disjointed and often contradictory systems that serve as an extension of the carceral system. No longer behind bars but not fully free, the recently released navigate a state of limbo that deprives them of opportunity and support while leaving them locked in a cycle of perpetual punishment. Warning of the dangers of reformist efforts that only serve to further entrench carceral systems, Purgatory Citizenship advocates for abolitionist solutions rooted in the visions of the people most affected.

What sets Staten Island apart from the rest of New York City? The island’s identity has in part been defined in opposition to the city, its physical and cultural differences, and the perception of neglect by city government. It has long been whiter, wealthier, less populated, and more politically conservative. And despite many attempts over the years, Staten Island is not connected by the subway to any of the other four boroughs.

Kenneth M. Gold argues that the lack of a subway connection has deeply shaped Staten Island’s history and identity. He chronicles decades of recurrent efforts to build a rail link, using this history to explore the borough’s fraught relationship with New York City as a whole. The Forgotten Borough ranges from when Staten Island first contemplated joining the city in the 1890s to the opening of the Verrazzano-Narrows Bridge in 1964, highlighting pivotal moments when the construction of a subway appeared possible. The economics and engineering of tunnel construction, the difficulty of uniting Staten Islanders around a single solution, competition from the other boroughs, and resistance from powerful corporations and public authorities all undermined a rapid transit connection. Gold demonstrates that the failure to establish a rail link during this period caused Staten Island to diverge culturally, demographically, and politically from the other four boroughs. Drawing on extensive archival research, The Forgotten Borough shows how transportation infrastructure and politics shed new light on urban history.

In recent years the United States has witnessed major controversies surrounding past American presidents, monuments, and sites. Consider Mount Rushmore, which features the heads of the nation’s most revered presidents—George Washington, Thomas Jefferson, Abraham Lincoln, and Theodore Roosevelt. Is Rushmore a proud national achievement or a symbol of the U.S. theft and desecration of the Lakota Sioux’s sacred land? Is it fair to denigrate George Washington for having owned slaves and Thomas Jefferson for having had a relationship with Sally Hemings, an enslaved woman, to the point of dismissing these men’s accomplishments? Should we retroactively hold Abraham Lincoln accountable for having signed off on the largest single-day mass execution in U.S. history, of thirty-eight Dakota men? How do we reckon with Theodore Roosevelt’s legacy? He was criticized for his imperialist policies but praised for his prolabor antitrust and conservation programs. These charged issues and many others have been plaguing our nation and prompting the removal of Confederate statues and flags amid racial unrest, a national pandemic, and political strife.

Noted art historian Harriet F. Senie tackles these pivotal subjects and more in Monumental Controversies. Senie places partisan politics aside as she investigates subjects that have not been adequately covered in classrooms or literature and require substantial reconciliation in order for Americans to come to terms with their history. She shines a spotlight on the complicated facts surrounding these figures, monuments, and sites, enabling us to revisit the flaws of our Founding Fathers and their checkered legacies while still recognizing their enormous importance and influence on the United States of America.

How do we identify the "queer auteur" and their queer imaginings? Is it possible to account for such a figure when the very terms "queer" and "auteur" invoke aesthetic surprises and disorientations, disconcerting ironies and paradoxes, and biographical deceits and ambiguities? In eighteen eloquent chapters, David A. Gerstner traces a history of ideas that spotlight an ever-shifting terrain associated with auteur theory and, in particular, queer-auteur theory. Engaging with the likes of Oscar Wilde, Walter Benjamin, James Baldwin, Jean Louis Baudry, Linda Nochlin, Jane Gallop, Cáel Keegan, Luce Irigaray, and other prominent critical thinkers, Gerstner contemplates how the queer auteur in film theory might open us to the work of desire.

Queer Imaginings argues for a queer-auteur in which critical theory is reenabled to reconceptualize the auteur in relation to race, gender, sexuality, and desire. Gerstner succinctly defines the contours of a history and the ongoing discussions that situate queer and auteur theories in film studies. Ultimately, Queer Imaginings is a journey in shared pleasures in which writing for and about cinema makes way for unanticipated cinematic friendships.

An incisive memoir of Rachel M. Brownstein’s seemingly quintessential Jewish mother, a resilient and courageous immigrant in New York.

When she arrived alone in New York in 1924, eighteen-year-old Reisel Thaler resembled the other Yiddish-speaking immigrants from Eastern Europe who accompanied her. Yet she already had an American passport tucked in her scant luggage. Reisel had drawn her first breath on the Lower East Side of Manhattan in 1905, then was taken back to Galicia (in what is now Poland) by her father before she turned two. She was, as she would boast to the end of her days, “American born.” 

A paradigm-shattering biography of Phillis Wheatley, whose extraordinary poetry set African American literature at the heart of the American Revolution.

Admired by George Washington, ridiculed by Thomas Jefferson, published in London, and read far and wide, Phillis Wheatley led one of the most extraordinary American lives. Seized in West Africa and forced into slavery as a child, she was sold to a merchant family in Boston, where she became a noted poet at a young age. Mastering the Bible, Greek and Latin translations, and the works of Pope and Milton, she composed elegies for local elites, celebrated political events, praised warriors, and used her verse to variously lampoon, question, and assert the injustice of her enslaved condition. “Can I then but pray / Others may never feel tyrannic sway?” By doing so, she added her voice to a vibrant, multisided conversation about race, slavery, and discontent with British rule; before and after her emancipation, her verses shook up racial etiquette and used familiar forms to create bold new meanings. She demonstrated a complex but crucial fact of the times: that the American Revolution both strengthened and limited Black slavery.

In this new biography, the historian David Waldstreicher offers the fullest account to date of Wheatley’s life and works, correcting myths, reconstructing intimate friendships, and deepening our understanding of her verse and the revolutionary era. Throughout The Odyssey of Phillis Wheatley, he demonstrates the continued vitality and resonance of a woman who wrote, in a founding gesture of American literature, “Thy Power, O Liberty, makes strong the weak / And (wond’rous instinct) Ethiopians speak.”

The search for the 'furniture of the mind' has acquired added impetus with the rise of new technologies to study the brain and identify its main structures and processes. Philosophers and scientists are increasingly concerned to understand the ways in which psychological functions relate to brain structures. Meanwhile, the taxonomic practices of cognitive scientists are coming under increased scrutiny, as researchers ask which of them identify the real kinds of cognition and which are mere vestiges of folk psychology. Muhammad Ali Khalidi present a naturalistic account of 'real kinds' to validate some central taxonomic categories in the cognitive domain, including concepts, episodic memory, innateness, domain specificity, and cognitive bias. He argues that cognitive kinds are often individuated relationally, with reference to the environment and etiology of the thinking subject, whereas neural kinds tend to be individuated intrinsically, resulting in crosscutting relationships among cognitive and neural categories.

Callimachus (ca. 303–ca. 235 BC), a proud and well-born native of Cyrene in Libya, came as a young man to the court of the Ptolemies at Alexandria, where he composed poetry for the royal family; helped establish the Library and Museum as a world center of literature, science, and scholarship; and wrote an estimated 800 volumes of poetry and prose on an astounding variety of subjects, including the Pinakes, a descriptive bibliography of the Library’s holdings in 120 volumes. Callimachus’ vast learning richly informs his poetry, which ranges broadly and reworks the language and generic properties of his predecessors in inventive, refined, and expressive ways. The “Callimachean” style, combining learning, elegance, and innovation and prizing brevity, clarity, lightness, and charm, served as an important model for later poets, not least at Rome for Catullus, Virgil, Horace, Ovid, and the elegists, among others.

This edition, which replaces the earlier Loeb editions by A. W. Mair (1921) and C. A. Trypanis (1954, 1958), presents all that currently survives of and about Callimachus and his works, including the ancient commentaries (Diegeseis) and scholia. Volume I contains Aetia, Iambi, and lyric poems; Volume II, Hecale, Hymns, and Epigrams; and Volume III, miscellaneous epics and elegies, other fragments, and testimonia, together with concordances and a general index.

Callimachus (ca. 303–ca. 235 BC), a proud and well-born native of Cyrene in Libya, came as a young man to the court of the Ptolemies at Alexandria, where he composed poetry for the royal family; helped establish the Library and Museum as a world center of literature, science, and scholarship; and wrote an estimated 800 volumes of poetry and prose on an astounding variety of subjects, including the Pinakes, a descriptive bibliography of the Library’s holdings in 120 volumes. Callimachus’ vast learning richly informs his poetry, which ranges broadly and reworks the language and generic properties of his predecessors in inventive, refined, and expressive ways. The “Callimachean” style, combining learning, elegance, and innovation and prizing brevity, clarity, lightness, and charm, served as an important model for later poets, not least at Rome for Catullus, Virgil, Horace, Ovid, and the elegists, among others.

This edition, which replaces the earlier Loeb editions by A. W. Mair (1921) and C. A. Trypanis (1954, 1958), presents all that currently survives of and about Callimachus and his works, including the ancient commentaries (Diegeseis) and scholia. Volume I contains Aetia, Iambi, and lyric poems; Volume II, Hecale, Hymns, and Epigrams; and Volume III, miscellaneous epics and elegies, other fragments, and testimonia, together with concordances and a general index.

Callimachus (ca. 303–ca. 235 BC), a proud and well-born native of Cyrene in Libya, came as a young man to the court of the Ptolemies at Alexandria, where he composed poetry for the royal family; helped establish the Library and Museum as a world center of literature, science, and scholarship; and wrote an estimated 800 volumes of poetry and prose on an astounding variety of subjects, including the Pinakes, a descriptive bibliography of the Library’s holdings in 120 volumes. Callimachus’ vast learning richly informs his poetry, which ranges broadly and reworks the language and generic properties of his predecessors in inventive, refined, and expressive ways. The “Callimachean” style, combining learning, elegance, and innovation and prizing brevity, clarity, lightness, and charm, served as an important model for later poets, not least at Rome for Catullus, Virgil, Horace, Ovid, and the elegists, among others.

This edition, which replaces the earlier Loeb editions by A. W. Mair (1921) and C. A. Trypanis (1954, 1958), presents all that currently survives of and about Callimachus and his works, including the ancient commentaries (Diegeseis) and scholia. Volume I contains Aetia, Iambi, and lyric poems; Volume II, Hecale, Hymns, and Epigrams; and Volume III, miscellaneous epics and elegies, other fragments, and testimonia, together with concordances and a general index.

Public spaces -- where people from all walks of life play, work, meet, talk, read, think, debate, and protest -- are vital to a healthy civic life. And, as the eminent scholar of public space Setha Low argues in Why Public Space Matters, even fleeting moments of visibility and encounter in these spaces tend to foster a broader worldview and our willingness to accept difference. Such experiences also enhance flexible thinking, problem solving, creativity, and inclusiveness. There are many such spaces, but they all enhance social life. Sidewalks and plazas offer business opportunities for small-scale entrepreneurs who cannot afford store space. Public parks have long provided major cultural attractions, from plays to concerts, at little or no cost to the public. Central squares have a storied tradition as arenas for demonstrations and political protests. Parks and waterways create sustainable greenways, and during disasters, all manner of public spaces become centers for food delivery and shelter. To illustrate their value, Low draws from decades of research in public spaces across the Americas, from New York to Costa Rica.

By Jeffrey M. Binder (Ph.D. in English, 2018)

A wide-ranging history of the algorithm.

Bringing together the histories of mathematics, computer science, and linguistic thought, Language and the Rise of the Algorithm reveals how recent developments in artificial intelligence are reopening an issue that troubled mathematicians well before the computer age: How do you draw the line between computational rules and the complexities of making systems comprehensible to people? By attending to this question, we come to see that the modern idea of the algorithm is implicated in a long history of attempts to maintain a disciplinary boundary separating technical knowledge from the languages people speak day to day.

Here Binder offers a compelling tour of four visions of universal computation that addressed this issue in very different ways: G. W. Leibniz’s calculus ratiocinator; a universal algebra scheme Nicolas de Condorcet designed during the French Revolution; George Boole’s nineteenth-century logic system; and the early programming language ALGOL, short for algorithmic language. These episodes show that symbolic computation has repeatedly become entangled in debates about the nature of communication. Machine learning, in its increasing dependence on words, erodes the line between technical and everyday language, revealing the urgent stakes underlying this boundary.

The idea of the algorithm is a levee holding back the social complexity of language, and it is about to break. This book is about the flood that inspired its construction.

The history of slavery, colonization, subjugation, gratuitous violence, and the denial of basic human rights to people of African descent has led Afro-Pessimists to look at black existence through the lens of white supremacy and anti-blackness. Against this trend, Black Existential Freedom argues that Blackness is not inherently synonymous with victimhood. Rather, it is inextricable from existential freedom and the struggle for political liberation.

This book presents an existential analysis of continental and diasporic African experiences through critical interpretations of music, film, and fiction that portray what it means to be human— to persevere in the tension between life and physical, psychological, and social death—for the sake of freedom. With its transdisciplinary perspective and convergence of Africana existential philosophy, African-American Studies, Afro-French Studies, Diaspora Studies, and African studies, this book is not concerned with disciplinary boundaries or certain appropriations of European metaphysics that are committed to a reading of black “non-being.” Black Existential Freedom explores the continuities and discontinuities of black existence and the manifestations and the meanings of blackness within different countries, time periods, and social and political contexts.

Etoke's book empowers the reader to understand and process the complexities of racialized identity in a globalized contemporary society. Ultimately, it is an ode to human survival and freedom.

The future of Honduras begins and ends on the white sand beaches of Tela Bay on the country's northeastern coast where Garifuna, a Black Indigenous people, have resided for over two hundred years. In The Ends of Paradise, Christopher A. Loperena examines the Garifuna struggle for life and collective autonomy, and demonstrates how this struggle challenges concerted efforts by the state and multilateral institutions, such as the World Bank, to render both their lands and their culture into fungible tourism products. Using a combination of participant observation, courtroom ethnography, and archival research, Loperena reveals how purportedly inclusive tourism projects form part of a larger neoliberal, extractivist development regime, which remakes Black and Indigenous territories into frontiers of progress for the mestizo majority. The book offers a trenchant analysis of the ways Black dispossession and displacement are carried forth through the conferral of individual rights and freedoms, a prerequisite for resource exploitation under contemporary capitalism.

This book provides a succinct but sophisticated understanding of humanitarianism and insight into the on-going dilemmas and tensions that have accompanied it since its origins in the early nineteenth century. An accessible and engaging work by two of the leading scholars in the field, Humanitarianism Contested is essential reading for all those concerned with the future of human rights and international relations.

co-edited by May Ahmar (Linguistics Ph.D. candidate), Wafa Bahri (Ph.D. '19, Linguistics)​

This volume showcases innovative research on dialectal, vernacular, and other forms of “oral,” speech-like writing in digital spaces. The shift from a predominantly print culture to a digital culture is shaping people's identities and relationships to one another in important ways. Using examples from distinct international contexts and language varieties (kiAmu, Lebanese, Ettounsi, Shanghai Wu, Welsh English, and varieties of American English) the authors examine how people use unexpected codes, scripts, and spellings to say something about who they are or aspire to be. This book will be of particular interest to students and scholars interested in the impact of social media on language use, style, and orthography, as well as those with a broader interest in literacy, communication, language contact, and language change.

The book contains chapters written by May Ahmar (Linguistics Ph.D. candidate), Wafa Bahri (Ph.D. '19, Linguistics)​, Eric Chambers (Ph.D. '17, Linguistics), and Michelle McSweeney (Ph.D. ‘16, Linguistics)

By Charlie Markbreiter (Ph.D. candidate in English)

“Hey, Upper East Siders. Gossip Girl here. And I have the biggest news ever.” Every episode starts like this. We’re Upper East Siders; Gossip Girl tells us we are. But also, we aren’t and never will be. All we can do is look inside. Gossip Girl Fanfic Novella follows Gossip Girl, an anonymous blog, and the prep school students she reports on, who snitch on each other for likes. They include: Nate, beautiful transgender himbo, Bernie Madoff’s son; Serena (It Girl); Dan (vengeful alt nerd). Meanwhile, in the year 2030, Gordon (former TV protege) starts writing for Gossip Girl 3: the Reboot. Will he self-sabotage? Or…? Gossip Girl began as a YA book series; it was first published in 2002, one year into America’s War on Terror. Soon adapted for TV, Gossip Girl premiered on the CW network in 2007, swerving through the Financial Crash, and ending in 2012, midway through the Obama years. Interlaced with essays on transsexuality, clones, dissociating, American Apparel, and affect theorist Lauren Berlant, Gossip Girl Fanfic Novella is a parasocial eulogy for the aughts.

By Patricia Ondek Laurence (Ph.D. in English, 1989)

Poems about legacies, awakenings, love, and offspring.

By Deborah Lutz (Ph.D. in English, 2004)

This book shows how authors in nineteenth-century Britain used the materials of writing (and of reading, drawing, and handicraft) for inspiration and creative composition. In doing so, it reshapes the sensory history of working on and with paper. These activities were many and varied: Charlotte Brontë composed poems and doodled in the margins of school books, George Eliot recorded writing ideas on her blotter, Elizabeth Barrett Browning sewed paper to paper to edit her poems, and Jane Austen employed straight pins to "cut and paste."

Albums provided a playful space to collect and to produce text-and-collage gifts for friends, circumventing print culture for a more intimate book making, as Elizabeth Gaskell and Anna Atkins knew. Notebooks and commonplace books were vital to Eliot, Michael Field, and Emily Brontë as part of a writing process. Writers experimented with crafts and needlework to compose text without paper and ink, most notably in the case of samplers. What writing and drawing happened on—including bibles, sewing patterns, and walls—mattered, as related to, and generative of, the themes of the work. This expansive field of meanings that creativity with textual (and material) things could have was common to the Victorians, but the writers explored here were extravagant even among their self-reflexive contemporaries in their undoing, remaking, miniaturizing, encrypting, reusing, and transforming. The edge of the page, the width of the margin, the covers of the book, were limiting factors, but also provocations to push on further, be radical.

While the national narrative coming out of Ireland since the 2008 economic crisis has been relentlessly sanguine, fiction has offered a more nuanced perspective from both well-established and emerging authors. In Broken Irelands, McGlynn examines Irish fiction of the post-crash era, addressing the proliferation of writing that downplays realistic and grammatical coherence. Noting that these traits have the effect of diminishing human agency, blurring questions of responsibility, and emphasizing emotion over rationality, McGlynn argues that they reflect and respond to social and economic conditions during the global economic crisis and its aftermath of recession, austerity, and precarity. Rather than focusing on overt discussions of the crash and recession, McGlynn explores how the dominance of an economic worldview, including a pervasive climate of financialized discourse, shapes the way stories are told. In the writing of such authors as Anne Enright, Colum McCann, Mike McCormack, and Lisa McInerney, McGlynn unpacks the ways that formal departures from realism through grammatical asymmetries like unconventional verb tenses, novel syntactic choices, and reliance on sentence fragments align with a cultural moment shaped by feelings of impotence and rhetorics of personal responsibility.

This English/Spanish bilingual volume explores Cuban and U.S. landscape painters largely active from 1850 to 1910 whose portrayals of Cuba reflect political, social, and ideological changes in both countries.

In the Mind's Eye tells many stories about Cuba that reflect the island's significance, both as the place from which Cubans fled, and a destination to which Americans flocked. While the dynamics of the Revolution in 1959 frame many conversations about Cuba, this volume seeks a longer historical trajectory by focusing on the 19th century--with visual interpretations and commentary by 21st-century artists. American artists William Glackens, Childe Hassam, Winslow Homer, and Willard Metcalf are featured alongside contemporary artists including Juan Carlos Alom, Mar a Magdalena Campos-Pons, and Juana Vald's. Two new interviews with artists Juana Vald's and Carlos Martiel conducted by Donette Francis and Elvia Rosa Castro highlight the importance of contemporary Cuban art.

A ground-breaking exploration of the Cuban landscape in the imagination of American and Cuban artists, In the Mind's Eye opens new avenues of inquiry about the Caribbean island which has played an outsized role in global politics, economics, and culture. For centuries an Edenic image of fantasy and escapism has been projected onto Cuba by observers from North America and Europe. Until recent times, the harsh historical and contemporary realities of servitude, racial strife, and environmental degradation rarely colored artists portrayal of the country, presenting a skewed perspective on this nation.

Language is a dangerous burning woods. ‘What's at stake is thus far what survives the inferno’. And in those hot thickets, The Animal of Existence by Jared Daniel Fagen is itself a complex animal — crouching, questioning, restless, at times stalking the edges of consciousness, at times wild of mouth, with an electric charged bite. It offers a series of poetic prose texts, hybrid in their inventive logics of narrative and syntax, each piece carrying distinct music and texture. ‘I am walled and rung alive by your love, your love annihilated me from the territory of circumferences, of your retina.’ This book powerfully wrangles alienation and identity as well as grief, hard feelings, and ‘the mourning dusk of us’. The angles are vividly torqued and they touch the delicate nerves. ‘Say I a wound instead.’

Jared Daniel Fagen is a Ph.D. candidate in Comparative Literature at The Graduate Center. 

Chingona Rules is a handbook for resiliency and a radical love letter to unapologetic bodies that know “healing starts at the wound.” Melissa Castillo Planas proves we don’t have to bleed out in our poems in order to be heard, but if we choose to, we suture the wound and wear the scar proudly.  She invites us to dream boundlessly, despite the dystopian society she calls her American home of “fantasias imposibles” and rather than paint a perfect picture, Castillo Planas proudly points to her tattoos, with the smirk of satisfaction, self-acceptance, and ancestral knowledge that declares Chingonas like her “will not be contained.” – Peggy Robles- Alvarado, poet

In Transatlantic Liverpool: Shades of the Black Atlantic, Mark Christian presents a Black British study within the context of the transatlantic and Liverpool, England. Taking a semi-autoethnographic approach based on the author's Black Liverpool heritage, Christian interacts with Paul Gilroy's notion of the Black Atlantic. Yet, provides a fresh perspective that takes into account a famous British slave port's history that has been overlooked or under-utilized. The longevity of Black presence in the city involves a history of discrimination, stigma, and a population group known colloquially as Liverpool Born Blacks (LBBs). Crucially, this book provides the reader with a deeper insight of the transatlantic in regard to the movement of Black souls and their struggle for acceptance in a hostile environment. This book is an evocative, passionate, and revealing read.

Tracing the evolution of the Italian avant-garde’s pioneering experiments with art and technology and their subversion of freedom and control

In postwar Italy, a group of visionary artists used emergent computer technologies as both tools of artistic production and a means to reconceptualize the dynamic interrelation between individual freedom and collectivity. Arte Programmata traces the multifaceted practices of these groundbreaking artists and their conviction that technology could provide the conditions for a liberated social life.

Lindsay Caplan holds a Ph.D. in Art History from CUNY Graduate Center. 

By Cheryl Fish (Ph.D. in English, 1997)

With age 40 looming, Nate, Nora, and Lulu find their lives unraveling, their aspirations dashed. Nate, dead broke, in his eighth year of graduate school delves into yoga. Nate's ex-girlfriend Nora finagles a position in Finland where she tries on men like miniskirts and embraces sisu, the Finnish concept of perseverance, in pursuit of motherhood. And yogi Lulu, Nate’s talented teacher, yearns to get to the bottom of her nightmares of childhood abuse as she travels to her hometown, New Orleans, to care for her ailing mother.

Off the Yoga Mat explores jealousy, bends of the body, and the courage to confront traumatic memory. Told in alternating chapters by Nate, Lulu, and Nora, the novel takes the reader on three risky coming-of-middle age journeys through sensuality, emotional evolution, and breathing deep.

This collection of the correspondence between artist Rosemary Mayer and poet Bernadette Mayer occurs between the years of 1976 and 1980, a period of rich creativity in New York’s artistic avant-garde, and one which includes the development of major bodies of work by the two women.

Rosemary Mayer was creating sculptures, watercolours, books and “temporary monuments” from weather balloons and snow, while Bernadette Mayer was working on some of her best-known publications, including the book-length poem Midwinter Day and the poetry collection The Golden Book of Words.

Spanning the worlds of Conceptual art, Postminimalism, feminism, the New York School, Language poetry and more, these letters elucidate the bonds of sisterhood through intimate exchanges about art, relationships and everyday life.

Published on occasion of the touring exhibition ‘Rosemary Mayer: Ways of Attaching’, 9 Sep 2021 – 9 Jan 2022, Swiss Institute of Contemporary art, New York; 5 March – 22 May 2022, Ludwig Forum Aachen; 11 Jun – 18 Sep 2022, Lenbachhaus, München; and 8 Oct 2022 – 15 Jan 2023, Spike Island, Bristol.

Co-published with Swiss Institute.

By Margaret R. Sáraco (M.A. '95, Liberal Studies)

If There Is No Wind is a book of frank wonder—frank in its clear-eyed assessment of “human cruelty,” asking “What will become of us?”; wonder at the healing beauty of nature, family, art, “the ordinary, the lived in.” In taking all of this on, Sáraco reminds us that “We, the flawed, inherit the earth,” but this news should be as much comfort as indictment. After all, it suggests that “you are not alone,” and that “there can still be great//abundance.” These poems are, in a wounded time, a much-needed salve —David Ebenbach, author, What’s Left to Us by Evening

Co-edited by James Cuno

A pathbreaking call to halt the intertwined crises of cultural heritage attacks and mass atrocities and mobilize international efforts to protect people and cultures.
 
Intentional destruction of cultural heritage has a long history. Contemporary examples include the Bamiyan Buddhas in Afghanistan, mosques in Xinjiang, mausoleums in Timbuktu, and Greco-Roman remains in Syria. Cultural heritage destruction invariably accompanies assaults on civilians, making heritage attacks impossible to disentangle from the mass atrocities of genocide, war crimes, crimes against humanity, and ethnic cleansing. Both seek to eliminate people and the heritage with which they identify.
 
Cultural Heritage and Mass Atrocities assembles essays by thirty-eight experts from the heritage, social science, humanitarian, legal, and military communities. Focusing on immovable cultural heritage vulnerable to attack, the volume's guiding framework is the Responsibility to Protect (R2P), a United Nations resolution adopted unanimously in 2005 to permit international intervention against crimes of war or genocide. Based on the three pillars of prevent, react, and rebuild, R2P offers today's policymakers a set of existing laws and international norms that can and—as this book argues—must be extended to the protection of cultural heritage. Contributions consider the global value of cultural heritage and document recent attacks on people and sites in China, Guatemala, Iraq, Mali, Sri Lanka and Afghanistan, Syria, and Yemen. Comprehensive sections on vulnerable populations as well as the role of international law and the military offer readers critical insights and point toward research, policy, and action agendas to protect both people and cultural heritage. A concise abstract of each chapter is offered online in Arabic, Chinese, French, Russian, and Spanish to facilitate robust, global dissemination of the strategies and tactics offered in this pathbreaking call to action.

Co-authored by Georgia Winters (Ph.D. '18, Psychology)

This book provides an in-depth overview of the current research on sexual grooming. It explores the process by which an individual seeking to commit a sexual offense skillfully manipulates a potential victim into situations in which abuse can be more readily committed, while simultaneously preventing disclosure and detection. This volume addresses this understudied phenomenon and comprehensively examines what is currently known about the construct. It provides a thorough introduction to the sexual grooming literature, focusing on the history of the term and how sexual grooming strategies have become more publicly recognized through high-profile cases, as well as those in child-serving organizations (e.g., Catholic Church, Boy Scouts of America). The book reviews the various proposed models of sexual grooming – including the Sexual Grooming Model (SGM) – that detail the overarching steps or stages involved in the process. It discusses attempts to define the construct of sexual grooming and addresses potential consequences of sexual grooming, emphasizing how victims, families, and communities at large may be affected.

Y Tu Mamá También (2001), an intelligent and sensual road movie directed by Alfonso Cuarón and co-written by him and his brother Carlos, is both an acclaimed feature by a director who would go on to win Oscars and a box office success abroad and in its native Mexico, where it was the biggest grossing local film of all time. Its teenage protagonists Gael García Bernal and Diego Luna went on to be major stars of global cinema.

Yet on its release the film was vilified by established Mexican critics as a coarse comedy and 'Penthouse fantasy' of youthful lust for an older woman. Paul Julian Smith's lucid study of the film argues that Y Tu Mamá También not only addresses with playful seriousness such major issues as gender, race, class, and space, which are yet more urgent now than they were on its release; but that the film's apparently casual aesthetic masks a sophisticated audiovisual style, one which brings together popular genre film and auteurist experiment.

Smith suggests Y Tu Mamá También remains an example for world cinema of how a very local film can connect with a global audience that is ignorant of such niceties. Combining production and distribution history, based on unexplored material held in Mexico City archives, with close textual analysis, Smith makes an argument for Cuarón's film as an enduring masterpiece that hides in plain sight as an ephemeral teen movie.

A unique blend of graph theory and network science for mathematicians and data science professionals alike.

Featuring topics such as minors, connectomes, trees, distance, spectral graph theory, similarity, centrality, small-world networks, scale-free networks, graph algorithms, Eulerian circuits, Hamiltonian cycles, coloring, higher connectivity, planar graphs, flows, matchings, and coverings, Graphs and Networks contains modern applications for graph theorists and a host of useful theorems for network scientists.

Also by Christina Katopodis (Ph.D. in English, 2021)

What the latest science of learning tells us about inspiring, effective, and inclusive teaching at the college level.

College instruction is stuck in the past. If a time traveler from a century ago arrived on today’s campuses, they would recognize only too well the listlessness of the lecture hall and the awkward silence of the seminar room. Yet we know how to do better. Cathy N. Davidson and Christina Katopodis, two of the world’s foremost innovators in higher education, turn to the latest research and methods to show how teachers at every kind of institution can help students become independent, creative, and active learners.

The New College Classroom helps instructors in all disciplines create an environment that is truly conducive to learning. Davidson and Katopodis translate cutting-edge research in learning science and pedagogy into ready-to-use strategies to incorporate into any course. These empirically driven, classroom-tested techniques of active learning—from the participatory syllabus and ungrading to grab-and-go activities for every day of the term—have achieved impressive results at community colleges and research universities, on campus, online, and in hybrid settings.

Extensive evidence shows that active-learning tools are more effective than conventional methods of instruction. Davidson and Katopodis explain how and why their approach works and provide detailed case studies of educators successfully applying active-learning techniques in their courses every day, ensuring that their students are better prepared for the world after college.

By Shirley Idelson (Ph.D. '14, History)

We Shall Build Anew tells the little-known story of how Rabbi Stephen S. Wise founded a pluralistic rabbinical seminary in 1922, and changed the trajectory of American Judaism for the next century. Through the Jewish Institute of Religion, he trained a new cadre of young rabbis who shared his outlook, charged them with invigorating and reshaping Jewish life, and launched them into positions of leadership across the country. While Wise earned the ire of many mainstream Jewish leaders through his disregard for denominational distinctions, JIR became home to faculty and students of widely divergent religious and political viewpoints.

The story of Wise’s vision for American liberal Judaism is now more important than ever. As American Jewry becomes increasingly polarized around debates concerning religious doctrine as well as Zionism and Israel, the JIR model offers hope that progressives and conservatives, Zionists and non-Zionists, and Jews representing the full spectrum of religious life cannot only coexist but also work together in the name of a vibrant Judaism and a just and peaceful world.

Sarah C. Bishop

A young woman flees violence in Mexico and seeks protection in the United States—only to be trafficked as a domestic worker in the Bronx. A decorated immigration judge leaves his post when the policies he proudly upheld capsize in the wake of political turmoil. A Gambian translator who was granted asylum herself talks with other African women about how immigration officers expect victims of torture to behave. A border patrol officer begins to question the training that instructs him to treat the children he finds in the Arizona desert like criminals.

Through these and other powerful firsthand accounts, A Story to Save Your Life offers new insight into the harrowing realities of seeking protection in the United States. Sarah C. Bishop argues that cultural differences in communication shape every stage of the asylum process, playing a major but unexamined role. Migrants fleeing persecution must reconstruct the details of their lives so governmental authorities can determine whether their experiences justify protection. However, Bishop shows, many factors influence whether an applicant is perceived as credible, from the effects of trauma on the ability to recount an experience chronologically to culturally rooted nonverbal behaviors and displays of emotion. For asylum seekers, harnessing the power of autobiographical storytelling can mean the difference between life and death. A Story to Save Your Life emphasizes how memory, communication, and culture intertwine in migrants’ search for safety.

Co-authors: Virginia Barber-Rioja, Sarah Vendzules

Every day, large numbers of immigrants undertake dangerous migration journeys only to face deportation or “removal” proceedings once they arrive in the U.S. Others who have been in the country for many years may face these proceedings as well, and either group may seek to gain lawful status by means of an application to USCIS, the benefits arm of the immigration system. Mental Health Evaluations in Immigration Court examines the growing role of mental health professionals in the immigration system as they conduct forensic mental health assessments that are used as psychological evidence for applications for deportation relief, write affidavits for the court about the course of treatment they have provided to immigrants, help prepare people emotionally to be deported, and provide support for immigrants in detention centers.

Many immigrants appear in immigration court—often without an attorney if they cannot afford one—as part of deportation proceedings. Mental health professionals can be deeply involved in these proceedings, from helping to buttress an immigrant’s plea for asylum to helping an immigration judge make decisions about hardship, competency or risks for violence. There are a whole host of psycho-legal and forensic issues that arise in immigration court and in other immigration applications that have not yet been fully addressed in the field. This book provides an overview of relevant issues likely to be addressed by mental health and legal professionals. Mental Health Evaluations in Immigration Court corrects a serious deficiency in the study of immigration law and mental health, offering suggestions for future scholarship and acting as a vital resource for mental health professionals, immigration lawyers, and judges.

By Eric Dean Wilson (Ph.D. candidate in English)

This “ambitious [and] delightful” (The New York Times) work of literary nonfiction interweaves the science and history of the powerful refrigerant (and dangerous greenhouse gas) Freon with a haunting meditation on how to live meaningfully and morally in a rapidly heating world.

In After Cooling, Eric Dean Wilson braids together air-conditioning history, climate science, road trips, and philosophy to tell the story of the birth, life, and afterlife of Freon, the refrigerant that ripped a hole larger than the continental United States in the ozone layer. As he traces the refrigerant’s life span from its invention in the 1920s—when it was hailed as a miracle of scientific progress—to efforts in the 1980s to ban the chemical (and the resulting political backlash), Wilson finds himself on a journey through the American heartland, trailing a man who buys up old tanks of Freon stockpiled in attics and basements to destroy what remains of the chemical before it can do further harm.

Wilson is at heart an essayist, looking far and wide to tease out what particular forces in American culture—in capitalism, in systemic racism, in our values—combined to lead us into the Freon crisis and then out. “Meticulously researched and engagingly written” (Amitav Ghosh), this “knockout debut” (New York Journal of Books) offers a rare glimpse of environmental hope, suggesting that maybe the vast and terrifying problem of global warming is not beyond our grasp to face.

by Leketi Makalela

Dynamic language practices of African multilingual speakers have not been cogently described in a book-length publication. This book challenges assumptions that have led to 11 languages being assigned official language status in South Africa, and it makes a case for mutual inter-comprehensibility and fluid multilingual practices in post-Apartheid South Africa. Students, teachers, and scholars in sociolinguistics, multilingualism, translanguaging, and teacher education will find this book thought-provoking. 

Makalela, University of the Witwatersrand, Languages, Literacies and Literatures Department, was a former ARC Scholar. 

Despite its image as an epicenter of progressive social policy, New York City continues to have one of the nation's most segregated school systems. Tracing the quest for integration in education from the mid-1950s to the present, The Battle Nearer to Home follows the tireless efforts by educational activists to dismantle the deep racial and socioeconomic inequalities that segregation reinforces. The fight for integration has shifted significantly over time, not least in terms of the way "integration" is conceived, from transfers of students and redrawing school attendance zones, to more recent demands of community control of segregated schools. In all cases, the Board eventually pulled the plug in the face of resistance from more powerful stakeholders, and, starting in the 1970s, integration receded as a possible solution to educational inequality. In excavating the history of New York City school integration politics, in the halls of power and on the ground, Christopher Bonastia unearths the enduring white resistance to integration and the severe costs paid by Black and Latino students. This last decade has seen activists renew the fight for integration, but the war is still far from won.

In Ireland, few figures have generated more hatred than Oliver Cromwell, whose seventeenth-century conquest, massacres, and dispossessions would endure in the social memory for ages to come. The Devil from over the Sea explores the many ways in which Cromwell was remembered and sometimes conveniently 'forgotten' in historical, religious, political, and literary texts, according to the interests of different communities across time. Cromwell's powerful afterlife in Ireland, however, cannot be understood without also investigating his presence in folklore and the landscape, in ruins and curses. Nor can he be separated from the idea of the 'Cromwellian': a term which came to elicit an entire chain of contemptuous associations that would begin after his invasion and assume a wholly new force in the nineteenth century.

What emerges from all these memorializing traces is a multitudinous Cromwell who could be represented as brutal, comic, sympathetic, or satanic. He could be discarded also, tellingly, from the accounts of the past, and especially by those which viewed him as an embarrassment or worse. In addition to exploring the many reasons why Cromwell was so vehemently remembered or forgotten in Ireland, Sarah Covington finally uncovers the larger truths conveyed by sometimes fanciful or invented accounts. Contrary to being damaging examples of myth-making, the memorializations contained in martyrologies, folk tales, or newspaper polemics were often productive in cohering communities, or in displaying agency in the form of 'counter-memories' that claimed Cromwell for their own and reshaped Irish history in the process.

Edited by Jesse W. Schwartz (Ph.D. in English, 2012)

New Directions in Print Culture Studies features new methods and approaches to cultural and literary history that draw on periodicals, print culture, and material culture, thus revising and rewriting what we think we know about the aesthetic, cultural, and social history of transnational America.

The unifying questions posed and answered in this book are methodological: How can we make material, archival objects meaningful? How can we engage and contest dominant conceptions of aesthetic, historical, and literary periods? How can we present archival material in ways that make it accessible to other scholars and students? What theoretical commitments does a focus on material objects entail?

New Directions in Print Culture Studies brings together leading scholars to address the methodological, historical, and theoretical commitments that emerge from studying how periodicals, books, images, and ideas circulated from the 19th century to the present. Reaching beyond national boundaries, the essays in this book focus on the different materials and archives we can use to rewrite literary history in ways that highlight not a canon of “major” literary works, but instead the networks, dialogues, and tensions that define print cultures in various moments and movements.

This book is co-authored by Ron Nerio.

Since it was founded in 1894, amidst Johannesburg’s transformation from a mining town into the largest city in southern Africa, Hillbrow has been a community of migrants. As the “city of gold” accumulated wealth on the backs of migrant laborers from southern Africa, Jewish Eastern Europeans who had fled pogroms joined other Europeans and white South Africans in this emerging suburb. After World War II, Hillbrow became a landscape of high-rises that lured western and southern Europeans seeking prosperity in South Africa’s booming economy. By the 1980s, Hillbrow housed some of the most vibrant and visible queer spaces on the continent while also attracting thousands of Indian and Black South Africans who defied apartheid laws to live near the city center. Filling the void for a book about migration within the Global South, The Roads to Hillbrow explores how one South African neighborhood transformed from a white suburb under apartheid into a “grey zone” during the 1970s and 1980s to become a “port of entry” for people from at least twenty-five African countries.

The Roads to Hillbrow explores the diverse experiences of domestic and transnational migrants who have made their way to this South African community following war, economic dislocation, and the social trauma of apartheid. Authors Ron Nerio and Jean Halley weave sociology, history, memoir, and queer studies with stories drawn from more than 100 interviews. Topics cover the search for employment, options for housing, support for unaccompanied minors, possibilities for queer expression, the creation of safe parks for children, and the challenges of living without documents. Current residents of Hillbrow also discuss how they cope with inequality, xenophobia, high levels of crime, and the harsh economic impacts of COVID-19.

Many of the book’s interviewees arrived in Hillbrow seeking not only to gain better futures for themselves but also to support family members in rural parts of South Africa or in their countries of origin. Some immerse themselves in justice work, while others develop LGBTQ+ support networks, join religious and community groups, or engage in artistic expression. By emphasizing the disparate voices of migrants and people who work with migrants, this book shows how the people of Hillbrow form connections and adapt to adversity.

The book brings together writing from activists and scholars that examine leftist and decolonial forms of resistance that have emerged from Hong Kong’s contemporary era of protests. Practices such as labor unionism, police abolition, land justice struggles, and other radical expressions of self-governance may not explicitly operate under the banners of leftism and decoloniality. Nevertheless, examining them within these frameworks uncovers historical, transnational, and prefigurative sightlines that can help to contextualize and interpret their impact for Hong Kong’s political future. This collection offers insights not only into Hong Kong's local struggles, but their interconnectedness with global movements as the city remains on the frontlines of international politics.

Wen Liu is an assistant research fellow at the Institute of Ethnology, Academia Sinica, in Taiwan. She received her Ph.D. in Psychology (2017) from the CUNY Graduate Center. Liu is broadly interested in issues of race, sexuality, and affect, she has published in journals such as American Quarterly, Feminism & Psychology, Journal of Asian American Studies, and Subjectivity.

Through expert guidance on understanding, interpreting, and writing about Shakespeare's language, this book makes The Winter's Tale accessible and exciting for students. It demonstrates that careful attention to Shakespeare's complex dramatic language can clarify the structure and concerns of the play, as well as provide deep and satisfying engagement with the social, political and ethical questions Shakespeare raises. Each chapter features a 'Writing Matters' section designed to connect analysis of Shakespeare's language to students' development of their own writing strategies. The book examines topics in the play such as tragicomic genre; women's assertion of social and political agency; obedience and resistance to rulers; the virtues and risks of following festivity, and disputes over the proper forms of religious devotion.

In this collection, Literacy and Learning in Times of Crisis: Emergent Teaching Through Emergencies, the contributors offer insights from theoretical, historical, and pedagogical lenses and these critical insights emerge out of their academic, scholarly, and personal experiences of teaching during crises. In some cases, authors have taught while battling COVID, and others have done so while addressing and acknowledging school-based violence. While some teach the analysis of the discourse of crisis, others critique the missteps of policy-making during calamity. More so, some authors examine the finesse of micro-teaching at emotional levels; others find the means to develop macro-structures of programmatic curriculum. Literacy and Learning in Times of Crisis highlights the educational decision making that educators have used to cope with the dilemmas that they and their students have faced at the turn of the millennium. Specifically, contributors to this collection offer a broad range of experiences, expertise, and engagement with pedagogy during emergencies that we currently face but also frame issues of emergencies that will inevitably challenge educators in the future.

Co-editors Sara P. Alvarez, Yana Kuchirko, Mark McBeth, Meghmala Tarafdar, and Missy Watson bring varying expertise and knowledge about pedagogy to their editorial efforts on this collection. All are faculty members of the City University of New York, instructing a wide diversity of students at CUNY’s many campuses. In the largest public university in the nation, they have each supported students’ learning through dire national emergency events, such as 9/11, Hurricane Sandy, highly publicized police violence as well as other large-and-small-scale crises.

New collection of writings from one of the foremost contemporary critical thinkers on racism, geography and incarceration

Gathering together Ruth Wilson Gilmore’s work from over three decades, Abolition Geographypresents her singular contribution to the politics of abolition as theorist, researcher, and organizer, offering scholars and activists ways of seeing and doing to help navigate our turbulent present.

Abolition Geography moves us away from explanations of mass incarceration and racist violence focused on uninterrupted histories of prejudice or the dull compulsion of neoliberal economics. Instead, Gilmore offers a geographical grasp of how contemporary racial capitalism operates through an “anti-state state” that answers crises with the organized abandonment of people and environments deemed surplus to requirement. Gilmore escapes one-dimensional conceptions of what liberation demands, who demands liberation, or what indeed is to be abolished. Drawing on the lessons of grassroots organizing and internationalist imaginaries, Abolition Geography undoes the identification of abolition with mere decarceration, and reminds us that freedom is not a mere principle but a place.

Edited with an introduction by Brenna Bhandar and Alberto Toscano.

This book is co-authored by Amy Eshleman and Ramya Vijaya.

Seeing White: An Introduction to White Privilege and Race, Second Edition is an interdisciplinary, supplemental textbook that challenges undergraduate students to see race as everyone’s issue. The book’s early chapters establish a solid understanding of privilege and power, leading to a critical exploration of discrimination.

In 1990-91, while teaching at the University of Baton-Rouge, Louisiana, Edouard Glissant participated in a series of conversations with his medievalist colleague Alexandre Leupin. These conversations reveal his long-standing opposition to systems of thought and to fixed ideologies, as well as his interest in what philosophers generally scorn-landscapes, the blues, minorities. He envisages the collision between the European Middle-Ages and the reign of Louis XIV as a drama between two concepts of the world: the language of rationality at its height-a system of thought transmitted by Catholicism-versus Creolization-epitomized by Rabelais, Montaigne, and the Pleiade poets-which introduced and developed critical thought, secularism, the legal system, democracy, the abolition of slavery, the rights of man and woman. Throughout his personal story, Edouard Glissant exalts literature and particularly poetry which escapes the doctrine of determinism, develops the idea of "eccentric" thought, and seeks what is new and amazing in the story of human and cultural relationships today. Edouard Glissant is a distinguished professor of French at the Graduate Center.

What the evolving fight for transgender rights reveals about government power, regulations, and the law

Every government agency in the United States, from Homeland Security to Departments of Motor Vehicles, has the authority to make its own rules for sex classification. Many transgender people find themselves in the bizarre situation of having different sex classifications on different documents. Whether you can change your legal sex to “F” or “M” (or more recently “X”) depends on what state you live in, what jurisdiction you were born in, and what government agency you’re dealing with. In Sex Is as Sex Does, noted transgender advocate and scholar Paisley Currah explores this deeply flawed system, showing why it fails transgender and non-binary people.

The Owls Are Not What They Seem is a selective history of modern and contemporary engagements with animals in the visual arts and how these explorations relate to the evolution of scientific knowledge regarding animals. Arnaud Gerspacher argues that artistic knowledge presents a valuable supplement to scientific knowledge when it comes to encountering and existing alongside nonhuman animals and life worlds.

Though critical of art works involving animals that are unreflective and exploitative, Gerspacher’s exploration of aesthetic practices by Allora & Calzadilla, Pierre Huyghe, Agnieszka Kurant, Araya Rasdjarmrearnsook, Martin Roth, David Weber-Krebs, and others suggests that, alongside scientific practices, art has much to offer in revealing the otherworldly qualities of animals and forging ecopolitical solidarities with fellow earthlings. This book is part of the series Forerunners: Ideas First. 

Arnaud Gerspacher, Ph.D. Art History, 2017, is an adjunct professor at City College, CUNY.

This volume demonstrates that migration- and diversity-related concepts are always contested, and provides a reflexive critical awareness and better comprehension of the complex questions driving migration studies. The main purpose of this volume is to enhance conceptual thinking on migration studies.

Examining interaction between concepts in the public domain, the academic disciplines, and the policy field, this book helps to avoid simplification or even trivialization of complex issues. Recent political events question established ways of looking at issues of migration and diversity and require a clarification or reinvention of political concepts to match the changing world. Applying five basic dimensions, each expert chapter contribution reflects on the role concepts play and demonstrates that concepts are ideology dependent, policy/politics dependent, context dependent, discipline dependent, and language dependent, and are influenced by how research is done, how policies are formulated, and how political debates extend and distort them.

This book will be essential reading for students, scholars, and practitioners in migration studies/politics, migrant integration, citizenship studies, racism studies, and more broadly of key interest to sociology, political science, and political theory.

Current ARC Scholar, Ricard Zapata-Barrero, is Full Professor in the Department of Political and Social Sciences at the Universitat Pompeu Fabra in Barcelona, Catalonia, Spain.

Dirk Jacobs is Full Professor at the Faculty of Social and Political Sciences, Universite Libre de Bruxelles, and Chairperson of the Brussels Studies Institute, Belgium.

Riva Kastoryano is Emerite Research Director at the National Center for Scientific Research (CNRS), affiliated at Sciences Po - Center for International Studies (CERI-Sciences Po, Paris).

Judith Milhous, distinguished professor of theatre at The Graduate Center, has co-authored a second volume on Italian opera in London, covering the period of the Pantheon Opera and its aftermath. The discovery of six cartons of previously unknown manuscripts made it possible to re-write a little understood chapter in the musical and cultural life of London. The result is both the dramatic tale of a theatrical venture-featuring characters such as Mozart and Haydn and tales of intrigue, blackmail, and arson-as well as a detailed analysis of the opera and ballet repertoire, personnel records, staging practices, and the finances of the company.

Authored by Barbara Ella Millton, Jr. (Ph.D. ’09, Social Welfare) and Deborah Brooks Lawrence

Inherited Wisdom: Drawing on the Lessons of Formerly Enslaved Ancestors to Lift Up Black Youth underscores how practitioners and lay people alike can highlight the strength, fortitude, resilience, and community found in the narratives of enslaved forebears to help young people recover hope for the future. Readers learn how the resilient and resourceful actions of enslaved Africans many years ago can serve as a blueprint for the healing and survival of their progeny in contemporary society.

The opening chapter identifies the significant domains of internal and external connection that allowed formerly enslaved people to live into the 20th century: individual, familial, in-group, and out-group connection. Additional chapters explore the protective factors that promote resilience in each domain. The authors then link those lessons of ancestral wisdom with their lived experiences as a social worker and educator. The final chapter distills the hard lessons learned throughout the text and proposes transformational short-term and long-term strategies.

Emphasizing agency and allyhood, Inherited Wisdom serves as a healing balm for those who continue to struggle to overcome the traumas born of centuries of oppression. It is ideal for courses and programs in social work, education, and other helping professions in which individuals work with and support marginalized youth, families, and communities.

DANIEL GEROULD AND DAVID WILLINGER, EDS. AND TRANS.

This is a compilation of plays, poems, essays, short stories, and aphorisms by Maeterlinck (1862-1949), one of the most important writers of the twentieth century. The editors have included, in fresh translations that convey Maeterlinck's revolutionary innovations in theatrical language, selections that show facets both exemplary and extraordinary of this Nobel Prize-winning author, the Missing Link of Modern Drama. Daniel Gerould (Dist. Prof., GC), who held the Lucille Lortel Chair in Theatre, served on the doctoral faculty in comparative literature, theatre, and the Renaissance studies certificate program.

A unique insight into desegregation in the suburbs and how racial inequality persists

Half of Black Americans who live in the one hundred largest metropolitan areas are now living in suburbs, not cities. In Liberty Road, Gregory Smithsimon shows us how this happened, and why it matters, unearthing the hidden role that suburbs played in establishing the Black middle-class.

Focusing on Liberty Road, a Black middle-class suburb of Baltimore, Smithsimon tells the remarkable story of how residents broke the color barrier, against all odds, in the face of racial discrimination, tensions with suburban whites and urban Blacks, and economic crises like the mortgage meltdown of 2008. Drawing on interviews, census data, and archival research he shows us the unique strategies that suburban Black residents in Liberty Road employed, creating a blueprint for other Black middle-class suburbs.

Smithsimon re-orients our perspective on race relations in American life to consider the lived experiences and lessons of those who broke the color barrier in unexpected places. Liberty Road shows us that if we want to understand Black America in the twenty-first century, we must look not just to our cities, but to our suburbs as well.

A biography of the flamboyant and unapologetically avant-garde Mina Loy.

Mina Loy was born in London in 1882, became American, and lived variously in New York, Europe and, finally, Aspen, Colorado, where she died in 1966. Flamboyant and unapologetically avant-garde, she was a poet, painter, novelist, essayist, manifesto writer, actress, and dress and lampshade designer. Her life involved an impossible abundance of artistic friends, performance and spectacular adventures in the worlds of Futurism, Christian Science, feminism, fashion, and everything modern and modernist.

This new account by Mary Ann Caws explores Mina Loy’s exceptional life, and features many rare images of Loy and her husband, the Swiss writer, poet, artist, boxer and provocateur Arthur Cravan, who disappeared without trace in 1918.

By Matthew Rowney (Ph.D. in English, 2015)

The hardness of stone, the pliancy of wood, the fluidity of palm oil, the crystalline nature of salt, and the vegetable qualities of moss – each describes a way of being in and understanding the world. These substances are both natural objects hailed in Romantic literature and global commodities within a system of extraction and exchange that has driven climate change, representing the paradox of the modern relation to materiality.

In Common Things examines these five common substances – stone, wood, oil, salt, and moss – in the literature of Romantic period authors, excavating their cultural, ecological, and commodity histories. The book argues that the substances and their histories have shaped cultural consciousness, and that Romantic era texts formally encode this shaping. Matthew Rowney draws together processes, beings, and things, both from the Romantic period and from our current ecological moment, to re-invoke a lost heritage of cultural relations with common substances.

Enabling a fresh reading of Romantic literature, In Common Things prompts a reevaluation of the simple, the everyday, and the common, in light of their contributions to our contemporary sense of ourselves and our societies.

Co-authored by Luke Elliott-Negri (Ph.D. candidate, Sociology), Isaac Jabola-Carolus (Ph.D. candidate, Sociology), Marc Kagan (Ph.D. candidate, History), Jessica Mahlbacher (Ph.D. '21, Political Science), Manès Weisskircher , and Anna Zhelnina (Ph.D. '20, Sociology)

Presents cutting edge theory about the consequences of social movements and protest while asking what kind of trade-offs protest movements face in trying to change the world around them.

Many scholars have tried to figure out why some social movements have an impact and others do not. By looking inside movements at their component parts and recurrent strategic interactions, the authors of Gains and Losses show that movements usually produce a variety of effects, including recurring packages of gains and losses. They ask what kinds of trade-offs and dilemmas these packages reflect by looking at six empirical cases from around the world: Seattle's conflict over the $15 an hour minimum wage; the establishment of participatory budgeting in New York City; a democratic insurgency inside New York City's Transport Workers' Union; a communist party's struggle to gain votes and also protect citizen housing in Graz, Austria; the internal movement tensions that led to Hong Kong's umbrella occupation; and Russia's electoral reform movement embodied in Alexei Navalny. They not only examine the diverse players in these cases involved in politics and protest, but also the many strategic arenas in which they maneuver. While each of these movements made some remarkable gains, this book shows how many also suffered losses, especially in the longer run.

Delegating Responsibility explores the politics of migration in the European Union and explains how the EU responded to the 2015–17 refugee crisis. Based on 86 interviews and fieldwork in Greece and Italy, Nicholas R. Micinski proposes a new theory of international cooperation on international migration. States approach migration policies in many ways — such as coordination, collaboration, subcontracting, and unilateralism — but which policy they choose is
based on capacity and on credible partners on the ground. Micinski traces the 50-year evolution of EU migration management, like border security and asylum policies, and shows how EU officials used “crises” as political leverage to further Europeanize migration governance. In two in-depth case studies, he explains how Italy and Greece responded to the most recent refugee crisis. He concludes with a discussion of policy recommendations regarding contemporary as well as long-term aspirations for migration management in the EU. 

Micinski received a Ph.D. in Political Science from the Graduate Center in 2019.

In Ireland, few figures have generated more hatred than Oliver Cromwell, whose seventeenth-century conquest, massacres, and dispossessions would endure in the social memory for ages to come. The Devil from over the Sea explores the many ways in which Cromwell was remembered and sometimes conveniently 'forgotten' in historical, religious, political, and literary texts, according to the interests of different communities across time. Cromwell's powerful afterlife in Ireland, however, cannot be understood without also investigating his presence in folklore and the landscape, in ruins and curses. Nor can he be separated from the idea of the 'Cromwellian': a term which came to elicit an entire chain of contemptuous associations that would begin after his invasion and assume a wholly new force in the nineteenth century.

What emerges from all these memorializing traces is a multitudinous Cromwell who could be represented as brutal, comic, sympathetic, or satanic. He could be discarded also, tellingly, from the accounts of the past, and especially by those which viewed him as an embarrassment or worse. In addition to exploring the many reasons why Cromwell was so vehemently remembered or forgotten in Ireland, Sarah Covington finally uncovers the larger truths conveyed by sometimes fanciful or invented accounts. Contrary to being damaging examples of myth-making, the memorializations contained in martyrologies, folk tales, or newspaper polemics were often productive in cohering communities, or in displaying agency in the form of 'counter-memories' that claimed Cromwell for their own and reshaped Irish history in the process.

The continued and dramatic rise in the size of data sets has meant that new methods are required to model and analyze them. This timely account introduces topological data analysis (TDA), a method for modeling data by geometric objects, namely graphs and their higher-dimensional versions: simplicial complexes. The authors outline the necessary background material on topology and data philosophy for newcomers, while more complex concepts are highlighted for advanced learners. The book covers all the main TDA techniques, including persistent homology, cohomology, and Mapper. The final section focuses on the diverse applications of TDA, examining a number of case studies drawn from monitoring the progression of infectious diseases to the study of motion capture data. Mathematicians moving into data science, as well as data scientists or computer scientists seeking to understand this new area, will appreciate this self-contained resource which explains the underlying technology and how it can be used.

by Leketi Makalela

This book examines the intersections between education, identity formation, and language in post-apartheid South Africa with specific attention to higher education. It does so against the backdrop of the core argument that the sector plays a critical role in shaping, (re)producing and perpetuating sectoral, class, sub-national and national identities, which in turn, in the peculiar South African setting, are almost invariably analogous with the historical fault lines determined and dictated by language as a marker of ethnic and racial identity. The chapters in the book grapple with the nuances related to these intersections in the understanding that higher education language policies – overt and/or covert – largely structure institutional cultures, or what has been described as curriculum in higher education institutions. Together, the chapters examine the roles played by higher education, by language policies, and by the intersections of these policies and ethnolinguistic identities in either constructing and perpetuating, or deconstructing ethnolinguistic identities upon which the sector was founded. The introductory chapter lays out the background to the entire book with an emphasis on the policy and practice perspectives on the intersections. The middle chapters describe the so-called “White Universities”, “Black Universities” and “Middle-Man Minorities Universities”. The final chapter maps out future directions of the discourses on language and identity formation in South Africa’s higher education.

Makalela, University of the Witwatersrand, Johannesburg, South Africa, was a former ARC Scholar. 

By Lisa Auslander (Ph.D. '16, Urban Education) and
Joanna Yip (Ph.D. '16, Urban Education)

Innovative and accessible, this book provides a roadmap for designing school environments that address the needs of English learners (ELs). Offering a wealth of resources to support school leaders working with multilingual students, Auslander and Yip explain how a systems thinking approach enables the development of stronger school-wide multi-tiered systems of support and can lead to meaningful, context-specific solutions that set up ELs for success. With vignettes, case studies, and tools for readers in each chapter, the book not only identifies what effective practices look like but also outlines methods to help effectively implement culturally and linguistically responsive teaching.

A collection of new poems, some of which settle with past bewilderment, some retaliate against immoral acts, while others try to match the lift of music and find delight in hill towns. Freud is imagined as a shrink of the Old West and there’s a formula for settling a restaurant check for a table with imbibers and non-imbibers.

Vanessa Rocco's (Ph.D. Art History 2004) Photofascism: Photography, Film and Exhibition Culture in the 1930s Germany and Italy now out in paperback is an important read for our moment.  According to The Daily Beast Rocco's work provides "[a] disturbing look into how German and Italian dictatorships of the 1930s utilized photography, film, and exhibitions - and how modern rallies aren't much different." 

Photography and fascism in interwar Europe developed into a highly toxic and combustible formula. Particularly in concert with aggressive display techniques, the European fascists were utterly convinced of their ability to use the medium of photography to manufacture consent among their publics. Unfortunately, as we know in hindsight, they succeeded. Other dictatorial regimes in the 1930s harnessed this powerful combination of photography and exhibitions for their own odious purposes. But this book, for the first time, focuses on the particularly consequential dialectic between Germany and Italy in the early-to-mid 1930s, and within each of those countries vis-à-vis display culture.

The 1930s provides a potent case study for every generation, and it is as urgent as ever in our global political environment to deeply understand the central role of visual imagery in what transpired. Photofascism demonstrates precisely how dictatorial regimes use photographic mass media, methodically and in combination with display, to persuade the public with often times highly destructive-even catastrophic-results.

The past decade has seen numerous major mathematical breakthroughs for topics such as the finite field Kakeya conjecture, the cap set conjecture, Erdős's distinct distances problem, the joints problem, as well as others, thanks to the introduction of new polynomial methods. There has also been significant progress on a variety of problems from additive combinatorics, discrete geometry, and more. This book gives a detailed yet accessible introduction to these new polynomial methods and their applications, with a focus on incidence theory. Based on the author's own teaching experience, the text requires a minimal background, allowing graduate and advanced undergraduate students to get to grips with an active and exciting research front. The techniques are presented gradually and in detail, with many examples, warm-up proofs, and exercises included. An appendix provides a quick reminder of basic results and ideas.

Ultramarine distills four years of Koestenbaum’s trance notebooks (2015–2019) into a series of tightly-sewn collage-poems, filled with desiring bodies, cultural touchstones, and salty memories. Beyond Proust’s madeleine we head toward a “deli” version of utopia, crafted from hamantaschen, cupcake, and cucumber. Painting and its processes bring bright colors to the surface. Through interludes in Rome, Paris, and Cologne, Ultramarine reaches across memory, back to Europe, beyond the literal world into dream-habitats conjured through language’s occult structures.

By Zoltan Varga (Ph.D. '13, Comparative Literature)

Drawing on the analogy between musical meaning-making and human subjectivity, this book develops the concept of the acoustic self, exploring the ways in which musical characterization and structure are related to issues of subject-representation in the modernist English novel. The volume is framed around three musical topics—the fugue, absolute music, and Gesamtkunstwerk—arguing that these three modes of musicalization address modernist dilemmas around selfhood and identity. Varga reflects on the manifestations of the acoustic self in examples from the works of E.M. Forster, Aldous Huxley, and Virginia Woolf, and such musicians as Bach, Beethoven, Handel, and Wagner. An additional chapter on jazz and electronic music supplements these inquiries, pursuing the acoustic self beyond modernism and thereby inciting further discussion and theorization of musical intermediality, as well as recent sonic practices.

Racial, gender, and environmental justice. Class war. Militarism. Interpersonal violence. Old age security. This is not the vocabulary many use to critique the prison-industrial complex.  

But in this series of powerful lectures, Ruth Wilson Gilmore shows that the only way to dismantle systems and logics of control and punishment is to change questions, categories, and campaigns from the ground up.  

Abolitionism doesn't just say no to police, prisons, border control, and the current punishment system. It requires persistent organizing for what we need, organizing that's already present in the efforts people cobble together to achieve access to schools, health care and housing, art and meaningful work, and freedom from violence and want.  

As Gilmore makes plain, "Abolition requires that we change one thing: everything."  

Change Everything is the inaugural book in the new Abolitionist Papers book series, edited by Naomi Murakawa.

The impact of immigrants over the past half century has become so much a part of everyday life in the United States that we sometimes fail to see it. This deeply researched book by one of America’s leading immigration scholars tells the story of how immigrants are fundamentally changing this country.

An astonishing number of immigrants and their children—nearly 86 million people—now live in the United States. Together, they have transformed the American experience in profound and far-reaching ways that go to the heart of the country’s identity and institutions.  

Unprecedented in scope, One Quarter of the Nation traces how immigration has reconfigured America’s racial order—and, importantly, how Americans perceive race—and played a pivotal role in reshaping electoral politics and party alignments. It discusses how immigrants have rejuvenated our urban centers as well as some far-flung rural communities, and examines how they have strengthened the economy, fueling the growth of old industries and spurring the formation of new ones. This wide-ranging book demonstrates how immigration has touched virtually every facet of American culture, from the music we dance to and the food we eat to the films we watch and books we read.  

One Quarter of the Nation opens a new chapter in our understanding of immigration. While many books look at how America changed immigrants, this one examines how they changed America. It reminds us that immigration has long been a part of American society, and shows how immigrants and their families continue to redefine who we are as a nation.

Foner is a distinguished professor of Sociology at Hunter College and the CUNY Graduate Center.

By Carrie Shanafelt (Ph.D. in English, 2011)

Infamous for authoring two concepts since favored by government powers seeking license for ruthlessness—the utilitarian notion of privileging the greatest happiness for the most people and the panopticon—Jeremy Bentham is not commonly associated with political emancipation. But perhaps he should be. In his private manuscripts, Bentham agonized over the injustice of laws prohibiting sexual nonconformity, questioning state policy that would put someone to death merely for enjoying an uncommon pleasure. He identified sources of hatred for sexual nonconformists in philosophy, law, religion, and literature, arguing that his goal of "the greatest happiness" would be impossible as long as authorities dictate whose pleasures can be tolerated and whose must be forbidden. Ultimately, Bentham came to believe that authorities worked to maximize the suffering of women, colonized and enslaved persons, and sexual nonconformists in order to demoralize disenfranchised people and prevent any challenge to power.

In Uncommon Sense, Shanafelt reads Bentham’s sexual nonconformity papers as an argument for the toleration of aesthetic difference as the foundation for egalitarian liberty, shedding new light on eighteenth-century aesthetics and politics. At odds with the common image of Bentham as a dehumanizing calculator or an eccentric projector, this innovative study shows Bentham at his most intimate, outraged by injustice and desperate for the end of sanctioned, discriminatory violence.

By Brooks E. Hefner (Ph.D. in English, 2009)

A deep dive into mid-century African American newspapers, exploring how Black pulp fiction reassembled genre formulas in the service of racial justice

In recent years, Jordan Peele’s Get Out, Marvel’s Black Panther, and HBO’s Watchmen have been lauded for the innovative ways they repurpose genre conventions to criticize white supremacy, celebrate Black resistance, and imagine a more racially just world — important progressive messages widely spread precisely because they are packaged in popular genres. But it turns out, such generic retooling for antiracist purposes is nothing new.

As Hefner’s Black Pulp shows, this tradition of antiracist genre revision begins even earlier than recent studies of Black superhero comics of the 1960s have revealed. Hefner traces it back to a phenomenon that began in the 1920s, to serialized (and sometimes syndicated) genre stories written by Black authors in Black newspapers with large circulations among middle- and working-class Black readers. From the pages of the Pittsburgh Courier and the Baltimore Afro-American, Hefner recovers a rich archive of African American genre fiction from the 1920s through the mid-1950s — spanning everything from romance, hero-adventure, and crime stories to westerns and science fiction. Reading these stories, Hefner explores how their authors deployed, critiqued, and reassembled genre formulas — and the pleasures they offer to readers — in the service of racial justice: to criticize Jim Crow segregation, racial capitalism, and the sexual exploitation of Black women; to imagine successful interracial romance and collective sociopolitical progress; and to cheer Black agency, even retributive violence in the face of white supremacy.

These popular stories differ significantly from contemporaneous, now-canonized African American protest novels that tend to represent Jim Crow America as a deterministic machine and its Black inhabitants as doomed victims. Widely consumed but since forgotten, these genre stories — and Hefner’s incisive analysis of them — offer a more vibrant understanding of African American literary history.

With Turks, Jews, and Other Germans in Contemporary Art, Peter Chametzky presents a view of visual culture in Germany that leaves behind the usual suspects — those artists who dominate discussions of contemporary German art, including Gerhard Richter, Anselm Kiefer, and Rosemarie Trockel — and instead turns to those artists not as well known outside Germany, including Maziar Moradi, Hito Steyerl, and Tanya Ury. In this first book-length examination of Germany's multicultural art scene, Chametzky explores the work of more than 30 German artists who are (among other ethnicities) Turkish, Jewish, Arab, Asian, Iranian, Sinti and Roma, Balkan, and Afro-German.  

With a title that echoes Peter Gay's 1978 collection of essays, Freud, Jews and Other Germans, this book, like Gay's, rejects the idea of “us” and “them” in German culture. Discussing artworks in a variety of media that both critique and expand notions of identity and community, Chametzky offers a counternarrative to the fiction of an exclusively white, Christian German culture, arguing for a cosmopolitan Germanness. He considers works that deploy critical, confrontational, and playful uses of language, especially German and Turkish; that assert the presence of “foreign bodies” among the German body politic; that grapple with food as a cultural marker; that engage with mass media; and that depict and inhabit spaces imbued with the element of time.  

American discussions of German contemporary art have largely ignored the emergence of non-ethnic Germans as some of Germany's most important visual artists. Turks, Jews, and Other Germans in Contemporary Art fills this gap.  

Chametzky received a Ph.D. in Art History from the Graduate Center in 1991.

For centuries, the West has produced stories about the future in which humans use advanced science and technology to transform the earth. Michael Rawson uses a wide range of works that include Francis Bacon’s New Atlantis, the science fiction novels of Jules Verne, and even the speculations of think tanks like the RAND Corporation to reveal the environmental paradox at the heart of these narratives: the single-minded expectation of unlimited growth on a finite planet.  

Rawson shows how these stories, which have long pervaded Western dreams about the future, have helped to enable an unprecedentedly abundant and technology-driven lifestyle for some while bringing the threat of environmental disaster to all. Adapting to ecological realities, he argues, hinges on the ability to create new visions of tomorrow that decouple growth from the idea of progress.

This book offers a new perspective via visual culture of the reimagining of history for contemporary Spanish media audiences. It gives close readings of major recent texts in a number of media (theater, cinema, television, and streaming) which have yet to receive scholarly attention and are closely connected to each other. And it stresses the intermediality of the visual by calling attention to connections between those media and others such as painting. From Picasso to the Javis and from the classic serial to Netflix, this book shows how Spanish history is radically reimagined through recent visual culture.

What was life like for ordinary people who lived in Roman Egypt? In this volume, Anna Lucille Boozer reconstructs and examines the everyday lives of non-elite individuals. It is the first book to bring a 'life course' approach to the study of Roman Egypt and Egyptology more generally. Based on evidence drawn from objects, portraits, and letters, she focuses on the quotidian details that were most meaningful to those who lived during the centuries of Roman occupation. Boozer explores these individuals through each phase of the life cycle — from conception, childbirth, childhood, and youth, to adulthood and old age — and focuses on essential themes such as religion, health, disability, death, and the afterlife. Illuminating the lives of people forgotten by most historians, her richly illustrated volume also shows how ordinary people experienced and enacted social and cultural change.

By Masha Rumer (M.A. '05, Comparative Literature)

Through her own stories and interviews with other immigrant families, award-winning journalist Masha Rumer paints a realistic and compassionate picture of what it’s like for immigrant parents raising a child in America while honoring their cultural identities. Parenting with an Accent speaks to immigrant and non-immigrant readers alike, incorporating a diverse collection of voices and experiences to provide an intimate look at the lives of many different immigrant families across the country.

With a compelling blend of empirical data, humor, and on-the-ground reportage, Rumer presents interviews with experts on various aspects of parenting as an immigrant, including the challenges of acculturation, bilingualism strategies, and childcare. She visits a children’s Amharic class at an Ethiopian church in New York, a California vegetable farm, a Persian immersion school, and more. Through these stories, she opens a window to a world of parenting unique to multicultural families. Immigrant readers will appreciate Rumer’s gentle message about the kind of ethnic and cultural ambivalence that is born of having roots planted in many different soils, while in these pages non-immigrants get a fly-on-the-wall view of the unique experiences of newcomers.

A First Course in Stochastic Calculus is a complete guide for advanced undergraduate students to take the next step in exploring probability theory and for master's students in mathematical finance who would like to build an intuitive and theoretical understanding of stochastic processes. This book is also an essential tool for finance professionals who wish to sharpen their knowledge and intuition about stochastic calculus.

Louis-Pierre Arguin offers an exceptionally clear introduction to Brownian motion and to random processes governed by the principles of stochastic calculus. The beauty and power of the subject are made accessible to readers with a basic knowledge of probability, linear algebra, and multivariable calculus. This is achieved by emphasizing numerical experiments using elementary Python coding to build intuition and adhering to a rigorous geometric point of view on the space of random variables. This unique approach is used to elucidate the properties of Gaussian processes, martingales, and diffusions. One of the book's highlights is a detailed and self-contained account of stochastic calculus applications to option pricing in finance.

Across the global South, poor women’s lives are embedded in their social relationships and governed not just by formal institutions — rules that exist on paper — but by informal norms and practices. Village Ties takes the reader to Bangladesh, a country that has risen from the ashes of war, natural disaster, and decades of resource drain to become a development miracle. The book argues that grassroots women’s mobilization programs can empower women to challenge informal institutions when such programs are anti-oppression, deliberative, and embedded in their communities. Qayum dives into the work of Polli Shomaj (PS), a program of the development organization BRAC to show how the women of PS negotiate with state and society to alter the rules of the game, changing how poor people access resources including safety nets, the law, and governing spaces. These women create a complex and rapidly transforming world where multiple overlapping institutions exist – formal and informal, old and new, desirable and undesirable. In actively challenging power structures around them, these women defy stereotypes of poor Muslim women as backward, subservient, oppressed, and in need of saving.

Qayum received a Ph.D. in Political Science from the CUNY Graduate Center in 2014.

A Course in Complex Analysis explores a central branch of mathematical analysis, with broad applications in mathematics and other fields such as physics and engineering. Ideally designed for a year-long graduate course on complex analysis and based on nearly twenty years of classroom lectures, this modern and comprehensive textbook is equally suited for independent study or as a reference for more experienced scholars.

Saeed Zakeri guides the reader through a journey that highlights the topological and geometric themes of complex analysis and provides a solid foundation for more advanced studies, particularly in Riemann surfaces, conformal geometry, and dynamics. He presents all the main topics of classical theory in great depth and blends them seamlessly with many elegant developments that are not commonly found in textbooks at this level. They include the dynamics of Möbius transformations, Schlicht functions and distortion theorems, boundary behavior of conformal and harmonic maps, analytic arcs and the general reflection principle, Hausdorff dimension and holomorphic removability, a multifaceted approach to the theorems of Picard and Montel, Zalcman’s rescaling theorem, conformal metrics and Ahlfors’s generalization of the Schwarz lemma, holomorphic branched coverings, geometry of the modular group, and the uniformization theorem for spherical domains.

Written with exceptional clarity and insightful style, A Course in Complex Analysis is accessible to beginning graduate students and advanced undergraduates with some background knowledge of analysis and topology. Zakeri includes more than 350 problems, with problem sets at the end of each chapter, along with numerous carefully selected examples. This well-organized and richly illustrated book is peppered throughout with marginal notes of historical and expository value.

Presenting a wealth of material in a single volume, A Course in Complex Analysis will be a valuable resource for students and working mathematicians.

Flashback, Eclipse is a groundbreaking study of 1960s Italian art and its troubled but also resourceful relation to the history and politics of the first part of the twentieth century and the aftermath of World War II. Most analyses have treated the 1960s in Italy as the decade of “presentism” par excellence, a political decade but one liberated from history. Romy Golan, however, makes the counterargument that 1960s Italian artists did not forget Italian and European history but rather reimagined it in oblique form. Her book identifies and explores this imaginary through two forms of nonlinear and decidedly nonpresentist forms of temporality—the flashback and the eclipse. In view of the photographic and filmic nature of these two concepts, the book’s analysis is largely mediated by black-and-white images culled from art, design, and architecture magazines, photo books, film stills, and exhibition documentation.

The book begins in Turin with Michelangelo Pistoletto’s Mirror Paintings; moves on to Campo urbano, a one-day event in the city of Como; and ends with the Vitalità del Negativo exhibition in Rome. What is being recalled and at other moments occluded are not only episodes of Italian nationalism and Fascism but also various liberatory moments of political and cultural resistance. The book’s main protagonists are, in order of appearance, artists Michelangelo Pistoletto and Giosetta Fioroni, photographer Ugo Mulas, Ettore Sottsass (as critic rather than designer), graphic designer Bruno Munari, curators Luciano Caramel and Achille Bonito Oliva, architect Piero Sartogo, Carla Lonzi (as artist as much as critic), filmmakers Michelangelo Antonioni and Bernardo Bertolucci, and, in flashback among the departed, painter Felice Casorati, writer Massimo Bontempelli, art historian Aby Warburg, architect Giuseppe Terragni, and Renaissance friar-philosopher-mathematician Giordano Bruno (as patron saint of the sixty-eighters).

Emily Mann: Rebel Artist of the American Theater is the story of a remarkable American playwright, director, and artistic director. It is the story of a woman who defied the American theater's sexism, a traumatic assault, and illness to create unique documentary plays and to lead the McCarter Theatre Center, for 30 seasons, to a place of national recognition.

The book traces and describes Emily Mann's family life; her coming-of-age in Chicago during the exuberant, rebellious, and often violent 1960s; how sexual violence touched her personally; and how she fell in love with theater and began learning her craft at the Loeb Drama Center in Cambridge, Massachusetts, while a student at Radcliffe. Mann's evolution as a professional director and playwright is explored, first at the Guthrie Theater in Minneapolis, where she received an M.F.A. from the University of Minnesota, then on and off Broadway and at regional theaters. Mann's leadership of the McCarter is examined, along with her battles to overcome multiple sclerosis and to conquer — personally and artistically — the memories of the violence she experienced when a teenager.

Finally, the book discusses her retirement from the McCarter, while amplifying her ongoing journey as a theater artist of sensitivity and originality.

Mann's many awards include the 2015 Margo Jones Award, the 2019 Visionary Leadership Award from Theatre Communications Group, and the 2020 Lilly Award for Lifetime Achievement. In 2019, she was inducted into the Theater Hall of Fame for Lifetime Achievement in the American Theater.

Greene received a Ph.D. in theater in 1988 from the CUNY Graduate Center.

Read an excerpt of the book on the American Theatre website. 

Mikhail Kogan and Joan Liebmann-Smith

Marijuana has been used for thousands of years as a medicine, but pot has been illegal in the United States for most of our lives. Almost all states have now legalized its medical use, and many consumers and physicians are exploring it as an alternative to conventional treatments. There’s substantial evidence that marijuana (cannabis) is a safe and effective treatment for chronic pain, chemo side effects, sleep and mood disorders, MS, and Parkinson’s disease, among others. But there’s also misinformation about marijuana on social media. And most physicians have limited knowledge on the subject, while dispensary staff (a.k.a. “budtenders”) lack medical training.
 
Mikhail Kogan, M.D., an expert on medical marijuana, has found that cannabinoids (THC, CBD, hemp, and other cannabis products) can often be more beneficial, have fewer side effects, and be safer than many conventional medications, including opioids and other painkillers. But different ailments require different strains, doses, and routes of delivery. Medical Marijuana demystifies marijuana and other forms of cannabis in a user-friendly guide that will help readers:

Understand how marijuana morphed from the days of “Reefer Madness” to being hailed as a wonder weed

Navigate the complex medical and legal world of marijuana

Understand the risks and benefits of THC, CBD, and other cannabis products

Evaluate the pros and cons of inhaled and other routes of delivery:edibles, topicals, and even suppositories

Find a doctor who can recommend medical cannabis

Choose a reliable dispensary

Learn how to evaluate labels on cannabis products

Discover cost-saving strategies since medical marijuana isn’t covered by health insurance 

With real-life patients’ stories woven throughout the book, simple explanatory graphics, and the most up-to-date information, this is the definitive guide to the wide-ranging benefits of medical marijuana and other forms of cannabis.

Liebmann-Smith received a Ph.D. in Sociology in 1995 from the CUNY Graduate Center. She is a medical sociologist and award-winning medical writer.

How wealthy American women — as consumers and as influencers — helped shape French couture of the late nineteenth century; lavishly illustrated.

French fashion of the late 19th century is known for its allure, its ineffable chic — think of John Singer Sargent's Madame X and her scandalously slipping strap. For Parisian couturiers and their American customers, it was also serious business. In Dressing Up, Elizabeth Block examines the couturiers' influential clientele — wealthy American women who bolstered the French fashion industry with a steady stream of orders from the United States. Countering the usual narrative of the designer as solo creative genius, Block shows that these women — as high-volume customers and as pre-Internet influencers — were active participants in the era's transnational fashion system.

Block describes the arrival of nouveau riche Americans on the French fashion scene, joining European royalty, French socialites, and famous actresses on the client rosters of the best fashion houses—Charles Frederick Worth, Doucet, and Félix, among others. She considers the mutual dependence of couture and coiffure; the participation of couturiers in international expositions (with mixed financial results); the distinctive shopping practices of American women, which ranged from extensive transatlantic travel to quick trips downtown to the department store; the performance of conspicuous consumption at balls and soirées; the impact of American tariffs on the French fashion industry; and the emergence of smuggling, theft, and illicit copying of French fashions in the American market as the middle class emulated the preferences of the rich. Lavishly illustrated, with vibrant images of dresses, portraits, and fashion plates, Dressing Up reveals the power of American women in French couture.

Winner of the Aileen Ribeiro Grant of the Association of Dress Historians; an Association for Art History grant; and a Pasold Research Fund grant.

Block received a Ph.D. in Art History from the CUNY Graduate Center in 2011.

Program Planning Through a Social Justice Lens provides a foundation in social justice to students while developing practical skills and knowledge about the steps and tasks involved in planning social programs. Through the "parallel process" of contextualizing social issues while teaching the process of program planning, students will develop a perspective on the need for social justice planning and its impact on marginalized communities and populations. The textbook explores current concepts and approaches to understanding social issues and involving impacted communities and individuals. These include intersectionality, appreciative inquiry, participatory planning, and visioning that serve to challenge preconceptions while coupling these with the step-by-step approach to planning using the Logic Model. Using meaningful examples to demonstrate how social justice planning can be implemented, Program Planning Through a Social Justice Lens is appropriate for students of social work as well as practitioners in human services, public administration, and public health.

Nesoff received a Ph.D. in Social Welfare in 1998 from the CUNY Graduate Center.

An acclaimed expert illuminates the distinctive role that white women play in perpetuating racism, and how they can work to fight it.

In a nation deeply divided by race, the “Karens” of the world are easy to villainize. But in Nice White Ladies, Jessie Daniels addresses the unintended complicity of even well-meaning white women. She reveals how their everyday choices harm communities of color. White mothers, still expected to be the primary parents, too often uncritically choose to send their kids to the “best” schools, collectively leading to a return to segregation. She addresses a feminism that pushes women of color aside, and a wellness industry that insulates white women in a bubble of their own privilege.

Daniels then charts a better path forward. She looks to the white women who fight neo-Nazis online and in the streets, and who challenge all-white spaces from workplaces to schools to neighborhoods. In the end, she shows how her fellow white women can work toward true equality for all.

Andrew Ross

Today, a minimum-wage earner can afford a one-bedroom apartment in only 145 out of 3,143 counties in America. One of the very worst places in the United States to look for affordable housing is Osceola County, Florida. Once the main approach to Disney World, where vacationers found lodging on their way to the Magic Kingdom, the 15-mile Route 192 corridor in Osceola has become a site of shocking contrasts. At one end, global investors snatch up foreclosed properties and park their capital in extravagant vacation homes for affluent visitors, eliminating the county's affordable housing in the process. At the other, underpaid tourist industry workers, displaced families, and disabled and elderly people subsisting on government checks cram themselves into dilapidated, roach-infested motels, or move into tent camps in the woods. Through visceral, frontline reporting from the motels and encampments dotting central Florida, renowned social analyst Andrew Ross exposes the overlooked housing crisis sweeping America's suburbs and rural areas, where residents suffer ongoing trauma, poverty, and nihilism. As millions of renters face down evictions and foreclosures in the midst of the COVID-19 recession, Andrew Ross reveals how ineffective government planning, property market speculation, and poverty wages have combined to create this catastrophe. Urgent and incisive, Sunbelt Blues offers original insight into what is quickly becoming a full-blown national emergency.

Ross, professor of social and cultural analysis at New York University and a social activist, was a previous ARC Distinguished Scholar.

Using critical race theory and other structural oppression theoretical frameworks, this book examines social inequalities as they relate to social welfare, education, housing, employment, health care, and child welfare, immigration, and criminal justice. With fully updated statistics throughout, and an examination of the impact of the COVID-19 pandemic on the United States, this new edition addresses the mammoth political and social changes which have affected inequality in the past few years.

Inequality in U.S. Social Policy will help social work students better understand the origins of inequalities that their clients face, as well as providing an introduction for other social science students.

Co-edited by Rorden Wilkinson

Global Governance Futures addresses the crucial importance of thinking through the future of global governance arrangements. It considers the prospects for the governance of world order approaching the middle of the twenty-first century by exploring today’s most pressing and enduring health, social, ecological, economic, and political challenges. Each of the expert contributors considers the drivers of continuity and change within systems of governance and how actors, agents, mechanisms, and resources are and could be mobilized. 

The aim is not merely to understand state, intergovernmental, and non-state actors. It is also to draw attention to those underappreciated aspects of global governance that push understanding beyond strictures of traditional conceptualizations and offer better insights into the future of world order.

Gita Martohardjono and Suzanne Flynn (editors)

Explorations of language development in different types of learner populations and across various languages.

This volume examines language development in different types of learner populations and across various languages. The contributors analyze experimental studies of child and adult language acquisition, heritage language development, bilingualism, and language disorders. They consider theoretical and methodological issues; language development in children, discussing topics that range from gestures to errors in person and number agreement; and development and attrition of (morpho)syntactic constructions in second language learners, bilinguals, and Alzheimer's patients. 

The approach is "crosslinguistic" in three senses of the word: The contributors offer analyses of acquisition phenomena in different languages; they consider "crosslinguistic influence," or the potential effects of multiple languages on one another in the mind of the same speaker; and (in a novel use of the term, proposed by the editors) the chapters bring together theoretical and methodological approaches pertinent to the linguistics of language development in children, adults, and heritage speakers.

Book contributors include several Graduate Center scholars: Distinguished Professor Virginia Valian (GC/Hunter, Psychology); Professor Emerita Elaine Klein (GC/Queens, Linguistics); and Graduate Center alumni Christen Madsen (Ph.D. '18, Linguistics) Ian Phillips (Ph.D. '18, Linguistics); and Michael Stern (M.A. '20, Linguistics).

In Communities of Care, Talia Schaffer explores Victorian fictional representations of care communities, small voluntary groups that coalesce around someone in need. Drawing lessons from Victorian sociality, Schaffer proposes a theory of communal care and a mode of critical reading centered on an ethics of care.

In the Victorian era, medical science offered little hope for cure of illness or disability, and chronic invalidism and lengthy convalescences were common. Small communities might gather around afflicted individuals to minister to their needs and palliate their suffering. Communities of Care examines these groups in the novels of Jane Austen, Charlotte Brontë, Charles Dickens, George Eliot, Henry James, and Charlotte Yonge, and studies the relationships that they exemplify. How do carers become part of the community? How do they negotiate status? How do caring emotions develop? And what does it mean to think of care as an activity rather than a feeling? Contrasting the Victorian emphasis on community and social structure with modern individualism and interiority, Schaffer’s sympathetic readings draw us closer to the worldview from which these novels emerged. Schaffer also considers the ways in which these models of carework could inform and improve practice in criticism, in teaching, and in our daily lives.

Through the lens of care, Schaffer discovers a vital form of communal relationship in the Victorian novel. Communities of Care also demonstrates that literary criticism done well is the best care that scholars can give to texts.

An illuminating historical biography for students and scholars alike, this book gives readers insight into the life and times of Booker T. Washington.

Booker T. Washington was an integral figure in mid-19th to early-20th century America who successfully transitioned from a life in slavery and poverty to a position among the Black elite. This book highlights Washington’s often overlooked contributions to the African and African American experience, particularly his support of higher education for Black students through fundraising for Fisk and Howard universities, where he served as a trustee. A vocal advocate of vocational and liberal arts alike, Washington eventually founded his own school, the Tuskegee Institute, with a well-rounded curriculum to expand opportunities and encourage free thinking for Black students. While Washington was sometimes viewed as a “great accommodator” by his critics for working alongside wealthy, white elites, he quietly advocated for Black teachers and students as well as for desegregation. This book will offer readers a clearly written, fully realized overview of Booker T. Washington and his legacy.

By Maggie Nelson (Ph.D. in English, 2004)

So often deployed as a jingoistic, even menacing rallying cry, or limited by a focus on passing moments of liberation, the rhetoric of freedom both rouses and repels. Does it remain key to autonomy, justice, and well-being, or is freedom’s long star turn coming to a close? Does a continued obsession with the term enliven and emancipate, or reflect a deepening nihilism (or both)? On Freedom examines such questions by tracing the concept’s complexities in four distinct realms: art, sex, drugs, and climate.

Drawing on a vast range of material, from critical theory to pop culture to the intimacies and plain exchanges of daily life, Maggie Nelson explores how we might think, experience, or talk about freedom in ways responsive to the conditions of our day. Her abiding interest lies in ongoing “practices of freedom” by which we negotiate our interrelation with — indeed, our inseparability from — others, with all the care and constraint that entails, while accepting difference and conflict as integral to our communion.

For Nelson, thinking publicly through the knots in our culture — from recent art-world debates to the turbulent legacies of sexual liberation, from the painful paradoxes of addiction to the lure of despair in the face of the climate crisis — is itself a practice of freedom, a means of forging fortitude, courage, and company. On Freedom is an invigorating, essential book for challenging times.

Leslie Paik

Trapped in a Maze provides a window into families' lived experiences in poverty by looking at their complex interactions with institutions such as welfare, hospitals, courts, housing, and schools. Families are more intertwined with institutions than ever as they struggle to maintain their eligibility for services and face the possibility that involvement with one institution could trigger other types of institutional oversight. Many poor families find themselves trapped in a multi-institutional maze, stuck in between several systems with no clear path to resolution. Tracing the complex and often unpredictable journeys of families in this maze, this book reveals how the formal rationality by which these institutions ostensibly operate undercuts what they can actually achieve. And worse, it demonstrates how involvement with multiple institutions can perpetuate the conditions of poverty that these families are fighting to escape.

Mahwash Shoaib (author and contributor)

The essays in Muslim American Hyphenations: Cultural Production and Hybridity in the Twenty-first Century contest the lack of nuance in the public debates about American Islam and reclaim a self-determined identity by 21st-century Muslim American writers, artists, and performers. Muslim American Hyphenations covers a wide spectrum of cultural representation based upon a shared religion that encompasses multiethnic and polylinguistic communities in the American landscape, challenging both the sacred-secular binary and the confines of multiculturalism. The contributors to this volume explore the codes of belonging in different American spheres, from transnational and local negotiations of immigrant and domestic Muslim Americans with nation, race, class, and gender, to the performance of faith in the creative manifestations of these identities. In their analyses, these scholars propose that Muslim American cultural productions provide an alternative space of dissensus and the utopian potentiality of connections with other minoritarian communities.

Shoaib received a Ph.D. in English in 2008 from the CUNY Graduate Center.

Michelle Millar Fisher and Amber Winick

While birth often brings great joy, making babies is a knotty enterprise. The designed objects that surround us when it comes to menstruation, birth control, conception, pregnancy, childbirth, and early motherhood vary as oddly, messily, and dramatically as the stereotypes suggest. This smart, image-rich, fashion-forward, and design-driven book explores more than eighty designs — iconic, conceptual, archaic, titillating, emotionally charged, or just plain strange — that have defined the relationships between people and babies during the past century. 

Each object tells a story. In striking images and engaging text, Designing Motherhood unfolds the compelling design histories and real-world uses of the objects that shape our reproductive experiences. The authors investigate the baby carrier, from the Snugli to BabyBjörn, and the (re)discovery of the varied traditions of baby wearing; the tie-waist skirt, famously worn by a pregnant Lucille Ball on I Love Lucy, and essential for camouflaging and slowly normalizing a public pregnancy; the home pregnancy kit, and its threat to the authority of male gynecologists; and more. Memorable images — including historical ads, found photos, and drawings — illustrate the crucial role design and material culture plays throughout the arc of human reproduction. 

The book features a prologue by Erica Chidi and a foreword by Alexandra Lange. 

Millar Fisher is a Ph.D. candidate in Art History at the CUNY Graduate Center.

Walter Holland

The fourth book of poetry by this New York City poet, Walter Holland's Reconstruction is a work of poetic reconciliation with his boyhood in Lynchburg, Virginia. Weaving both vivid lyric language into these short narrative poems, Holland reconstructs a flawed yet nostalgic past. Uprooted northerners, Holland, his sisters, and his parents sought the bucolic charm and unfettered economic opportunity of 1950s Virginia. But boyhood brought with it a complex emotional and psychological complicity with the perverse cultural mores and institutionalized racism of the South. White, privileged, and sexually conflicted, Holland, who was drawn to the arts, negotiated a world of natural beauty and solitary retreat. His mother struggled with depression. His father, a doctor, kept true to the stoic virtues of 1950s masculinity. Middle-class and affluent, Holland went to ballroom lessons, piano lessons, lived in a home attended to by a maid, and grew into a society, on the one hand as an outsider-northern born, Catholic, liberally inclined, studying modern dance and performing in community theater-and on the other felt obliged upon to take a date to her debutante party, attend the cotillions, hunt on one occasion, and obediently comply with the rules of segregation. Holland's poems weave the rural landscape of Virginia and its distinct country local with the burgeoning arrival of suburbanization and corporate industrialization in the late 1950s. He gives a sense of the swift transition from the old South to the new South. He layers his poems on top of the brutal remains of the Civil War, the daily evidence of the Jim Crowe South, the rotting foundations of tobacco shacks, segregated neighborhoods, and aged downtown businesses. He describes the prosperity of the 1960s, a race riot at his high school, the institutionalization of his mother for shock treatments, and the travel-hungry father who circles the globe. Above all these are poems that will evoke the beauty of a remembered past and its many illusory and problematic realities.

Holland received a Ph.D. in English from the CUNY Graduate Center in 1998.

Elizabeth Dill

What is the role of sex in the age of democratic beginnings? Despite the sober republican ideals of the Enlightenment, the literature of America's early years speaks of unruly, carnal longings. Elizabeth Dill argues that the era's proliferation of texts about extramarital erotic intimacy manifests not an anxiety about the dangers of unfettered feeling but an endorsement of it. Uncovering the more prurient aspects of nation-building, Erotic Citizens establishes the narrative of sexual ruin as a genre whose sustained rejection of marriage acted as a critique of that which traditionally defines a democracy: the social contract and the sovereign individual.

Through an examination of philosophical tracts, political cartoons, frontispiece illustrations, portraiture, and the novel from the antebellum period, this study reconsiders how the terms of embodiment and selfhood function to define national belonging. From an enslaved woman's story of survival in North Carolina to a philosophical treatise penned by an English earl, the readings employ the trope of sexual ruin to tell their tales. Such narratives advanced the political possibilities of the sympathetic body, looking beyond the marriage contract as the model for democratic citizenship. Against the cult of the individual that once seemed to define the era, Erotic Citizens argues that the most radical aspect of the Revolution was not the invention of a self-governing body but the recognition of a self whose body is ungovernable.

Dill is a professor of English at Kingsborough Community College and teaches at the Graduate Center's Writing Center.

At the turn of the early 20th century, Harlem — the iconic Black neighborhood — was predominantly white. The Black real estate entrepreneur Philip Payton played a central role in Harlem's transformation. He founded the Afro-American Realty Company in 1903, vowing to vanquish housing discrimination. Yet this ambitious mission faltered as Payton faced the constraints of white capitalist power structures. 

In this biography, Kevin McGruder explores Payton's career and its implications for the history of residential segregation. Payton stood up for the right of Black people to live in Harlem in the face of vocal white resistance. Through skillful use of print media, he branded Harlem as a Black community and attracted interest from those interested in racial uplift. Yet while Payton "opened" Harlem streets, his business model depended on continued racial segregation. Like white real estate investors, he benefited from the lack of housing options available to desperate Black tenants by charging higher rents. Payton developed a specialty in renting all-Black buildings, rather than the integrated buildings he had once envisioned, and his personal successes ultimately entrenched Manhattan's racial boundaries. McGruder highlights what Payton's story shows about the limits of seeking advancement through enterprise in a capitalist system deeply implicated in racial inequality. 

At a time when understanding the roots of residential segregation has become increasingly urgent, this biography sheds new light on the man and the forces that shaped Harlem.

McGruder received a Ph.D. in History in 2010 from the CUNY Graduate Center.

This book is both a plea and an invitation to consider climate change from a multi-faceted perspective, taking into account (geo)physical, social, cultural, psychological, religious, mythological, economic, and judicial viewpoints, among others. As such, it will serve as a useful and necessary guide towards a better understanding of our own mental structures and systems of preferences, ideologies, or beliefs.

Amanda Wasielewski

The narrative of the birth of internet culture often focuses on the achievements of American entrepreneurs in Silicon Valley, but there is an alternative history of internet pioneers in Europe who developed their own model of network culture in the early 1990s. Drawing from their experiences in the leftist and anarchist movements of the '80s, they built DIY networks that give us a glimpse into what internet culture could have been if it were in the hands of squatters, hackers, punks, artists, and activists. In the Dutch scene, the early internet was intimately tied to the aesthetics and politics of squatting. Untethered from profit motives, these artists and activists aimed to create a decentralized tool that would democratize culture and promote open and free exchange of information.

Wasielewski received a Ph.D. in art history in 2019 from the CUNY Graduate Center.

Ronnie Ancona and Georgia Tsouvala

Sarah Pomeroy's groundbreaking Goddesses, Whores, Wives, and Slaves introduced scholars, students, and general readers to an exciting new area of inquiry: women in classical antiquity. Almost 50 years later, New Directions in the Study of Women in the Greco-Roman World builds upon and moves beyond Pomeroy's seminal work to represent the next step in this interdisciplinary field. The “new directions” for the study of women in antiquity included in this volume of newly commissioned essays feature new methodological questions to be asked, new time periods to be explored, new objects of study, as well as new information to be uncovered. In addressing these new directions, the editors have gathered a distinguished group of contributors that includes historians, philologists, archaeologists, art historians, and specialists in subfields like ancient medicine, ancient law, papyrology, and epigraphy. While some chapters focus primarily on Greece or Rome, others straddle or go beyond these artificial boundaries in interesting ways. While the focus of the volume is antiquity, the issues it raises will be of interest also to those studying women and theorizing the study of women in other periods as well. The volume will help readers to see women in antiquity with fresh eyes and to view anew important issues related to women today.

Tsouvala received a Ph.D. in classics in 2008 from the CUNY Graduate Center.

Sierra Rooney. Jennifer Wingate and Harriet F. Senie

Monuments around the world have become the focus of intense and sustained discussions, activism, vandalism, and removal. Since the convulsive events of 2015 and 2017, during which white supremacists committed violence in the shadow of Confederate symbols, and the 2020 nationwide protests against racism and police brutality, protesters and politicians in the United States have removed Confederate monuments, as well as monuments to historical figures like Christopher Columbus and Dr. J. Marion Sims, questioning their legitimacy as present-day heroes that their place in the public sphere reinforces.  The essays included in this anthology offer guidelines and case studies tailored for students and teachers to demonstrate how monuments can be used to deepen civic and historical engagement and social dialogue. Essays analyze specific controversies throughout North America with various outcomes as well as examples of monuments that convey outdated or unwelcome value systems without prompting debate.

Colin Jerolmack

Shale gas extraction—commonly known as fracking—is often portrayed as an energy revolution that will transform the American economy and geopolitics. But in greater Williamsport, Pennsylvania, fracking is personal. Up to Heaven and Down to Hell is a vivid and sometimes heartbreaking account of what happens when one of the most momentous decisions about the well-being of our communities and our planet—whether or not to extract shale gas and oil from the very land beneath our feet— is largely a private choice that millions of ordinary people make without the public's consent. 

The United States is the only country in the world where property rights commonly extend "up to heaven and down to hell," which means that landowners have the exclusive right to lease their subsurface mineral estates to petroleum companies. Colin Jerolmack spent eight months living with rural communities outside of Williamsport as they confronted the tension between property rights and the commonwealth. In this deeply intimate book, he reveals how the decision to lease brings financial rewards but can also cause irreparable harm to neighbors, to communal resources like air and water, and even to oneself.

Up to Heaven and Down to Hell casts America's ideas about freedom and property rights in a troubling new light, revealing how your personal choices can undermine your neighbors' liberty, and how the exercise of individual rights can bring unintended environmental consequences for us all.

Jerolmack received a Ph.D. in sociology in 2009 from the CUNY Graduate Center.

Elizabeth Jeglic and Cynthia Calkins, Editors
Handbook of Issues in Criminal Justice Reform in the United States
(Springer, 2021)

This handbook provides a holistic and comprehensive examination of issues related to criminal justice reform in the United States from a multidisciplinary perspective. Divided into five key domains of reform in the criminal justice system, it analyzes:

- Policing

- Policy and sentencing

- Reentry

- Treatment

- Alternatives to incarceration

Each section provides a history and overview of the domain within the criminal justice system, followed by chapters discussing issues integral to reform. The volume emphasizes decreasing incarceration and minimizing racial, ethnic and economic inequalities. Each section ends with tangible recommendations, based on evidence-based approaches for reform.

Of interest to researchers, scholars, activists and policymakers, this unique volume offers a pathway for the future of criminal justice reform in the United States.

Michael G. Garber

Ten songs, from “Bill Bailey, Won’t You Please Come Home” (1902) to “You Made Me Love You” (1913), ignited the development of the classic pop ballad. In this exploration of how the style of the Great American Songbook evolved, Michael G. Garber unveils the complicated, often-hidden origins of these enduring, pioneering works. He riffs on colorful stories that amplify the rising of an American folk art composed by innovators both famous and obscure. Songwriters, and also the publishers, arrangers, and performers, achieved together a collective genius that moved hearts worldwide to song. 

These classic ballads originated all over the nation—Louisiana, Colorado, Illinois, Michigan—and then the Tin Pan Alley industry, centered in New York, made the tunes unforgettable sensations. From ragtime to bop, cabaret to radio, new styles of music and modes for its dissemination invented and reinvented the intimate, personal American love ballad, creating something both swinging and tender. Rendered by Frank Sinatra, Ella Fitzgerald, and a host of others, recordings and movies carried these songs across the globe. 

Using previously underexamined sources, Garber demonstrates how these songs shaped the music industry and the lives of ordinary Americans. Besides covering famous composers like Irving Berlin, this history also introduces such little-known figures as Maybelle Watson, who had to sue to get credit and royalties for creating the central content of the lyric for “My Melancholy Baby. ” African American Frank Williams contributed to the seminal “Some of These Days” but was forgotten for decades. The ten ballads explored here permanently transformed American popular song.

Garber received his Ph.D. in Theatre and Performance from The Graduate Center in 2006.

The brief, practical texts in the Essentials of Qualitative Methods series introduce social science and psychology researchers to key approaches to qualitative methods, offering exciting opportunities to gather in-depth qualitative data and to develop rich and useful findings.

In this book, Michelle Fine and Maria Elena Torre provide an introduction to critical participatory action research, an approach that reveals the everyday stories of struggle and survival of the persons being studied, combats social injustice, and leverages social science research for action. Critical participatory action research challenges the narrow ways in which research has traditionally been conducted, and elevates the voices and perspectives of formerly marginalized groups.

About the Essentials of Qualitative Methods book series: Even for experienced researchers, selecting and correctly applying the right method can be challenging. In this groundbreaking series, leading experts in qualitative methods provide clear, crisp, and comprehensive descriptions of their approach, including its methodological integrity, and its benefits and limitations. Each book includes numerous examples to enable readers to quickly and thoroughly grasp how to leverage these valuable methods.

Glenn Petersen flew 70 combat missions in Vietnam when he was 19, launching from an aircraft carrier in the Tonkin Gulf. He'd sought out the weighty responsibilities and hazardous work. But why? What did the cultural architecture of the society he grew up in have to do with the way he went to war? In this book he looks at the war from an anthropological perspective because that's how he's made his living in all the subsequent years: it's how he sees the world. While anthropologists write about the military and war these days, they do so from the perspective of researchers. What makes this a fully original contribution is that Petersen brings to the page the classic methodology of ethnographers, participant observation, a kind of total immersion. He writes from the dual perspectives of an insider and a researcher and seeks in the specifics of lived experience some larger conclusions about humans' social lives in general. Petersen was long oblivious to what had happened to him in Vietnam and he fears that young men and women who've been fighting the US military's wars in Afghanistan and Iraq might be similarly unaware of what's happened to them. Skills that allowed him to survive in combat, in particular his ability to focus tightly on the challenges directly in front of him, seemed to transfer well to life after war. The same intensity led him to a successful academic career, including the time he represented the Micronesian islands at the United Nations; how could anything be wrong? Then surreptitiously, the danger, the stress, and the trauma he'd hidden away broke through a brittle shell and the war came spilling out. As an anthropologist he sees in this a classic pattern: an adaptation to one set of conditions is put to a new and practical use when conditions change, but in time what had once been beneficial turns into maladaptive behavior. In writing about why we fight, he shed lights on what the fighting does to us.

Jessica L. Allen and James C. Lendemer

A practical field guide to the common lichens found in the northeastern megalopolis, including New York City, Toronto, Boston/New Haven, Philadelphia, Baltimore/Washington, D.C., and as far west as Chicago

Lichens are dynamic, symbiotic organisms formed by close cooperation between fungi and algae. There are over 20,000 identified species performing essential ecosystem services worldwide. Extremely sensitive to air pollution, they have returned to cities from which they were absent for decades until the air became cleaner.

This guide is the first to introduce urban naturalists to over 60 of the common lichens now found in cities and urban areas throughout northeastern North America — in parks and schoolyards, on streets, and in open spaces. Divided into three sections — lichen basics, including their biology, chemistry, morphology, and role in human history; species accounts and descriptions; and an illustrated glossary, index, and references for further reading — the book aims to connect city dwellers and visitors with the natural world around them. The descriptions, exquisite photographs, and line drawings will enable users to enter the hidden world of lichens.


Allen received a Ph.D. in Biology from the Graduate Center in 2017.

We are all citizens of The Biomedical Empire, though few of us know it, and even fewer understand the extent of its power. In this book, Barbara Katz Rothman clarifies that critiques of biopower and the "medical industrial complex" have not gone far enough, and asserts that the medical industry is nothing short of an imperial power. Factors as fundamental as one's citizenship and sex identity — drivers of our access to basic goods and services — rely on approval and legitimation by biomedicine. Moreover, a vast and powerful global market has risen up around the empire, making it one of the largest economic forces in the world. Katz Rothman shows that biomedicine has the key elements of an imperial power: economic leverage, the faith of its citizens, and governmental rule. She investigates the Western colonial underpinnings of the empire and its rapid intrusion into everyday life, focusing on the realms of birth and death. This provides her with a powerful vantage point from which to critically examine the current moment, when the COVID-19 pandemic has exposed the power structures of the empire in unprecedented ways while sparking the most visible resistance it has ever seen.

Brigid O'Keeffe

Hoping to unite all of humankind and revolutionize the world, Ludwik Zamenhof launched a new international language called Esperanto from late imperial Russia in 1887. Ordinary men and women in Russia and all over the world soon transformed Esperanto into a global movement. Esperanto and Languages of Internationalism in Revolutionary Russia traces the history and legacy of this effort: from Esperanto's roots in the social turmoil of the pre-revolutionary Pale of Settlement; to its links to socialist internationalism and Comintern bids for world revolution; and, finally, to the demise of the Soviet Esperanto movement in the increasingly xenophobic Stalinist 1930s. In doing so, this book reveals how Esperanto – and global language politics more broadly – shaped revolutionary and early Soviet Russia. Based on extensive archival materials, Brigid O'Keeffe's book provides the first in-depth exploration of Esperanto at grassroots level and sheds new light on a hitherto overlooked area of Russian history. As such, Esperanto and Languages of Internationalism in Revolutionary Russia will be of immense value to both historians of modern Russia and scholars of internationalism, transnational networks, and sociolinguistics.

O'Keeffe, associate professor of history at Brooklyn College, is a former ARC Distinguished Scholar. 

Games and Theatre in Shakespeare's England brings together theories of play and game with theatre and performance to produce new understandings of the history and design of early modern English drama. Through literary analysis and embodied practice, an international team of distinguished scholars examines a wide range of games—from dicing to bowling to role-playing to videogames—to uncover their fascinating ramifications for the stage in Shakespeare’s era and our own. Foregrounding ludic elements challenges the traditional view of drama as principally mimesis, or imitation, revealing stageplays to be improvisational experiments and participatory explorations into the motive, means, and value of recreation. Delving into both canonical masterpieces and hidden gems, this innovative volume stakes a claim for play as the crucial link between games and early modern theatre, and for the early modern theatre as a critical site for unraveling the continued cultural significance and performative efficacy of gameplay today.

Andrew M. Stauffer

In most college and university libraries, materials published before 1800 have been moved into special collections, while the post-1923 books remain in general circulation. But books published between these dates are vulnerable to deaccessioning, as libraries increasingly reconfigure access to public-domain texts via digital repositories such as Google Books. Even libraries with strong commitments to their print collections are clearing out the duplicates, assuming that circulating copies of any given 19th-century edition are essentially identical to one another. When you look closely, however, you see that they are not.

Many 19th-century books were donated by alumni or their families decades ago, and many of them bear traces left behind by the people who first owned and used them. In Book Traces, Andrew M. Stauffer adopts what he calls "guided serendipity" as a tactic in pursuit of two goals: first, to read nineteenth-century poetry through the clues and objects earlier readers left in their books and, second, to defend the value of keeping the physical volumes on the shelves. Finding in such books of poetry the inscriptions, annotations, and insertions made by their original owners, and using them as exemplary case studies, Stauffer shows how the physical, historical book enables a modern reader to encounter poetry through the eyes of someone for whom it was personal.

Stauffer, an associate professor of English at the University of Virginia, is a former ARC Distinguished Scholar. 

Kyle Gorman and Richard Sproat

Weighted finite-state transducers (WFSTs) are commonly used by engineers and computational linguists for processing and generating speech and text. This book first provides a detailed introduction to this formalism. It then introduces Pynini, a Python library for compiling finite-state grammars and for combining, optimizing, applying, and searching finite-state transducers. This book illustrates this library's conventions and use with a series of case studies. These include the compilation and application of context-dependent rewrite rules, the construction of morphological analyzers and generators, and text generation and processing applications.

Nicholas R. Micinski
 

UN Global Compacts is a concise introduction to the key concepts, issues, and actors in global migration governance and presents a comprehensive analysis of the New York Declaration for Refugees and Migrants, the Global Compact on Refugees, and the Global Compact for Migration. 

The book places the declaration and compacts within their historical context, traces the evolution of global migration governance, and evaluates the implementation of the compacts. Ultimately, the global compacts were the result of three wider shifts in global governance from hard to soft law, from rights to aid, and from Cold War politics to nationalism. The book is an important contribution to international relations and migration studies and provides essential information on the NY declaration and the global compacts, in addition to an examination of the:

• Negotiating blocs and strategies
• Populist backlash to the Global Compact for Migration
• Responsibility sharing for refugee protection
• Human rights of migrants
• Principle of non-refoulement
• Comprehensive Refugee Response Framework
• UNHCR, IOM, and the UN Network on Migration

The book will be of interest to practitioners, students, and scholars of international cooperation, global governance, migrants, and refugees, and will be essential reading for graduate and undergraduate courses on international law, international organizations, and migration.

Micinski received his Ph.D. in Political Science in 2019 from The Graduate Center.

Elan Abrell
 

A fascinating and unprecedented ethnography of animal sanctuaries in the United States

Bridging anthropology with animal studies and political philosophy, and based on fieldwork at animal rescue facilities across the United States, Saving Animals is the first major ethnography to focus on the ethical issues animating the establishment of such places. It illustrates how caregivers and animals co-create new human–animal ecologies adapted to the material and social conditions of the Anthropocene.

Abrell received a Ph.D. in Anthropology from The Graduate Center in 2016 .

Co-authored by Tatiana Carayannis

The Third UN is the ecology of supportive non-state actors-intellectuals, scholars, consultants, think tanks, NGOs, the for-profit private sector, and the media-that interacts with the intergovernmental machinery of the First UN (member states) and the Second UN (staff members of international secretariats) to formulate and refine ideas and decision-making at key junctures in policy processes. Some advocate for particular ideas, others help analyze or operationalize their testing and implementation; many thus help the UN 'think'. While think tanks, knowledge brokers, and epistemic communities are phenomena that have entered both the academic and policy lexicons, their intellectual role remains marginal to analyses of such intergovernmental organizations as the United Nations.

One might say that the womb of death - the Middle Passage, slavery, and colonization - gave birth to Black populations. Taking this observation as her point of departure, Nathalie Etoke examines Black existence today in her riveting new book, Shades of Black. In a white supremacist world, Black bodies hold a specific position, invested with a range of meaning that maintains them in a fixed role, with a script they did not write. The white world has invented and defined the Black person according to its own interests, endowing her with a bereaved humanity. The Black person is confronted with an essential paradox — exist as Black or as a human being? Does the Black person exist for herself or for the other? In the white world, is the Black race the embodiment of a sub-humanity?

Situated at the crossroads of three countries - Cameroon, France, and, now, the United States - Nathalie Etoke is uniquely positioned for this polyphonic reflection on race. She examines what happens when race obliterates historical, social, cultural, and political differences among populations of African descent from different parts of the world. Focusing on recent and ongoing topics in the United States, including the murder of George Floyd, police brutality, the complex symbolism of Barack Obama and Kamala Harris, Etoke explores the relations of violence, oppression, dispossession, and inequalities that have brought us here, face to face with these existential questions: Are you breathing? Are we breathing?

This book focusses on gender and the audio-visual landscape of Mexico since 2010, examining popular culture as expressed in the still distinct but rapidly converging media forms of cinema, television, and streaming platforms. It tracks how changes in producers and genres coincide with changes in gender representations and engages with depictions of feminism, women's sexuality, masculinity, and teen homosexuality. It aims to move beyond the art, auteur or specialist film that is vaunted by film festivals but little seen by Mexicans at home, focussing instead on a wider world of media content and practices available in Mexico itself. Close attention is also paid to the social media footprint of the productions studied and the way it is used for promotion and engagement with the target audience. The book proposes a new approach to audio-visual studies, combining textual analysis with field surveys and the useof industrial sources perhaps unfamiliar to scholars in Anglo-American Hispanism and Latin American media studies in the UK and USA

Disaffected examines the effects of antisedition law on the overlapping public spheres of India and Britain under empire. 

After 1857, the British government began censoring the press in India, culminating in 1870 with the passage of Section 124a, a law that used the term "disaffection" to target the emotional tenor of writing deemed threatening to imperial rule. As a result, Tanya Agathocleous shows, Indian journalists adopted modes of writing that appeared to mimic properly British styles of prose even as they wrote against empire.

Agathocleous argues that Section 124a, which is still used to quell political dissent in present-day India, both irrevocably shaped conversations and critiques in the colonial public sphere and continues to influence anticolonialism and postcolonial relationships between the state and the public. Disaffected draws out the coercive and emotional subtexts of law, literature, and cultural relationships, demonstrating how the criminalization of political alienation and dissent has shaped literary form and the political imagination.

By A. W. Strouse (Ph.D. in English, 2017)

Why did Saint Augustine ask God to “circumcise [his] lips”? Why does Sir Gawain cut off the Green Knight’s head on the Feast of the Circumcision? Is Chaucer’s Wife of Bath actually—as an early glossator figures her—a foreskin? And why did Ezra Pound claim that he had incubated The Waste Land inside of his uncut member? In this little book, A. W. Strouse excavates a poetics of the foreskin, uncovering how Patristic theologies of circumcision came to structure medieval European literary aesthetics. Following the writings of Saint Paul, “circumcision” and “uncircumcision” become key terms for theorizing language—especially the dichotomies between the mere text and its extended exegesis, between brevity and longwindedness, between wisdom and folly. Form and Foreskin looks to three works: a peculiar story by Saint Augustine about a boy with the long foreskin; Sir Gawain and the Green Knight; and Chaucer’s Wife of Bath’s Tale. By examining literary scenes of cutting and stretching, Strouse exposes how Patristic treatments of circumcision queerly govern medieval poetics.

The most important influence shaping the religious and spiritual lives of children, youth, and teenagers is parents. Yet little research has studied this link in the intergenerational transmission of religion between generations. This book reports the findings of a new, national study of religious parents in the United States. The findings are based on 215 in-depth, personal interviews with religious parents from many traditions and different parts of the country; and on analyses of two nationally representative surveys of American parents. Unlike many studies that focus only on mainstream Christianity, this book reports on parents from a wide range of traditions: mainline Protestant, Catholic, evangelical, black Protestant, Jewish, Muslim, Mormon, Buddhist, and Hindu. It explores the background beliefs informing how and why religious parents seek to pass on religion to their children; examines how parenting styles interact with parent religiousness to shape religious transmission; shows how the approaches of parents now were influenced by their own experiences as children growing up under their parents; reveals how religious parents view their congregations and what they most seek out in a local church, synagogue, temple, or mosque; explores the experiences and outlooks of immigrant parents; and steps back to consider how the field of American religion has transformed over the last 100 years to explain why parents shoulder such a huge responsibility today in transmitting religious faith and practice to children. The book will interest scholars of religion, family, parenting, and socialization; clergy and religious educators and leaders; and religious parents themselves.

The first detailed study of "Neo-Antique" architecture applies an archeological lens to the study of the NYC's structures. 

Since the city's inception, New Yorkers have deliberately and purposefully engaged with ancient architecture to design and erect many of its most iconic buildings and monuments, including Grand Central Terminal and the Soldiers' and Sailors' Memorial Arch in Brooklyn, as well as forgotten gems such as Snug Harbor on Staten Island and the Gould Memorial Library in the Bronx.  Antiquity in Gotham interprets the various ways ancient architecture was reconceived in New York City from the 18th century to the early 21st century. 

Contextualizing New York's Neo-Antique architecture within larger American architectural trends, author Elizabeth Macaulay-Lewis applies an archeological lens to the study of the New York buildings that incorporated these various models in their design, bringing together these diverse sources of inspiration into a single continuum.  Antiquity in Gotham explores how ancient architecture communicated the political ideals of the new Republic through the adaptation of Greek and Roman architecture; how Egyptian temples conveyed the city's new technological achievements; and how the ancient Near East served many artistic masters, decorating the interiors of glitzy Gilded Age restaurants and the tops of skyscrapers. Rather than classifying neo-classical (and Greek Revival), Egyptianizing, and architecture inspired by the ancient Near East into distinct categories, the Neo-Antique framework considers the similarities and differences intellectually, conceptually, and chronologically amongst the reception of these different architectural traditions.

This fundamentally interdisciplinary project draws upon all available evidence and archival materials such as the letters and memos of architects and their patrons, and the commentary in contemporary newspapers and magazines to provide a lively multi-dimensional analysis that examines not only the city's ancient buildings and rooms themselves, but also how New Yorkers envisaged them, lived in them, talked about them, and reacted to them. Antiquity offered New Yorkers architecture with flexible aesthetic, functional, cultural, and intellectual resonances whether it be the democratic ideals of Periclean Athens, the technological might of Pharaonic Egypt, or the majesty of Imperial Rome. The result of these dialogues with ancient architectural forms was the creation of innovative architecture that has defined New York City's skyline throughout its history.

Alexander Zamalin

The first history of racial injustice to examine how civility and white supremacy are linked, and a call for citizens who care about social justice to abandon civility and practice civic radicalism

The idea and practice of civility has always been wielded to silence dissent, repress political participation, and justify violence upon people of color. Although many progressives today are told that we need to be more polite and thoughtful, less rancorous and angry, when we talk about race in America, civility maintains rather than disrupts racial injustice.

Spanning two hundred years, Zamalin's accessible blend of intellectual history, political biography, and contemporary political criticism shows that civility has never been neutral in its political uses and impacts. The best way to tackle racial inequality is through "civic radicalism," an alternative to civility found in the actions of Black radical leaders including Frederick Douglass, Harriet Tubman, Ida B. Wells, Martin Luther King Jr., James Baldwin, Malcolm X, and Audre Lorde. Civic radicals shock and provoke people. They name injustice and who is responsible for it. They protest, march, strike, boycott, and mobilize collectively rather than form alliances with those who fundamentally oppose them.

In Against Civility, citizens who care deeply about racial and socioeconomic equality will see that they need to abandon this concept of discreet politeness when it comes to racial justice and instead more fully support disruptive actions and calls for liberation, which have already begun with movements like #MeToo, the Dakota Access Pipeline protests, and Black Lives Matter.

Zamalin recieved his Ph.D. in Political Science in 2014 from The Graduate Center.

Foucault lived in Tunisia for two years and travelled to Japan and Iran more than once. Yet throughout his critical scholarship, he insisted that the cultures of the "Orient" constitute the "limit" of Western rationality. Using archival research supplemented by interviews with key scholars in Tunisia, Japan, and France, this book examines the philosophical sources, evolution as well as contradictions of Foucault's experience with non-Western cultures.  Beyond tracing Foucault's journey into the world of otherness, the book reveals the personal, political as well as methodological effects of a radical conception of cultural difference that extolled the local over the cosmopolitan. 

Edited By Alyson Cole and Estelle Ferrarese

By using the concept of capitalism as a “form of life”, the authors in this volume reconceive capitalism, its mechanisms and effects on our bodies and on our common life.

The idea that capitalism is more than a discrete economic system and instead a “form of life” that shapes our relationships with others, our sense of ourselves and our capacities, practices, bodies, and actions in the material world should be rather obvious. Yet efforts – whether through criticism or policy remedies – to redress the vast inequalities, inherent exploitation, alienation, and the manifold destructive effects of capitalism on the environment, typically proceed without grappling fully with the entwinement of the economic with the social and cultural, much less the ethical, ontological, and phenomenological. This volume proposes “form of life” as a heuristic tool, connecting literatures that often remain isolated from one another –  the Frankfurt School, neo-materialism, Wittgenstein’s philosophy, Foucault’s and Agamben’s biopolitics, and Marx’s discussion of reproduction. In emphasizing economic practices, as opposed to capitalism as a system, they conceive of “the economic” as an integral and integrated dimension of life, and thus develop new possibilities for critique. Viewing human beings as “economic bios,” provides a needed alternative to analyses that position neoliberalism as an economic logic imposed upon the social and cultural.

Bianca Williams; Dian D. Squire, Frank A. Tuitt

Plantation Politics and Campus Rebellions provides a multidisciplinary exploration of the contemporary university’s entanglement with the history of slavery and settler colonialism in the United States. Inspired by more than a hundred student-led protests during the Movement for Black Lives, contributors examine how campus rebellions—and university responses to them—expose the racialized inequities at the core of higher education. Plantation politics are embedded in the everyday workings of universities—in not only the physical structures and spaces of academic institutions, but in its recruitment and attainment strategies, hiring practices, curriculum, and notions of sociality, safety, and community. The book is comprised of three sections that highlight how white supremacy shapes campus communities and classrooms; how current diversity and inclusion initiatives perpetuate inequality; and how students, staff, and faculty practice resistance in the face of institutional and legislative repression. Each chapter interrogates a connection between the academy and the plantation, exploring how Black people and their labor are viewed as simultaneously essential and disruptive to university cultures and economies. The volume is an indispensable read for students, faculty, student affairs professionals, and administrators invested in learning more about how power operates within education and imagining emancipatory futures.

Co-edited by Nancy Hewitt

This collection incorporates the most influential and groundbreaking scholarship in the area of American women's history, featuring twenty-three original essays on critical themes and topics. It assesses the past thirty years of scholarship, capturing the ways that women's historians confront issues of race, class, gender, and sexuality. This second edition updates essays related to Indigenous women, slavery, the American Revolution, Civil War, the West, activism, labor, popular culture, civil rights, and feminism. It also includes a discussion of laws, capitalism, gender identity and transgender experience, welfare, reproductive politics, oral history, as well as an exploration of the perspectives of free Blacks and migrants and refugees.

Spanning from the 15th through the 21st centuries, chapters show how historians of women, gender, and sexuality have challenged established chronologies and advanced new understandings of America's political, economic, intellectual and social history.

By Madeleine Barnes (Ph.D. candidate in English)

Fusing original embroidery art, digital collage, and poetry that draws from the Public Domain, Women’s Work is a hybrid poetry chapbook that treads the frontier between the handmade and the digital. Each poem pulls text from sewing instructions and advertisements, layered over the scanned backs of the author’s original embroideries—messy threads that reveal traces of order. Exploring women’s labor, expression, sexuality, disobedience, and gender-based expectations of virtue, this chapbook pays tribute to women’s work and art, illuminating the dangers and adventures inherent to creating as a woman.

This book reconnoiters the appearances of the exceptional in Plato: as erotic desire (in the Symposium and Phaedrus), as the good city (Republic), and as the philosopher (Ion, Theaetetus, Sophist, Statesman). It offers fresh and sometimes radical interpretations of these dialogues.

Those exceptional elements of experience - love, city, philosopher - do not escape embodiment but rather occupy the same world that contains lamentable versions of each. Thus Pappas is depicting the philosophical ambition to intensify the concepts and experiences one normally thinks with. His investigations point beyond the fates of these particular exceptions to broader conclusions about Plato's world.

Plato's Exceptional City, Love, and Philosopher will be of interest to any readers of Plato, and of ancient philosophy more broadly.

For four decades, the number of conservative parents who homeschool their children has risen. But unlike others who teach at home, conservative homeschool families and organizations have amassed an army of living-room educators ready to defend their right to instruct their children as they wish, free from government intrusion. Through intensive but often hidden organizing, homeschoolers have struck fear into state legislators, laying the foundations for Republican electoral success.

In Homeschooling the Right, the political scientist Heath Brown provides a novel analysis of the homeschooling movement and its central role in conservative efforts to shrink the public sector. He traces the aftereffects of the passage of state homeschool policies in the 1980s and the results of ongoing conservative education activism on the broader political landscape, including the campaigns of George W. Bush and the rise of the Tea Party. Brown finds that by opting out of public education services in favor of at-home provision, homeschoolers have furthered conservative goals of reducing the size and influence of government. He applies the theory of policy feedback — how public-policy choices determine subsequent politics — to demonstrate the effects of educational activism for other conservative goals such as gun rights, which are similarly framed as matters of liberty and freedom. Drawing on decades of county data, dozens of original interviews, and original archives of formal and informal homeschool organizations, this book is a groundbreaking investigation of the politics of the conservative homeschooling movement.

André Aciman returns to the essay form in Homo Irrealis to explore what the present tense means to artists who cannot grasp the here and now. Irrealis is not about the present, or the past, or the future, but about what might have been but never was — but could in theory still happen.

From meditations on subway poetry and the temporal resonances of an empty Italian street, to considerations of the lives and work of Sigmund Freud, Constantine Cavafy, W. G. Sebald, John Sloan, Éric Rohmer, Marcel Proust, and Fernando Pessoa, and portraits of cities such as Alexandria and St. Petersburg, Homo Irrealis is a deep reflection of the imagination’s power to shape our memories under time’s seemingly intractable hold.

Justin Steinberg and Vatteri Viljanen
 

Benedict de Spinoza is one of the most controversial and enigmatic thinkers in the history of philosophy. His greatest work, Ethics (1677), developed a comprehensive philosophical system and argued that God and Nature are identical. His scandalous Theological-Political Treatise (1670) provoked outrage during his lifetime due to its biblical criticism, anticlericalism, and defense of the freedom to philosophize. Together, these works earned Spinoza a reputation as a singularly radical thinker.

In this book, Steinberg and Viljanen offer a concise and up-to-date account of Spinoza’s thought and its philosophical legacy. They explore the full range of Spinoza’s ideas, from politics and theology to ontology and epistemology. Drawing broadly on Spinoza’s impressive oeuvre, they have crafted a lucid introduction for readers unfamiliar with this important philosopher, as well as a nuanced and enlightening study for more experienced readers.

Accessible and compelling, Spinoza is the go-to text for anyone seeking to understand the thought of one of history’s most fascinating thinkers.

Poetry by one of the most powerful female figures in twentieth-century surrealism, now collected in English for the very first time.

Alice Paalen Rahon was a shapeshifter, a surrealist poet turned painter who was born French and died a naturalized citizen of Mexico. Along with her first husband, the artist Wolfgang Paalen, her circle included Frida Kahlo and Diego Rivera, Joan Miró, Paul Éluard, Man Ray, and Anaïs Nin. Bicultural, bisexual, and fiercely independent, her romantic life included affairs with Pablo Picasso and the poet Valentine Penrose. This new selection of Rahon’s poems, included both in the original French and in translation by Mary Ann Caws, celebrates the visionary work of a woman who defied easy definition. Her spellbinding poems, inspired by prehistoric art, lost love, and her travels around the globe, weave together dream, fantasy, and madness.

New York City has long been a generative nexus for the transnational Latin music scene. Currently, there is no other place in the Americas where such large numbers of people from throughout the Caribbean come together to make music. In this book, Benjamin Lapidus seeks to recognize all of those musicians under one mighty musical sound, especially those who have historically gone unnoticed.

Based on archival research, oral histories, interviews, and musicological analysis, Lapidus examines how interethnic collaboration among musicians, composers, dancers, instrument builders, and music teachers in New York City set a standard for the study, creation, performance, and innovation of Latin music. Musicians specializing in Spanish Caribbean music in New York cultivated a sound that was grounded in tradition, including classical, jazz, and Spanish Caribbean folkloric music. For the first time, Lapidus studies this sound in detail and in its context. He offers a fresh understanding of how musicians made and formally transmitted Spanish Caribbean popular music in New York City from 1940 to 1990.

Without diminishing the historical facts of segregation and racism the musicians experienced, Lapidus treats music as a unifying force. By giving recognition to those musicians who helped bridge the gap between cultural and musical backgrounds, he recognizes the impact of entire ethnic groups who helped change music in New York. The study of these individual musicians through interviews and musical transcriptions helps to characterize the specific and identifiable New York City Latin music aesthetic that has come to be emulated internationally.

An award-winning scholar uncovers the guiding principles of Lincoln’s antislavery strategies.

The long and turning path to the abolition of American slavery has often been attributed to the equivocations and inconsistencies of antislavery leaders, including Lincoln himself. But James Oakes’s brilliant history of Lincoln’s antislavery strategies reveals a striking consistency and commitment extending over many years. The linchpin of antislavery for Lincoln was the Constitution of the United States.

Lincoln adopted the antislavery view that the Constitution made freedom the rule in the United States, slavery the exception. Where federal power prevailed, so did freedom. Where state power prevailed, that state determined the status of slavery, and the federal government could not interfere. It would take state action to achieve the final abolition of American slavery. With this understanding, Lincoln and his antislavery allies used every tool available to undermine the institution. Wherever the Constitution empowered direct federal action—in the western territories, in the District of Columbia, over the slave trade—they intervened. As a congressman in 1849 Lincoln sponsored a bill to abolish slavery in Washington, DC. He reentered politics in 1854 to oppose what he considered the unconstitutional opening of the territories to slavery by the Kansas–Nebraska Act. He attempted to persuade states to abolish slavery by supporting gradual abolition with compensation for slaveholders and the colonization of free Blacks abroad.

President Lincoln took full advantage of the antislavery options opened by the Civil War. Enslaved people who escaped to Union lines were declared free. The Emancipation Proclamation, a military order of the president, undermined slavery across the South. It led to abolition by six slave states, which then joined the coalition to affect what Lincoln called the "King’s cure": state ratification of the constitutional amendment that in 1865 finally abolished slavery.

The book covers major aspects of the 20th Century Civil Rights Movement. It is not the standard text on the topic that is usually found because it uses sources directly associated with those whom led and marched on the campaigns. Too often the men and women who knew were an integral part of the civil and human rights struggle are overlooked by those who write on the subject in the Ivory Tower of academia. This book makes a strong effort to reference the voices of those who knew Dr. Martin Luther King Jr. on a personal and professional level. The same goes for Minister Malcolm X; who was not part of the mainstream civil rights organizations yet an integral part of the era who cannot be dismissed.

The spectral geometry of infinite graphs deals with three major themes and their interplay: the spectral theory of the Laplacian, the geometry of the underlying graph, and the heat flow with its probabilistic aspects. In this book, all three themes are brought together coherently under the perspective of Dirichlet forms, providing a powerful and unified approach.

The book gives a complete account of key topics of infinite graphs, such as essential self-adjointness, Markov uniqueness, spectral estimates, recurrence, and stochastic completeness. A major feature of the book is the use of intrinsic metrics to capture the geometry of graphs. As for manifolds, Dirichlet forms in the graph setting offer a structural understanding of the interaction between spectral theory, geometry and probability. For graphs, however, the presentation is much more accessible and inviting thanks to the discreteness of the underlying space, laying bare the main concepts while preserving the deep insights of the manifold case.

The Workshop for Women in Graph Theory and Applications was held at the Institute for Mathematics and Its Applications (University of Minnesota, Minneapolis) on August 19-23, 2019. During this five-day workshop, 42 participants performed collaborative research, in six teams, each focused on open problems in different areas of graph theory and its applications. The research work of each team was led by two experts in the corresponding area, who prior to the workshop, carefully selected relevant and meaningful open problems that would yield high-quality research and results of strong impact. As a result, all six teams have made significant contributions to several open problems in their respective areas. The workshop led to the creation of the Women in Graph Theory and Applications Research Network, which provided the framework to continue collaborating and to produce this volume.

To find "criteria of simplicity" was the goal of David Hilbert's recently discovered twenty-fourth problem on his renowned list of open problems given at the 1900 International Congress of Mathematicians in Paris. At the same time, simplicity and economy of means are powerful impulses in the creation of artworks. This was an inspiration for a conference, titled the same as this volume, that took place at the Graduate Center of the City University of New York in April of 2013. This volume includes selected lectures presented at the conference, and additional contributions offering diverse perspectives from art and architecture, the philosophy and history of mathematics, and current mathematical practice.

Centered around the theme of night, this collection assembles short, original works by thirty contemporary authors who convey the magic and mysteries of life after dark in Haiti. The texts are lively stories of unbridled imaginations, a quick succession of tales inspired by traditions of late night storytelling, including the Haitian lodyans. From midnight to midnight, the stories begin at the time of the authors' inspiration, offering a twenty-four-hour evening of tales at times macabre or surprising, tragic or comic. More than a decade after Une journée haïtienne, this collection assembles a diverse group of well-known and emerging writers from Haiti and the Haitian diaspora. Une soirée haïtienne is "a polyphonic exploration of Haitian life, creativity and dreams" (Edwidge Danticat). 

Updated and with a new introduction by the collection's editor Thomas C. Spear, Une journée haïtienne was released in a second edition simultaneously with the publication of Une soirée haïtienne in 2020. Together, the two collections cover a century of creation with original stories by major and sometimes lesser-known writers from Haiti and the Haitian diaspora. Beginning with their day and place of composition, the short texts of Une journée haïtienne share glimpses of life as if through a year's chronicle of letters. In their vast differences of style, humor and imagination, the forty authors offer a composite portrait of Haiti that reads as refreshingly true as when the collection was first published in 2007.

By Benjamin Krusling (Ph.D. candidate in English)

Glaring: a sustained look of anger, an obvious fact, a situation of such brightness and intensity that vision is obscured. In his debut book of poems, Krusling is concerned with reading domination and violence and entering their psychotic motion, the better to do otherwise. Through the thicket of anti-blackness, militarism, surveillance, impoverishment, and interpersonal abuse and violence, Glaring investigates the things that haunt daily life and make love difficult, possible, necessary.

L. Bordetsky-Williams

Your problem is you have a Russian soul, Anna's mother tells her. In 1980, Anna is a naive UConn senior studying abroad in Moscow at the height of the Cold War and a second-generation Russian Jew raised on a calamitous family history of abandonment, Czarist-era pogroms, and Soviet-style terror. As Anna dodges date rapists, KGB agents, and smooth-talking black marketeers while navigating an alien culture for the first time, she must come to terms with the aspects of the past that haunt her own life. With its intricate insight into the everyday rhythms of an almost forgotten way of life in Brezhnevâs Soviet Union, Forget Russia is a disquieting multi-generational epic about coming of age, forgotten history, and the loss of innocence in all of its forms. 

Bordetsky-Williams received her Ph.D. in in from The Graduate Center.

En el largo y sinuoso proceso que condujo a la publicación de La Florida del Inca (Lisboa, 1605) podemos suponer la existencia de varios pre-textos: copias manuscritas de versiones preliminares o parciales. Se publican aquí, en ediciones críticas y con un estudio histórico-filológico, los únicos documentos conocidos hasta ahora: dos resúmenes realizados a partir de la obra ya terminada pero aún manuscrita (c. 1596-1600); dos testimonios de muy distinta naturaleza y de pareja importancia, por cuanto amplían el ya complejo relato de cómo lo que podría haber sido una escueta relación histórica llegó a ser la obra clásica de 1605 y perfilan mejor los avatares de una carrera literaria sujeta a las servidumbres del mecenazgo y la política.

El Epítome del descubrimiento de la tierra de la Florida procede de un manuscrito recientemente descubierto en la Hispanic Society of America, de Nueva York. Se trata de un resumen dictado a un amanuense por el propio Garcilaso poco después de 1596, cuando las posibilidades de publicar su obra, terminada hacia 1592, se revelaban difíciles por falta de patronazgo político y económico.

El segundo texto, la Historia de los sucesos de la Florida del adelantado Hernando de Soto, es mucho más extenso que el anterior. El estudio de sus añadidos y errores muestra cómo no es una versión primitiva de La Florida, según se creía, sino un resumen preparado por el cronista Antonio de Herrera y Tordesillas a partir de una copia de la obra, con el objetivo de plagiar su contenido, algo que realmente hizo en sus Décadas (2015).

La presentación conjunta de ambos pre-textos es un hecho insólito en la historia literaria de la prosa en nuestra lengua y, más allá de la micro-historia de La Florida, viene a arrojar luz sobre los complicados procesos de publicación de nuestros clásicos.

Eliza Pratt Greatorex (1819–1897) was America’s most famous woman artist in the mid-nineteenth century, but today she is all but forgotten. Beginning with her Irish roots, this biography brings her art and life back into focus. Breaking conventions for female artists at that time, Greatorex specialized in landscapes and streetscapes, traveling from the Hudson River to the Colorado Rockies and across Europe and North Africa. Her crowning achievement, a monumental tome of drawings and narratives titled Old New York, awakened the public to the destruction of the city’s architectural heritage during the post–Civil War era. Exploring Greatorex’s fierce ambition and creative path, Katherine Manthorne reveals how her success at forging an independent career in a male-dominated world shaped American gender politics, visual culture, and urban consciousness.

Edited by Maureen E. Ruprecht Fadem (Ph.D. in English, 2012)

A multidisciplinary intervention into postcolonial theory that constructs and theorizes a political economy of empire.

This comprehensive collection traces the financial genealogies associated with the colonial enterprise, the strategies of economic precarity, the pedigrees of capital, and the narratives of exploitation that underlay and determined the course of modern history. One of the first attempts to take this approach in postcolonial studies, the book seeks to sketch the commensal relation—a symbiotic "phoresy"—between capitalism and colonialism, reading them as linked structures that carried and sustained each other through and across the modern era. The scholars represented here are all postcolonial critics working in a range of disciplines, including Political Science, Sociology, History, Peace and Conflict Studies, Legal Studies, and Literary Criticism, exploring the connections between empire and capital, and the historical and political implications of that structural hinge. Each author engages existing postcolonial and poststructuralist theory and criticism while bridging it over to research and analytic lenses less frequently engaged by postcolonial critics. In so doing, they devise novel intersectional and interdisciplinary frameworks through which to produce more greatly nuanced understandings of imperialism, capitalism, and their inextricable relation, "new" postcolonial critiques of empire for the twenty-first century.

This book will be an excellent resource for students and researchers of Postcolonial Studies, Literature, History, Sociology, Economics, Political Science and International Studies, among others.

Evan Rapport

Damaged: Musicality and Race in Early American Punk is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, Damaged provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era. 

Evan Rapport outlines the ways in which punk developed out of dramatic changes to America’s cities and suburbs in the postwar era, especially with respect to race. The musical styles that led to punk included transformations to blues resources, experimental visions of the American musical past, and bold reworkings of the rock-and-roll and rhythm-and-blues sounds of the late 1950s and early 1960s, revealing a historically oriented approach to rock that is strikingly different from the common myths and conceptions about punk. Following these approaches, punk itself reflected new versions of older exchanges between the US and the UK, the changing environments of American suburbs and cities, and a shift from the expressions of older baby boomers to that of younger musicians belonging to Generation X. Throughout the book, Rapport also explores the discourses and contradictory narratives of punk history, which are often in direct conflict with the world that is captured in historical documents and revealed through musical analysis.

Rapport received his Ph.D. in Music in 2006 from The Graduate Center.

By Ruprecht Fadem (Ph.D. in English, 2012)

Objects and Intertexts in Toni Morrison’s "Beloved": The Case for Reparations is an inspired contribution to the scholarship on one of the most influential American novels and novelists. The author positions this contemporary classic as a meditation on historical justice and re-comprehends it as both a formal tragedy — a generic translation of fiction and tragedy or a "novel-tragedy" (Kliger) — and as a novel of objects. Its many things — literary, conceptual, linguistic — are viewed as vessels carrying the (hi)story and political concerns. From this a third conclusion is drawn: Beloved as a case for reparations. Fadem argues that that status is founded on two outstanding object lessons: the character of Beloved as embodiment of the subject-object relations defining the slave state and the grammatical object "weather" in the sentence "The rest is …" on the novel’s final page, an intertextual reference placing Beloved in a comparative link with Hamlet and Oresteia. Fadem’s research is meticulous in engaging the full spectrum of tragedy theory, much critical theory, and a full swathe of scholarship on the novel. Few critics take up the matter of reparations, still fewer the politics of genre, craft, and form. This scholar posits Morrison’s tragedy as constituting a searing critique of modernity, as composed through meaningful intertextualities, and as crafted by profound "thingly" objects (Brown). Altogether Fadem has divined a fascinating new reading and singular treatment of Beloved exploring the connections between form and craft together with critical historical and political implications. The book argues finally that this novel’s first concern is justice and its chief aim is to serve as a clarion call for material — and not merely symbolic — reparations.

By Maureen E. Ruprecht Fadem (Ph.D. in English, 2012)

Objects and Intertexts in Toni Morrison’s “Beloved”: The Case for Reparations is an inspired contribution to the scholarship on one of the most influential American novels and novelists. The author positions this contemporary classic as a meditation on historical justice and re-comprehends it as both a formal tragedy— a generic translation of fiction and tragedy or a “novel-tragedy” (Kliger)—and a novel of objects. Its many things—literary, conceptual, linguistic— are viewed as vessels carrying the (hi)story and the political concerns. From this, a third conclusion is drawn: Fadem argues for a view of Beloved as a case for reparations. That status is founded on two outstanding object lessons: the character of Beloved as embodiment of the subject-object relations defining the slave state and the grammatical object “weather” in the sentence “The rest is…” on the novel’s final page. This intertextual reference places Beloved in a comparative link with Hamlet and Oresteia. Fadem’s research is meticulous in engaging the full spectrum of tragedy theory, much critical theory, and a full swathe of scholarship on the novel. Few critics take up the matter of reparations, still fewer the politics of genre, craft, and form. This scholar posits Morrison’s tragedy as constituting a searing critique of modernity, as composed through meaningful intertextualities and as crafted by profound “thingly” objects (Brown). Altogether, Fadem has divined a fascinating singular treatment of Beloved exploring the connections between form and craft together with critical historical and political implications. The book argues, finally, that this novel’s first concern is justice, and its chief aim to serve as a clarion call for material— and not merely symbolic—reparations.

Adrian Blackledge and Angela Creese

This highly original book brings compelling narratives of migration and social diversity vividly to life. At once a play script and an outcome of ethnographic research, it is a rich resource for the interpretation and representation of life in the multilingual city. The book takes an inside view of a hidden space in the city: an advice and advocacy service in a Chinese community centre. Here, advisors translate and translanguage, making sense of the bureaucratic world for clients who need help to access rights and resources related to housing, employment, education, welfare benefits, insurance, taxation, health and much more.

Blackledge, professor of sociolinguistics at the University of Stirling, U.K., is a former ARC Distinguished Scholar.

Creese, professor of linguistic ethnography at the University of Stirling, U.K., is a former ARC Distinguished Scholar.

A recent wave of research has explored the link between wh- syntax and prosody, breaking with the traditional generative conception of a unidirectional syntax-phonology relationship. In this book, Jason Kandybowicz develops Anti-contiguity Theory as a compelling alternative to Richards' Contiguity Theory to explain the interaction between the distribution of interrogative expressions and the prosodic system of a language. Through original and highly detailed fieldwork on several under-studied West African languages (Krachi, Bono, Wasa, Asante Twi, and Nupe), Kandybowicz presents empirically and theoretically rich analyses bearing directly on a number of important theories of the syntax-prosody interface. His observations and analyses stem from original fieldwork on all five languages and represent some of the first prosodic descriptions of the languages. The book also considers data from thirteen additional typologically diverse languages to demonstrate the theory's reach and extendibility.

Against the backdrop of data from eighteen languages, Anti-contiguity offers a new lens on the empirical and theoretical study of wh- prosody.

Set against the development of Singapore in the years 1852-1869, Hungry Ghosts (Singapore Saga, Vol 3) continues the vivid portrayal of the lives of the early pioneers, including Tan Kim Ching, W. H. Read, Habib Noh, Tan Kim Seng, Mother St Mathilde, Syed Ahmed Alsagoff and Whampoa as well as an array of fictional characters who bring nineteenth-century Singapore to life.

A female refugee from the Taiping Rebellion is kidnapped in Amoy and sold as a concubine in Singapore; an enterprising Indian convict converts his training as a metalworker into the more lucrative business of counterfeiting; a terror-filled secret society soldier is led down to the ten courts of hell on the night of the hungry ghosts; Duncan Simpson meets with the Heavenly King in Nanking and is tortured in a Chinese prison; an English wife escapes a loveless marriage when the ‘ghost ship’ CSS Alabama puts into Singapore.

As the fates and fortunes of its protagonists play themselves out against the backdrop of the Indian Mutiny, the Second Opium War and the last years of the Taiping rebellion, Singapore becomes a Crown colony and celebrates the fiftieth anniversary of its founding.

Hungry Ghosts is volume three in the Singapore Saga, a series of historical fiction covering the early years of Singapore, and follows Forbidden Hill and Chasing the Dragon.

Set against the development of Singapore in the years 1852-1869, Hungry Ghosts (Singapore Saga, Vol 3) continues the vivid portrayal of the lives of the early pioneers, including Tan Kim Ching, W. H. Read, Habib Noh, Tan Kim Seng, Mother St Mathilde, Syed Ahmed Alsagoff, and Whampoa as well as an array of fictional characters who bring 19th-century Singapore to life.

A female refugee from the Taiping Rebellion is kidnapped in Amoy and sold as a concubine in Singapore; an enterprising Indian convict converts his training as a metalworker into the more lucrative business of counterfeiting; a terror-filled secret society soldier is led down to the 10 courts of hell on the night of the hungry ghosts; Duncan Simpson meets with the Heavenly King in Nanking and is tortured in a Chinese prison; an English wife escapes a loveless marriage when the 'ghost ship' CSS Alabama puts into Singapore.

As the fates and fortunes of its protagonists play themselves out against the backdrop of the Indian Mutiny, the Second Opium War, and the last years of the Taiping rebellion, Singapore becomes a crown colony and celebrates the 50th anniversary of its founding.

Hungry Ghosts is volume three in the Singapore Saga, a series of historical fiction covering the early years of Singapore, and follows; Forbidden Hill and Chasing the Dragon.

From state-of-the-art parks to rooftop gardens, efforts to transform New York City’s unsightly industrial waterfronts into green, urban oases have received much public attention. In The Sustainability Myth, Melissa Checker uncovers the hidden costs  — and contradictions — of the city’s ambitious sustainability agenda in light of its equally ambitious redevelopment imperatives.

Focusing on industrial waterfronts and historically underserved places like Harlem and Staten Island’s North Shore, Checker takes an in-depth look at the dynamics of environmental gentrification, documenting the symbiosis between eco-friendly initiatives and high-end redevelopment and its impact on out-of-the-way, non-gentrifying neighborhoods. At the same time, she highlights the valiant efforts of local environmental justice activists who work across racial, economic, and political divides to challenge sustainability’s false promises and create truly viable communities.

The Sustainability Myth is a cautionary, eye-opening tale, taking a hard — but ultimately hopeful — look at environmental justice activism and the politics of sustainability.

A controversial figure working in installation and performance, Cuban artist Tania Bruguera (born 1968) has consistently blurred the lines between art and activism. Defining herself as an initiator rather than an author, she often invites spectator participation and works in a collaborative mode, working with various organizations, institutions and individuals to challenge political and economic power structures and the control they hold over society. She researches and executes the ways in which art can be applied to everyday life, and how its effects can translate into political action. From offering Cubans one minute of uncensored time in Havana's Plaza de la Revolución (#YoTambienExijo, 2014) to operating a flexible community center in Corona, Queens (Immigrant Movement International, 2011), Bruguera strives to make Arte Útil (Useful Art), an art that imagines and provides tools to bring about social change.

This volume is the eleventh title in the Fundación Cisneros' Conversaciones/Conversations series, and features an in-depth conversation between the artist and the renowned art historian Claire Bishop. In this interview, Bruguera tells her own story, recounting the development of her early work in 1980s Cuba, motivated by her political activism, and her shift from intimate performances to the orchestration of the large-scale interactive situations and events that characterize her work today.

La sintaxis del español proporcionará a los estudiantes universitarios de gramática española, así como a aquellos cuya concentración es el español, una fundación sólida para los estudios más avanzados, como un Master o un Doctorado, a través de un acercamiento directo. Este libro también es fundamental para los estudiantes que se especializan en Pedagogía, sobre todo en el campo de la Escuela Secundaria. Finalmente, y para aquellos que no están en una carrera docente, este texto representa una fuente confiable para sus estudios de la lengua española.

El objetivo principal de esta edición es que el libro sea más accesible para los estudiantes. Para eso hemos destacado las principales dificultades que enfrentan cuando estudian el idioma español. Para orientarlos mejor, comenzamos con un "Capítulo preliminar I" sobre los signos diacríticos o los acentos escritos, por lo general, material particularmente difícil para los estudiantes. Ampliamos el "Capítulo preliminar II" agregando explicaciones más detalladas de todas las diferentes variantes que ocurren en el idioma español, como un estudio de cognados en español e inglés. Mejoramos todos los capítulos con explicaciones gramaticales más comprensibles. También agregamos ejercicios nuevos y más cortos a todos los capítulos. Además, añadimos una sección, "Resumen del capítulo", al final de cada uno que sintetiza el material estudiado. También incluimos en cada uno un "Repaso práctico final" que reúne las partes más importantes para que los estudiantes puedan ampliar sus conocimientos de una manera más fácil. Finalmente, también agregamos una composición a cada capítulo. El libro concluye con tres Autoexámenes, uno cada cuatro capítulos y un Apéndice sobre la morfología del sistema verbal español.

In Wrongful Conviction in Sexual Assault, Matthew Barry Johnson introduces new directions in wrongful conviction research and understanding. Citing Innocence Project and National Registry of Exoneration data, the book identifies sexual assault as the predominant offense type associated with confirmed wrongful convictions in the US. Johnson outlines the differential risk of wrongful conviction associated with stranger rape, acquaintance rape, and intra-familial child sexual abuse. He also introduces new terms and concepts such as "black box" investigation, illustrating the lack of transparency in the production of prosecution evidence; a four-part stranger rape thesis; and the "moral outrage - moral correction" process that results in cognitive and emotional factors that interfere with the evaluation of criminal evidence. The book also includes chapters on racial bias in rape prosecution, and the relationship of serial sex offending to wrongful conviction. Citing both foundational and newly-introduced conviction research, Johnson illustrates unexamined aspects of well-known wrongful conviction cases (i.e. The Central Park Five, Steve Avery, Ronald Cotton, The Norfolk Four) and presents the lessons from lesser known wrongful convictions. Wrongful Conviction in Sexual Assault provides valuable new perspectives and insight for psychologists, defense lawyers, prosecutors, crime investigators, and social justice scholars.

A beautiful series of full-color portraits of LGBTQ people over the age of fifty.

Even with the extraordinary strides the LGBTQ movement has made in civil rights, acceptance, and visibility over the past half century, a growing portion of the community remains largely invisible, its concerns relegated to the margins.

In the latest in a groundbreaking series of beautiful photobooks on LGBTQ communities around the world--from Russia to Mexico to Japan--French-Senegalese photographer Delphine Diallo centers on the voices and lives of older LGBTQ people in the United States, a generation that has been ravaged by the AIDS epidemic but has also been instrumental in extraordinary progress in LGBTQ rights and visibility in this country.

The series of fifty full-color portraits of LGBTQ people from across the nation--interviewed on the fiftieth anniversary of the Stonewall riots that led to modern LGBTQ rights movement--offers this wise and resilient cohort a chance to share their stories and to reflect. With a special focus on people of color, Lived Experience is a celebration of an underserved, neglected part of the LGBTQ world in America and an inspiration to future generations.

Fundamental tenets of colonial historiography are challenged by showing that U.S. capital investment into this colony did not lead to the disappearance of the small farmer. Contrary to well-established narratives, quantitative data show that the increasing integration of rural producers within the U.S. market led to differential outcomes, depending on pre-existing land tenure structures, capital requirements to initiate production, and demographics. These new data suggest that the colonial economy was not polarized into landless Puerto Rican rural workers on one side and corporate U.S. capitalists on the other. The persistence of Puerto Rican small farmers in some regions and the expansion of local property ownership and production disprove this socioeconomic model. Other aspects of extant Puerto Rican historiography are confronted in order to make room for thorough analyses and new conclusions on the economy of colonial Puerto Rico during the early 20th century.

Valliappa Lakshamanan, Sara Robinson, Michael Munn

The design patterns in this book capture best practices and solutions to recurring problems in machine learning. The authors, three Google engineers, catalog proven methods to help data scientists tackle common problems throughout the ML process. These design patterns codify the experience of hundreds of experts into straightforward, approachable advice.

In this book, you will find detailed explanations of 30 patterns for data and problem representation, operationalization, repeatability, reproducibility, flexibility, explainability, and fairness. Each pattern includes a description of the problem, a variety of potential solutions, and recommendations for choosing the best technique for your situation.

Munn received his Ph.D. in Mathematics in 2008 from The Graduate Center and is currently a machine learning solutions engineer at Google.

Between the 1890s and the 1930s, movie going became an established feature of everyday life across America. Movies constituted an enormous visual data bank and changed the way artist and public alike interpreted images. This book explores modern painting as a response to, and an appropriation of, the aesthetic possibilities pried open by cinema from its invention until the outbreak of World War II, when both the art world and the film industry changed substantially. Artists were watching movies, filmmakers studied fine arts; the membrane between media was porous, allowing for fluid exchange. Each chapter focuses on a suite of films and paintings, broken down into facets and then reassembled to elucidate the distinctive art–film nexus at successive historic moments.

Now an Apple TV+ documentary, Lincoln’s Dilemma, airing February 18, 2022.

One of the Wall Street Journal’s Ten Best Books of the Year | A Washington Post Notable Book | A Christian Science Monitor and Kirkus Reviews Best Book of 2020

Winner of the Gilder Lehrman Abraham Lincoln Prize and the Abraham Lincoln Institute Book Award

“A marvelous cultural biography that captures Lincoln in all his historical fullness. . . . using popular culture in this way, to fill out the context surrounding Lincoln, is what makes Mr. Reynolds’s biography so different and so compelling . . . Where did the sympathy and compassion expressed in [Lincoln’s] Second Inaugural—’With malice toward none; with charity for all’—come from? This big, wonderful book provides the richest cultural context to explain that, and everything else, about Lincoln.” —Gordon Wood, Wall Street Journal

From one of the great historians of nineteenth-century America, a revelatory and enthralling new biography of Lincoln, many years in the making, that brings him to life within his turbulent age

David S. Reynolds, author of the Bancroft Prize-winning cultural biography of Walt Whitman and many other iconic works of nineteenth century American history, understands the currents in which Abraham Lincoln swam as well as anyone alive. His magisterial biography Abe is the product of full-body immersion into the riotous tumult of American life in the decades before the Civil War.

It was a country growing up and being pulled apart at the same time, with a democratic popular culture that reflected the country’s contradictions. Lincoln’s lineage was considered auspicious by Emerson, Whitman, and others who prophesied that a new man from the West would emerge to balance North and South. From New England Puritan stock on his father’s side and Virginia Cavalier gentry on his mother’s, Lincoln was linked by blood to the central conflict of the age. And an enduring theme of his life, Reynolds shows, was his genius for striking a balance between opposing forces. Lacking formal schooling but with an unquenchable thirst for self-improvement, Lincoln had a talent for wrestling and bawdy jokes that made him popular with his peers, even as his appetite for poetry and prodigious gifts for memorization set him apart from them through his childhood, his years as a lawyer, and his entrance into politics.

No one can transcend the limitations of their time, and Lincoln was no exception. But what emerges from Reynolds’s masterful reckoning is a man who at each stage in his life managed to arrive at a broader view of things than all but his most enlightened peers. As a politician, he moved too slowly for some and too swiftly for many, but he always pushed toward justice while keeping the whole nation in mind. Abe culminates, of course, in the Civil War, the defining test of Lincoln and his beloved country. Reynolds shows us the extraordinary range of cultural knowledge Lincoln drew from as he shaped a vision of true union, transforming, in Martin Luther King Jr.’s words, “the jangling discords of our nation into a beautiful symphony of brotherhood.”

Abraham Lincoln did not come out of nowhere. But if he was shaped by his times, he also managed at his life’s fateful hour to shape them to an extent few could have foreseen. Ultimately, this is the great drama that astonishes us still, and that Abe brings to fresh and vivid life. The measure of that life will always be part of our American education.

A new biography of Abraham Lincoln that places him fully in the culture of his era--the reform movements, literature, newspapers, plays, songs, popular humor, and other cultural phenomena that shaped him and that he absorbed in his effort to transform America and point it toward civil rights.

The science is conclusive: to avoid irreversible climate collapse, the burning of all fossil fuels will have to end in the next decade. In this concise and highly readable intervention, Ashley Dawson sets out what is required to make this momentous shift: Simply replacing coal-fired power plants with for-profit solar energy farms will only maintain the toxic illusion that it is possible to sustain relentlessly expanding energy consumption. We can no longer think of energy as a commodity. Instead we must see it as part of the global commons, a vital element in the great stock of air, water, plants, and cultural forms like language and art that are the inheritance of humanity as a whole.

People's Power provides a persuasive critique of a market-led transition to renewable energy. It surveys the early development of the electric grid in the United States, telling the story of battles for public control over power during the Great Depression. This history frames accounts of contemporary campaigns, in both the United States and Europe, that eschew market fundamentalism and sclerotic state power in favor of energy that is green, democratically managed, and equitably shared.

Recover the stories of long-overlooked American women who, at a time when women rarely worked outside the home, became commercial photographers and shaped the new, challenging medium. Covering two generations of photographers ranging from New York City to California’s mining districts, this study goes beyond a broad survey and explores individual careers through primary sources and new materials. Profiles of the photographers animate their careers by exploring how they began, the details of running their own studios, and their visual output. The featured photos vary in form—daguerreotype, tintype, carte de visite, and more—and subject, including Civil War portraits, postmortem photography, and landscape photography. This welcome resource fills in gaps in photographic, American, and women's history and convincingly lays out the parallels between the growth of photography as an available medium and the late-19th-century women's movement.

Maria-Cristina Necula

The death of Spain's Don Carlos, Prince of Asturias, on July 24, 1568, remains an enigma. Several accounts insinuated that the Spanish Crown Prince was murdered while incarcerated by order of his father, King Philip II. The mystery of Don Carlos' death, supported by ambassadorial accounts that implied foul play, became a fertile subject for defamation campaigns against Philip, fostering an extraordinary fluidity between history and fiction. This book investigates three treatments of the Don Carlos legend on which this fluidity had a potent, transformational impact: César Vichard de Saint-Réal's novel, Dom Carlos, nouvelle historique (1672); Friedrich Schiller's play, Don Karlos, Infant von Spanien (1787); and Giuseppe Verdi's opera Don Carlos (1867). Through these cultural variations on a historical theme, the authors and composer contributed innovative elements to their genres. In The Don Carlos Enigma, the exciting young scholar Maria-Cristina Necula explores how the particular blend of history and fiction around the personage of Don Carlos inspired such artistic liberties with evolutionary outcomes. Saint-Réal advanced the nouvelle historique genre by developing the element of conspiracy. Schiller's play began the transition from the Sturm und Drang literary movement towards Weimar Classicism. Verdi introduced new dramatic and musical elements to bring opera closer to the realism of dramatic theater. Within each of these treatments, pivotal points of narrative, semantic, dramatic, and musical transformation shaped not only the story of Don Carlos, but the expressive forms themselves. In support of the investigation, selected scenes from the three works are explored and framed by an engagement with studies in the fields of French literature, German theater, French and Italian opera, and Spanish history. The enigma of the Spanish prince may never be solved, but Saint-Réal, Schiller, and Verdi have offered alternatives that, in a sense, unburden history of truth that it could never bear alone. In the case of Don Carlos, history is in itself an encyclopedia of variations.

Necula received her Ph.D. in comparative literature in 2019 from The Graduate Center

Patricia Oliart
 

Pedagogías de la disidencia en América Latina reúne diversas reflexiones de activistas, educadores y productores culturales de Chile, Perú, Argentina y Colombia. Los artículos analizan distintas posturas que cuestionan, desafían, proponen e invitan a la desobediencia y la acción política contra la lógica del mercado, el patriarcado, la hetero-normatividad, el ‘adultocentrismo’, el racismo y otros sentidos contemporáneos de exclusión.

Una poderosa y reveladora lista de ensayos para entender la creación y apropiación de ideas emancipadoras necesarias para confrontar el panorama desigual de América Latina.

Oliart, a Senior Lecturer and Head of Spanish, Portuguese and Latin American Studies at Newcastle University, was a Distinguished ARC Fellow. 

We the People: Social Protest Movements and the Shaping of American Democracy uses a historical and a contemporary focus to demonstrate the integral role that social protest movements play in challenging social and structural inequality along the intersecting axis of identity politics, socioeconomic status and ability, and why social protest movements should matter to social workers.

The book examines how social protest movements influence progressive social policy and elucidates the social conditions that give rise to protest, how protest creates social movements, and the functions and goals of social protest movements. By exploring various theoretical perspectives, it brings both a historical and a contemporary lens to the examination of social protest movements and elucidates the critical role that social protest movements play in American democracy.

The United States has never had a president quite like Donald J. Trump. He violated every rule of conventional presidential campaigns to win a race that almost no one, including at times he himself, thought he would win. In so doing, Trump set off cataclysmic shock waves across the country and world that have not subsided and are unlikely to as long as he remains in office. Critics of Trump abound, as do anonymously sourced speculations about his motives, yet the real man behind this unprecedented presidency remains largely unknown. In this innovative analysis, American presidency scholar and trained psychoanalyst Stanley Renshon reaches beyond partisan narrative to offer a serious and substantive examination of Trump's real psychology and controversial presidency. He analyzes Trump as a preemptive president trying to become transformative by initiating a Politics of American Restoration. Rigorously grounded in both political science and psychology scholarship, The Real Psychology of the Trump Presidency offers a unique and thoughtful perspective on our controversial 45th president.

Marius R. Busemeyer, Julian L. Garritzmann, and Erik Neimanns
 

This path-breaking addition to the Comparative Politics of Education series studies the influence of public opinion on the contemporary politics of education reform in Western Europe. The authors analyze new data from a survey of public opinion on education policy across eight countries, and they also provide detailed case studies of reform processes based on interviews with policy-makers and stakeholders. The book's core finding is that public opinion has the greatest influence in a world of 'loud' politics, when salience is high and attitudes are coherent. In contrast, when issues are salient but attitudes are conflicting, the signal of public opinion turns 'loud, but noisy' and party politics have a stronger influence on policy-making. In the case of 'quiet' politics, when issue salience is low, interest groups are dominant. This book is required reading for anyone seeking to make sense of policy-makers' selective responsiveness to public demands and concerns.

Busemeyer, a professor of political science with a focus on comparative political economy at the University of Konstanz, is a former ARC Distinguished Scholar.

Descrição: Compilada perto de 1595, esta que chamamos Miscelânea Sebástica da Ajuda constrói, a partir de elementos díspares reutilizados, uma narrativa ordenada, com o seu prólogo, corpo narrativo e peroração, sobre os antecedentes, feitos militares e desfecho da batalha de Alcácer-Quibir, servindo como memória catártica do desastre.
Independentemente do valor próprio dos elementos em prosa e verso acumulados no códice 51-II-18 da Biblioteca da Ajuda, a maior parte deles inéditos de diversa natureza e autoria (entre os quais se destacam poemas de Diogo Bernardes e Jerónimo Corte-Real), o facto de terem sido copiados de uma mão e tratarem todos do mesmo assunto sugere uma leitura não como um conjunto desagregado mas como uma obra sequencial, com um propósito bem definido. 

Salar Abdoh

Saleh, the narrator of Out of Mesopotamia, is a middle-aged Iranian journalist who moonlights as a writer for one of Iran's most popular TV shows but cannot keep himself away from the front lines in neighboring Iraq and Syria. There, the fight against the Islamic State is a proxy war, an existential battle, a declaration of faith, and, for some, a passing weekend affair.

After weeks spent dodging RPGs, witnessing acts of savagery and stupidity, Saleh returns to civilian life in Tehran but finds it to be an unbearably dislocating experience. Pursued by his official handler from state security, opportunistic colleagues, and the woman who broke his heart, Saleh has reason to again flee from everyday life. Surrounded by men whose willingness to achieve martyrdom both fascinates and appalls him, Saleh struggles to make sense of himself and the turmoil in his midst.

An unprecedented glimpse into endless war" from a Middle Eastern perspective, Out of Mesopotamia follows in the tradition of the Western canon of martial writers--from Hemingway and Orwell to Tim O'Brien and Philip Caputo--but then subverts and expands upon the genre before completely blowing it apart. Drawing from his firsthand experience of being embedded with Shia militias on the ground in Iraq and Syria, Abdoh gives agency to the voiceless while offering a meditation on war that is moving, humane, darkly funny, and resonantly true.

Abdoh, Professor of English at the City College of New York, was an Advanced Research Collaborative (ARC) Distinguished Fellow at The Graduate Center, CUNY.

Americans are under the spell of a distorted and polarizing story about their country’s future ― the majority-minority narrative ― which contends that inevitable demographic changes will create a society with a majority made up of minorities for the first time in the United States’s history. The Great Demographic Illusion reveals that this narrative obscures a more transformative development: the rising numbers of young Americans from ethno-racially mixed families, consisting of one white and one nonwhite parent. Examining the unprecedented significance of mixed parentage in the 21st-century United States, Richard Alba looks at how young Americans with this background will play pivotal roles in the country’s demographic future.

Assembling a vast body of evidence, Alba explores where individuals of mixed parentage fit in American society. Most participate in and reshape the mainstream, as seen in their high levels of integration into social milieus that were previously white dominated. Yet, racism is evident in the very different experiences of individuals with black-white heritage. Alba’s portrait squares in key ways with the history of immigrant-group assimilation, and indicates that, once again, mainstream American society is expanding and becoming more inclusive.

Nevertheless, there are also major limitations to mainstream expansion today, especially in its more modest magnitude and selective nature, which hinder the participation of Black Americans and some other people of color. Alba calls for social policies to further open up the mainstream by correcting the restrictions imposed by intensifying economic inequality, shape-shifting racism, and the impaired legal status of many immigrant families.

Countering rigid demographic beliefs and predictions, The Great Demographic Illusion offers a new way of understanding American society and its coming transformation.

A behind-the-scenes examination of Asian Americans in the workplace.

In the classroom, Asian Americans, often singled out as so-called "model minorities," are expected to be top of the class. Often they are, getting straight As and gaining admission to elite colleges and universities. But the corporate world is a different story. As Margaret M. Chin reveals in this important new book, many Asian Americans get stuck on the corporate ladder, never reaching the top.

In Stuck, Chin shows that there is a "bamboo ceiling" in the workplace, describing a corporate world where racial and ethnic inequalities prevent upward mobility. Drawing on interviews with second-generation Asian Americans, she examines why they fail to advance as fast or as high as their colleagues, showing how they lose out on leadership positions, executive roles, and entry to the coveted boardroom suite over the course of their careers. An unfair lack of trust from their coworkers, absence of role models, sponsors and mentors, and for women, sexual harassment and prejudice especially born at the intersection of race and gender are only a few of the factors that hold Asian American professionals back.

Ultimately, Chin sheds light on the experiences of Asian Americans in the workplace, providing insight into and a framework of who is and isn't granted access into the upper echelons of American society, and why.

A panoramic narrative of the years leading up to the Second World War — a tale of democratic crisis, racial conflict, and a belated recognition of evil, with profound resonance for our own time.

Berlin, November 1937. Adolf Hitler meets with his military commanders to impress upon them the urgent necessity for a war of aggression in eastern Europe. Some generals are unnerved by the Führer’s grandiose plan, but these dissenters are silenced one by one, setting in motion events that will culminate in the most calamitous war in history.

Benjamin Carter Hett takes us behind the scenes in Berlin, London, Moscow, and Washington, revealing the unsettled politics within each country in the wake of the German dictator’s growing provocations. He reveals the fitful path by which anti-Nazi forces inside and outside Germany came to understand Hitler’s true menace to European civilization and learned to oppose him, painting a sweeping portrait of governments under siege, as larger-than-life figures struggled to turn events to their advantage. 

As in The Death of Democracy, his acclaimed history of the fall of the Weimar Republic, Hett draws on original sources and newly released documents to show how these long-ago conflicts have unexpected resonances in our own time. To read The Nazi Menace is to see past and present in a new and unnerving light.

A graduate-level textbook that presents basic topology from the perspective of category theory.

This graduate-level textbook on topology takes a unique approach: it reintroduces basic, point-set topology from a more modern, categorical perspective. Many graduate students are familiar with the ideas of point-set topology and they are ready to learn something new about them. Teaching the subject using category theory—a contemporary branch of mathematics that provides a way to represent abstract concepts—both deepens students' understanding of elementary topology and lays a solid foundation for future work in advanced topics.

David Waldstreicher and Van Gosse

Revolutions and Reconstructions gathers historians of the early republic, the Civil War era, and African American and political history to consider not whether black people participated in the politics of the nineteenth century but how, when, and with what lasting effects. Collectively, its authors insist that historians go beyond questioning how revolutionary the American Revolution was, or whether Reconstruction failed, and focus, instead, on how political change initiated by African Americans and their allies constituted the rule in nineteenth-century American politics, not occasional and cataclysmic exceptions.

The essays in this groundbreaking collection cover the full range of political activity by black northerners after the Revolution, from cultural politics to widespread voting, within a political system shaped by the rising power of slaveholders. Conceptualizing a new black politics, contributors observe, requires reorienting American politics away from black/white and North/South polarities and toward a new focus on migration and local or state structures. Other essays focus on the middle decades of the nineteenth century and demonstrate that free black politics, not merely the politics of slavery, was a disruptive and consequential force in American political development.

From the perspective of the contributors to this volume, formal black politics did not begin in 1865, or with agitation by abolitionists like Frederick Douglass in the 1840s, but rather in the Revolutionary era's antislavery and citizenship activism. As these essays show, revolution, emancipation, and Reconstruction are not separate eras in U.S. history, but rather linked and ongoing processes that began in the 1770s and continued through the nineteenth century.

The essays included in Talking Books with Mario Vargas Llosa celebrate Mario Vargas Llosa’s visits to The City College of New York, the creation of the Cátedra Vargas Llosa in his honor, and the interests of the Peruvian author in reading and books. This volume contains previously unpublished material by Vargas Llosa himself, as well as by novelists and literary critics associated with the Cátedra.

A combination of literary analyses and anecdotal contributions in this volume reveal the little-known human and intellectual dimensions of Vargas Llosa the writer and Vargas Llosa the man.

This book contributes to a historically evolving conversation about immigration as a facet of globalization in the European context. Focusing on literary and artistic works from the post–World War II era, the author uses a call-and-response structure – as in African-American slave songs, Indian kirtans, and Jewish liturgy – to create a series of dialogues between Asian-German authors, including Yoko Tawada, Pham Thi Hoài, and Anna Kim, and an earlier generation of German-speaking authors and artists whose works engaged with Asia, including W. G. Sebald, Peter Weiss, and Joseph Beuys.

Considering the recent successes of the New Right, which have brought about a regression to Nazi anti-Semitic discourses grounded in the equation between Jews and "Orientals," the author advocates a need for solidarity between Germans and Asian-Germans. Using fusion as a metaphor, she revises the critical paradigms of Orientalism and postcolonial studies to show how, in the aftermath of the twelve-year Nazi dictatorship, Germany has successfully transformed itself into a country of immigration – in part due to the new and pioneering Asian-German voices that have reshaped the German-speaking cultural landscape and that are now, for the first time, featured as coming together in this book.

Immigration has been a contentious issue for decades, but in the twenty-first century it has moved to center stage, propelled by an immigrant threat narrative that blames foreign-born workers, and especially the undocumented, for the collapsing living standards of American workers.  According to that narrative, if immigration were summarily curtailed, border security established, and ""illegal aliens"" removed, the American Dream would be restored.

In this book, Ruth Milkman demonstrates that immigration is not the cause of economic precarity and growing inequality, as Trump and other promoters of the immigrant threat narrative claim. Rather, the influx of low-wage immigrants since the 1970s was a consequence of concerted employer efforts to weaken labor unions, along with neoliberal policies fostering outsourcing, deregulation, and skyrocketing inequality. 

These dynamics have remained largely invisible to the public. The justifiable anger of US-born workers whose jobs have been eliminated or degraded has been tragically misdirected, with even some liberal voices recently advocating immigration restriction. This provocative book argues that progressives should instead challenge right-wing populism, redirecting workers' anger toward employers and political elites, demanding upgraded jobs for foreign-born and US-born workers alike, along with public policies to reduce inequality.

Dan Rabinowitz

Hotter and dryer than most parts of the world, the Middle East could soon see climate change exacerbate food and water shortages, aggravate social inequalities, and drive displacement and political destabilization. And as renewable energy eclipses fossil fuels, oil rich countries in the Middle East will see their wealth diminish. Amidst these imminent risks is a call to action for regional leaders. Could countries such as Saudi Arabia, Kuwait, and the United Arab Emirates harness the region's immense potential for solar energy and emerge as vanguards of global climate action?

The Power of Deserts surveys regional climate models and identifies the potential impact on socioeconomic disparities, population movement, and political instability. Offering more than warning and fear, however, the book highlights a potentially brighter future—a recent shift across the Middle East toward renewable energy. With his deep knowledge of the region and knack for presenting scientific data with clarity, Dan Rabinowitz makes a sober yet surprisingly optimistic investigation of opportunity arising from a looming crisis.

Rabinowitz, a Professor of Sociology and Anthropology at Tel-Aviv University, was an Advanced Research Collaborative (ARC) Distinguished Fellow at The Graduate Center, CUNY.

This book shows new directions in group theory motivated by computer science. It reflects the transition from geometric group theory to group theory of the 21st century that has strong connections to computer science. Now that geometric group theory is drifting further and further away from group theory to geometry, it is natural to look for new tools and new directions in group theory which are present.

This book includes works by well-known experts in the field and will be of interest to mathematicians working in group theory and related areas.

Jan Willem Duyvendak, Nancy Foner, Philip Kasinitz (Editors)

Presenting several in-depth studies, this book explores how super-diversity operates in everyday relations and interactions in a variety of urban settings in Western Europe and the United States. The contributors raise a broad range of questions about the nature and effects of super-diversity. They ask if a quantitative increase in demographic diversity makes a qualitative difference in how diversity is experienced in urban neighborhoods, and what are the consequences of demographic change when people from a wide range of countries and social backgrounds live together in urban neighborhoods. The question at the core of the book is to what extent, and in what contexts, super-diversity leads to either the normalization of diversity or to added hostility towards and amongst those in different ethnic, racial, and religious groups. In cases where there is no particular ethno-racial or religious majority, are certain long-established groups able to continue to exert economic and political power, and is this continued economic and political dominance actually often facilitated by super-diversity? With contributions from a number of European countries as well as the U.S., this book will be of interest to researchers studying contemporary migration and ethnic diversity. It will also spark discussion amongst those focusing on multiculturalism in urban environments. This book was originally published as a special issue of Ethnic and Racial Studies.

Jan Willem Duyvendak, distinguished research professor of sociology at the University of Amsterdam, the Netherlands, and the director of the Netherlands Institute for Advanced Study in the Humanities and Social Sciences, is a former ARC Distinguished Scholar. 

Colonial Migrants at the Heart of Empire is the first in-depth look at the experiences of Puerto Rican migrant workers in continental U.S. agriculture in the 20th century. The Farm Labor Program, established by the government of Puerto Rico in 1947, placed hundreds of thousands of migrant workers on U.S. farms and fostered the emergence of many stateside Puerto Rican communities. García-Colón investigates the origins and development of this program and uncovers the unique challenges faced by its participants.

A labor history and an ethnography, Colonial Migrants evokes the violence, fieldwork, food, lodging, surveillance, and coercion that these workers experienced on farms and conveys their hopes and struggles to overcome poverty. Island farmworkers encountered a unique form of prejudice and racism arising from their dual status as both U.S. citizens and as “foreign others,” and their experiences were further shaped by evolving immigration policies. Despite these challenges, many Puerto Rican farmworkers ultimately chose to settle in rural U.S. communities, contributing to the production of food and the Latinization of the U.S. farm labor force.

By Chris Campanioni (Ph.D. in English, 2022)

How do we re-write American identity? Start by exploding the canon. Chris Campanioni begins by adapting (re-writing?) Henry James's The American and Gertrude Stein's "Americans" through an amalgam of annotations, observations, aphorisms, and asides, dissolving the boundaries between journal and novel, autobiography and fiction to enact the correspondence between all things when they are copied out. Then he goes further, imagining several other books inside this one, including an exploration of the ways in which "migrant illegality has been fabricated and shaped since September 11, and how these processes parallel the expansion of criminalization in an increasingly securitized and (border-) patrolled United States, and how this might inform a critical evaluation of technology's role in capturing and containing bodies: the specular and surveillant logic deployed for the divestment of human rights—to dispel bodies or, alternatively, to keep them in check."

More than anything else, it is this hypothesized convergence of the real, the not real, and the not yet real that propels A and B and Also Nothing toward a blueprint for American identity built on errancy and errantry, hospitality and mutability, and a reevaluation of the exclusionary practices premised on the fetishization of origin and the original; the singularity of specialization. "Against nothing," Campanioni writes, "if not against expertise and the territorial character of art." In introducing the game and inviting all of us, A and B and Also Nothing is both a call and a response to the avant-garde, an attention to the community of neo-mestizo writers and writers of color who have, consistently, been left out of its genealogy.

By Madeleine Barnes (Ph.D. candidate in English)

Chosen for the 2019 Trio House Open Reading Selection, You Do Not Have To Be Good utilizes powerful lyricism to illuminate the soul's perseverance to live. Barnes intimately immerses us in what it means to be chronically ill and reflects on the body's connection to the planet. While the body succumbs to illness, Barnes expresses illness that tides silence, "everything / fell apart in my mouth in piles of razors / that severed language, my only tether to Earth." You Do Not Have To Be Good guides us through the ways modern medicine attempts to heal the body, as the poet bravely confides in her reader that she searches for solace in poetry's galaxy.

By Brad Fox (Ph.D. in English, 2022)

Tess keeps vigil at the bedside of her friend Laura through a long night of labor as Laura’s first child arrives. The two have known each other for what seems like forever. Their humanitarian aid work has taken them from the Balkans, to Egypt, to Istanbul amid the ongoing refugee crisis—an era that includes the US’s war in Iraq, the Arab Spring, and many forms of global consequence and aftermath. Brad Fox’s first novel is a luminous inquiry into the incarnations and limits of hope. This writer helps us endure our questions about what forms care may take, what we may offer to anyone, near and far.

In Poor Queer Studies Matt Brim shifts queer studies away from its familiar sites of elite education toward poor and working-class people, places, and pedagogies. Brim shows how queer studies also takes place beyond the halls of flagship institutions: in night school; after a three-hour commute; in overflowing classrooms at no-name colleges; with no research budget; without access to decent food; with kids in tow; in a state of homelessness. Drawing on the everyday experiences of teaching and learning queer studies at the College of Staten Island, Brim outlines the ways the field has been driven by the material and intellectual resources of those institutions that neglect and rarely serve poor and minority students. By exploring poor and working-class queer ideas and laying bare the structural and disciplinary mechanisms of inequality that suppress them, Brim jumpstarts a queer-class knowledge project committed to anti-elitist and anti-racist education. Poor Queer Studies is essential for all of those who care about the state of higher education and building a more equitable academy.

This book uncovers properties of focus association with 'only' by examining the interaction between the particle and bare (or “evaluative”) gradable terms. Its empirical building blocks are paradigms involving upward-scalar terms like 'few' and 'rarely', and their downward-scalar antonyms 'many' and 'frequently', an area that has not been studied previously in the literature. The empirical claim is that associations of the former type give rise to unexpected readings, and the proposed theoretical explanation draws on the properties of the latter type of association. In presenting the details, the book deconstructs the so-called scalar presupposition of 'only' and derives it from constraints against its vacuous use. This view is then combined with a semantics of the evaluative adjectives 'many' and 'few' to explain why the unavailable (but expected) meanings of the given constructions are unavailable. The attested (but unexpected) readings of 'only+few/rarely' associations are derived from independently motivated LFs in which the degree expressions are existentially closed. Finally, the book provides new findings, based on the core proposal, about 'only if' constructions, and about the interaction between 'only' and other upward-scalar modified numerals (comparatives, and 'at most'). The book thus provides new data and a new theoretical view of the semantic properties of 'only', and connects it to the semantics of gradable expressions.

Sharon Zukin

You hear a lot these days about "innovation and entrepreneurship" and about how "good jobs" in tech will save our cities. Yet these common tropes hide a stunning reality: local lives and fortunes are tied to global capital. You see this clearly in metropolises such as San Francisco and New York that have emerged as "superstar cities." In these cities, startups bloom, jobs of the future multiply, and a meritocracy trained in digital technology, backed by investors who control deep pools of capital, forms a new class: the tech-financial elite. In The Innovation Complex, the eminent urbanist Sharon Zukin shows the way these forces shape the new urban economy through a rich and illuminating account of the rise of the tech sector in New York City. Drawing from original interviews with venture capitalists, tech evangelists, and economic development officials, she shows how the ecosystem forms and reshapes the city from the ground up.

A video produced by Alice Arnold and the distinguished sociologist Sharon Zukin, for the publication of "The Innovation Complex: Cities, Tech and the New Economy" (Oxford University Press, 2020).

Urban educational research, practice, and policy are preoccupied with problems, brokenness, stigma, and blame. As a result, too many people are unable to recognize the capacities and desires of children and youth growing up in working-class communities. This book offers an alternative angle of vision — animated by young people’s own photographs, videos, and perspectives over time. It shows how a racially, ethnically, and linguistically diverse community of young people in Worcester, MA used cameras at different ages (10, 12, 16, and 18) to capture and value the centrality of care in their lives, homes, and classrooms.

Jeff Maskovsky (co-editor) and Sophie Bjork-James (co-editor)

Across the world, politics is lurching to the right, ethnic nationalism is on the rise, and people are furious. Beyond Populism critically examines the new destructive projects of resentment that have surfaced in the political spaces opened by neoliberalism's failures, particularly since the financial collapse of 2008. It contextualizes the recent history of the Global North - notably Brexit and the Trump election - among wider comparative politics, with chapters on India, Colombia, Eastern Europe, the Philippines, Ethiopia, and other parts of the globe marked by populist insurgencies.

The essays collected here explore how global, regional, national, and local structures of power produce angry politics. They go beyond conventional academic debates about populism to explore the different kinds of anger that shape politics today and to make legible the multiplicity of forces, antagonisms, conflicts, and emergent political forms that mark the present. By examining the politics of anger, Beyond Populism also considers what is needed to transform anger from a reactionary to an emancipatory force.

Bjork-James received her Ph.D. in anthropology from The Graduate Center in 2013.

Lawrence Cappello

You can hardly pass through customs at an airport today without having your picture taken and your fingertips scanned, that information then stored in an archive you’ll never see. Nor can you use your home’s smart technology without wondering what, exactly, that technology might do with all you’ve shared with it: shopping habits, security decisions, media choices. Every day, Americans surrender their private information to entities that claim to have their best interests in mind, in exchange for a promise of safety or convenience. This trade-off has long been taken for granted, but the extent of its nefariousness has recently become much clearer. As Lawrence Cappello’s None of Your Damn Business reveals, the problem is not so much that data will be used in ways we don’t want, but rather how willing we have been to have our information used, abused, and sold right back to us.

In this startling book, Cappello shows that this state of affairs was not the inevitable by-product of technological progress. He targets key moments from the past 130 years of US history when privacy was central to battles over journalistic freedom, national security, surveillance, big data, and reproductive rights. As he makes dismayingly clear, Americans have had numerous opportunities to protect the public good while simultaneously safeguarding our information, and we’ve squandered them every time. The wide range of the debates and incidents presented here shows that, despite America’s endless rhetoric of individual freedom, we actually have some of the weakest privacy protections in the developed world. None of Your Damn Business is a rich and provocative survey of an alarming topic that grows only more relevant with each fresh outrage of trust betrayed.

Cappello received his Ph.D. in history from The Graduate Center in 2017.

There is no better guide than Paul Krugman to basic economics, the ideas that animate much of our public policy. Likewise, there is no stronger foe of zombie economics, the misunderstandings that just won't die.

In Arguing with Zombies, Krugman tackles many of these misunderstandings, taking stock of where the United States has come from and where it's headed in a series of concise, digestible chapters. Drawn mainly from his popular New York Times column, they cover a wide range of issues, organized thematically and framed in the context of a wider debate. Explaining the complexities of health care, housing bubbles, tax reform, Social Security, and so much more with unrivaled clarity and precision, Arguing with Zombies is Krugman at the height of his powers.

Arguing with Zombies puts Krugman at the front of the debate in the 2020 election year and is an indispensable guide to two decades' worth of political and economic discourse in the United States and around the globe. With quick, vivid sketches, Krugman turns his readers into intelligent consumers of the daily news and hands them the keys to unlock the concepts behind the greatest economic policy issues of our time. In doing so, he delivers an instant classic that can serve as a reference point for this and future generations.

In his poetry Walt Whitman set out to encompass all of America and in so doing heal its deepening divisions. This magisterial biography demonstrates the epic scale of his achievement, as well as the dreams and anxieties that impelled it, for it places the poet securely within the political and cultural context of his age.

Combing through the full range of Whitman's writing, David Reynolds shows how Whitman gathered inspiration from every stratum of nineteenth-century American life: the convulsions of slavery and depression; the raffish dandyism of the Bowery ""b'hoys""; the exuberant rhetoric of actors, orators, and divines. We see how Whitman reconciled his own sexuality with contemporary social mores and how his energetic courtship of the public presaged the vogues of advertising and celebrity. Brilliantly researched, captivatingly told, Walt Whitman's America is a triumphant work of scholarship that breathes new life into the biographical genre.

Emily A. Jones. and Kathleen M. Feeley

If you’re the parent, teacher, or therapist of a young child with Down syndrome, you should know that Applied Behavior Analysis (ABA), the evidence-based, gold-standard method for teaching children with autism, is an equally effective strategy for teaching children with Down syndrome! In Off to a Good Start: A Behaviorally Based Model for Teaching Children with Down Syndrome, a two-book set, the authors share the compelling research about the benefits of using ABA methods with children with Down syndrome, describe ABA principles and procedures, and provide the ABA-based curriculum they’ve used for nearly 20 years to successfully teach infants through kindergarteners with Down syndrome. With these books, readers will learn ABA practices for teaching children the all-important foundational skills in motor, social-communication, cognitive, and self-care development.

Once readers understand the ABA principles outlined in Book 1, it’s time to implement the teaching strategies! Book 2: Teaching Programs shows readers how to teach hundreds of essential skills using proven discrete-trial methods with prompts and reinforcement rather than the more informal ways that people typically teach children with Down syndrome. It covers:

background information on how the teaching programs are structured, how to progress through them, and how to use the included planning and tracking forms

how to organize materials and yourself, and work teaching into your day

general information on enhancing the learning environment and helping your child learn throughout the day (e.g., positioning your baby, keeping the environment stimulating, being responsive, ensuring that reinforcement is actually reinforcing, using visual schedules and token systems)

comprenhensive information on teaching specific skills to children in four age groups—infants & toddlers, early childhood, preschool, and kindergarten; within each age group, skills are divided into motor, social-communication, cognitve, and self-help development, and organized into teaching programs with specific steps to teach each skill

using prompts and reinforcement to shape desired behavior and skills

how to minimize behavior which interferes with learning such as distracting parents/teachers with attention-seeking cute behavior, escaping from demands, or tuning out; using behavior modification tools—functional behavior assessment and positive behavior support—to manage behavior as the child gets older

how to access community resources and opportunities including early intervention, parent groups, inclusive recreational activities, scoping out preschool and kindergarten programs, understanding special education rights, and communicating with teachers and group leaders about ways to include your child

Joshua Sperber

Consumer Management in the Internet Age: How Customers Became Managers in the Modern Workplace analyzes online consumer management, a practice in which customers monitor, report on, and — sometimes unwittingly — discipline workers through writing and posting online reviews. Based on case studies of the websites Yelp and Rate My Professors, Sperber analyzes how online reviewing, a popular contemporary hobby, tells us much about the collapse of the barriers separating work and leisure as well as our need for collective purpose and community wherever we can find it. This book explores the economic implications of online reviews, as reviews provide both valuable free content for websites and surveillance of, respectively, restaurant servers and college instructors.

Sperber received his Ph.D. in political science from The Graduate Center in 2017.

For more than 2,000 years, Stoicism has offered a message of resilience in the face of hardship. Little wonder, then, that it is having such a revival in our own troubled times. But there is no denying how weird it can be: Is it really the case that we shouldn’t care about our work, our loved ones, or our own lives? According to the old Stoics, yes.

In A Field Guide to a Happy Life, philosopher Massimo Pigliucci offers a renewed Stoicism that reflects modern science and sensibilities. Pigliucci embraces the joyful bonds of affection, the satisfactions of a job well done, and the grief that attends loss. In his hands, Stoicism isn’t about feats of indifference, but about enduring pain without being overwhelmed, while enjoying pleasures without losing our heads. In short, he makes Stoicism into a philosophy all of us — whether committed Stoics or simply seekers — can use to live better.

Charles Liu (co-author), Karen Masters (co-author), and Sevil Salur (co-author)

The universe literally encompasses everything we were, are and will be, everything we knew, know, and can know. When we decide to understand the universe as a whole, new truths come to light, and unexpected perspectives illuminate our take on life. 30-Second Universe explains all the tantalizing concepts, principles, and theories that make up our knowledge — the Higgs particle, gluons, quarks, the multiverse, how certainty itself can be uncertain, and of course, where our world came from, and where we’re going and what will happen in the end — and it explains these astrophysical answers succinctly, each entry taking only 30 seconds to read, with further exploration flagged, and key scientists noted. This one small book sheds light on the biggest ideas, concepts, and discoveries in life, in the universe, in everything.

Beginning in 1990 thousands of Spanish speakers emigrated to Japan. Historia cultural de los hispanohablantes en Japón [A Cultural History of the Spanish Speaking People in Japan]  (written in Spanish) focuses on the intellectuals, literature, festivals, cultural associations, music, radio, newspapers, magazines, libraries and blogs produced in Spanish, in Japan, by Spaniards and Latin Americans who have lived in that country during the last three decades. Based on intense research in archives throughout that Asian nation, as well as field work including several interviews, Japanese speaking Mexican scholar Araceli Tinajero recovers a transnational, contemporary cultural history that is not only important for today but for future generations.

Daniel Skinner

How the politics of "medical necessity" complicates American health care

The definition of medical necessity has morphed over the years, from a singular physician's determination to a complex and dynamic political contest involving patients, medical companies, insurance companies, and government agencies. In this book, Daniel Skinner constructs a comprehensive understanding of the politics of defining this concept, arguing that sustained political engagement with medical necessity is essential to developing a health care system that meets basic public health objectives.

From medical marijuana to mental health to reproductive politics, the concept of medical necessity underscores many of the most divisive and contentious debates in American health care. Skinner's close reading of medical necessity's production illuminates the divides between perceptions of medical need as well as how the gatekeeper concept of medical necessity tends to frame medical objectives. He questions the wisdom of continuing to use medical necessity when thinking critically about vexing health care challenges, exploring the possibility that contracts, rights, and technology may resolve the contentious politics of medical necessity.

Skinner ultimately contends that a major shift is needed, one in which health care administrators, doctors, and patients admit that medical necessity is, at its base, a contestable political concept.

Skinner received his Ph.D. in political science from The Graduate Center in 2009.

Elissa Bemporad

This book traces the legacies of the two classical and most extreme manifestations of tsarist antisemitism — pogroms and blood libels — in the Soviet Union, from 1917 to the early 1960s. Closely intertwined in history and memory, pogroms and blood libels were and are considered central to the Jewish experience in late Tsarist Russia. But their persistence and memory under the Bolsheviks — a chapter that is largely overlooked by the existing scholarship — significantly shaped the Soviet Jewish experience. By exploring the phenomenon and the memory of pogroms and blood libels in the Soviet territories of the interwar period as well as after World War II, in the newly annexed territories, this book studies the social realities of everyday antisemitism through the emergence of communities of violence and memories of violence. The fifty-year-span from the Bolshevik Revolution to the early years of Khrushchev included a living generation of Jews and non-Jews alike, who either experienced or remembered the Beilis Affair, the pogroms of the civil war, and in some cases even the violence of the pre-revolutionary years. By tracing the “afterlife” of pogroms and blood libels in the USSR, this book sheds light on the broader question of the changing position of Jews in Soviet society. And by doing so it tells the story of the solid yet ever changing and at times ambivalent relationship between the Soviet state and the Jewish minority group.

Bemporad holds the Ungar Chair in East European Jewish History and the Holocaust and is a professor of history at Queens College and The Graduate Center, CUNY. She is a former ARC Distinguished Scholar.

Jonathan Senchyne

The true scale of paper production in America from 1690 through the end of the 19th century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race.

Senchyne, associate professor and director of the Center for the History of Print and Digital Culture at the Information School at the University of Wisconsin-Madison, is a former ARC Distinguished Scholar.

By Patricia Laurence (Ph.D. in English, 1989)

Elizabeth Bowen: A Literary Life reinvents Bowen as a public intellectual, propagandist, spy, cultural ambassador, journalist, and essayist as well as a writer of fiction. Patricia Laurence counters the popular image of Bowen as a mannered, reserved Anglo-Irish writer and presents her as a bold, independent woman who took risks and made her own rules in life and writing. This biography distinguishes itself from others in the depth of research into the life experiences that fueled Bowen’s writing: her espionage for the British Ministry of Information in neutral Ireland, 1940-1941, and the devoted circle of friends, lovers, intellectuals and writers whom she valued: Isaiah Berlin, William Plomer, Maurice Bowra, Stuart Hampshire, Charles Ritchie, Sean O’Faolain, Virginia Woolf, Rosamond Lehmann, and Eudora Welty, among others. The biography also demonstrates how her feelings of irresolution about national identity and gender roles were dispelled through her writing. Her vivid fiction, often about girls and women, are laced with irony about smooth social surfaces rent by disruptive emotion, the sadness of beleaguered adolescents, the occurrence of cultural dislocation, historical atmosphere, as well as undercurrents of violence in small events, and betrayal and disappointment in romance. Her strong visual imagination—so much a part of the texture of her writing—traces places, scenes, landscapes, and objects that subliminally reveal hidden aspects of her characters. Though her reputation faltered in the 1960s-1970s given her political and social conservatism, now, readers are discovering her passionate and poetic temperament and writing as well as the historical consciousness behind her worldly exterior and writing.

Susan Buck-Morss asks: What does revolution look like today? How will the idea of revolution survive the inadequacy of the formula, “progress = modernization through industrialization,” to which it has owed its political life?

Socialism plus computer technology, citizen resistance plus a global agenda of concerns, revolutionary commitment to practices that are socially experimental and inclusive of difference — these are new forces being mobilized to make another future possible.

In a moving account that includes over 100 photos and images, many in color, Revolution Today celebrates the new political subjects that are organizing thousands of grassroots movements to fight racial and gender violence, state-led terrorism, and capitalist exploitation of people and the planet worldwide.

Sam Han

In modern times, death is understood to have undergone a transformation not unlike religion. Whereas in the past it was out in the open, it now resides mostly in specialized spaces of sequestration ― funeral homes, hospitals, and other medical facilities. A mainstay in so-called traditional societies in the form of ritual practices, death was usually messy but meaningful, with the questions of what happens to the dead or where they go lying at the heart of traditional culture and religion. In modernity, however, we are said to have effectively sanitized it, embalmed it and packaged it ― but it seems that death is back. In the current era marked by economic, political, and social uncertainty, we see it on television, on the Internet; we see it almost everywhere. (Inter)Facing Death analyzes the nexus of death and digital culture in the contemporary moment in the context of recent developments in social, cultural, and political theory. It argues that death today can be thought of as "interfaced," that is mediated and expressed, in various aspects of contemporary life rather than put to the side or overcome, as many narratives of modernity have suggested. Employing concepts from anthropology, sociology, media studies, and communications, (Inter)Facing Death examines diverse phenomena where death and digital culture meet, including art, online suicide pacts, the mourning of celebrity deaths, terrorist beheadings, and selfies. Providing new lines of thinking about one of the oldest questions facing the human and social sciences, this book will appeal to scholars and students of social and political theory, anthropology, sociology, and cultural and media studies with interests in death.

Han received his Ph.D. in sociology in 2012 from The Graduate Center.

Maureen E. Ruprecht Fadem

Silence and Articulacy in the Poetry of Medbh McGuckian is an innovative contribution to the scholarship on Belfast poet, Medbh McGuckian. This book considers the entire oeuvre of this globally respected Irish woman writer, a member of the contemporary avant-garde with now fifteen (U.S. published) volumes and numerous individual publications. The author positions McGuckian’s oeuvre as political and historical poetry and offers a provocative new assessment of its crafted silences. This work argues that it is the muted character of McGuckian’s poems—a consequence of a defamiliarized language, the overwhelming sway of the image, and a profusion of intertextual quoting—that constitutes their agency and force. The silences are read as a response to the precarious positionality of poet and speaker at the site of “disaster” and the limits of articulacy. In line with Rukeyser’s notion of the life of poetry, the life of McGuckian's silences is located, Fadem argues, in the poems’ production, as revealed self-reflexively, and in their prolonged consumption. This oeuvre operates as a formidable counter-discourse by converting poetry's reception into a much protracted task that redistributes the temporal economy of poem and reader and disrupts the given structures of time, place, and the order of things. 

Ruprecht Fadem received her Ph.D. in English in 2012 from The Graduate Center and is currently an associate professor of English at Kingsborough Community College.

In a documentarian investigation of the major LGBTQ archives in the United States, Queer Literacies: Discourses and Discontents identifies the homophobic discourses that prevailed in the twentieth-century by those discursive forces that also sponsored the literacy acquisition of the nation. Mark McBeth tracks down the evidence of how these sponsors of literacy—families, teachers, librarians, doctors, scientists, and government agents—instituted heteronormative platforms upon which public discourses were constructed. After pinpointing and analyzing how this disparaging rhetoric emerged, McBeth examines how certain LGBTQ advocates took counter-literacy measures to upend and replace those discourses with more Queer-affirming articulations. Having lived contemporaneously while these events occurred, McBeth incorporate narratives of his own lived experience of how these discourses impacted his own reading, writing, and researching capabilities. In this auto-archival research investigation, McBeth argues that throughout the twentieth century, Queer literates revised dominant and oppressive discourses as a means of survival and world-making in their own words. Scholars of rhetoric, gender studies, LGBTQ studies, literary studies, and communication studies will find this book particularly useful. 

By Maureen E. Ruprecht Fadem (Ph.D. in English, 2012)

Silence and Articulacy in the Poetry of Medbh McGuckian is an innovative contribution to the scholarship on Belfast poet, Medbh McGuckian. This book considers the entire oeuvre of this globally respected Irish woman writer, a member of the contemporary avant-garde with now fifteen (U.S. published) volumes and numerous individual publications. The author positions McGuckian’s oeuvre as political and historical poetry and offers a provocative new assessment of its crafted silences. This work argues that it is the muted character of McGuckian’s poems—a consequence of a defamiliarized language, the overwhelming sway of the image, and a profusion of intertextual quoting—that constitutes their agency and force. The silences are read as a response to the precarious positionality of poet and speaker at the site of “disaster” and the limits of articulacy. In line with Rukeyser’s notion of the life of poetry, the life of McGuckian's silences is located, Fadem argues, in the poems’ production, as revealed self-reflexively, and in their prolonged consumption. This oeuvre operates as a formidable counter-discourse by converting poetry's reception into a much protracted task that redistributes the temporal economy of poem and reader and disrupts the given structures of time, place, and the order of things. 

Pamela Stone and Meg Lovejoy

Taking a career break is a conflicted and risky decision for high-achieving professional women. Yet many do so, usually planning, even as they quit, to return to work eventually. But can they? And if so, how? In Opting Back In, Pamela Stone and Meg Lovejoy revisit women first interviewed a decade earlier in Stone’s book Opting Out? Why Women Really Quit Careers and Head Home to answer these questions. In frank and intimate accounts, women lay bare the dilemmas they face upon reentry. Most succeed but not by returning to their former high-paying, still family-inhospitable jobs. Instead, women strike out in new directions, finding personally gratifying but lower-paid jobs in the gig economy or predominantly female nonprofit sector. Opting Back In uncovers a paradox of privilege by which the very women best positioned to achieve leadership and close gender gaps use strategies to resume their careers that inadvertently reinforce gender inequality. The authors advocate gender equitable policies that will allow women — and all parents — to combine the intense demands of work and family life in the 21st century.

Elena Frangakis-Syrett, Thierry Allain, and Sébastien Lupo, eds.​

The articles in this volume analyze the evolution of trade and related sectors in the Mediterranean, from 17th to 20th centuries, privileging the city-port of Smyrna/Izmir and its hinterland in Ottoman Anatolia. Smyrna was the leading commercial center in the region at the time with global market contacts and a symbiotic, though dominant, economic relationship with its hinterland.
 
Different aspects of long-distance trade are examined including business strategies of firms that ranged from small-cap family firms to large-cap limited liability incorporated companies and the role of networks in establishing effective and trustworthy channels of communication amongst economic actors from different ethnicities and religions located in different markets within and beyond the Mediterranean.

The Routledge Companion to Victorian Literature offers 45 chapters by leading international scholars working with the most dynamic and influential political, cultural, and theoretical issues addressing Victorian literature today. Scholars and students will find this collection both useful and inspiring.

Rigorously engaged with current scholarship that is both historically sensitive and theoretically informed, the Routledge Companion places the genres of the novel, poetry, and drama and issues of gender, social class, and race in conversation with subjects like ecology, colonialism, the Gothic, digital humanities, sexualities, disability, material culture, and animal studies.

This guide is aimed at scholars who want to know the most significant critical approaches in Victorian studies, often written by the very scholars who helped found those fields. It addresses major theoretical movements such as narrative theory, formalism, historicism, and economic theory, as well as Victorian models of subjects such as anthropology, cognitive science, and religion. With its lists of key works, rich cross-referencing, extensive bibliographies, and explications of scholarly trajectories, the book is a crucial resource for graduate students and advanced undergraduates, while offering invaluable support to more seasoned scholars.

Philip Kasinitz and Marco Martiniello (Editors)
 

This volume brings together the work of social scientists and music scholars examining the role of migrant and migrant descended communities in the production and consumption of popular music in Europe and North America. The contributions to the collection include studies of language and local identity in hip hop in Liege and Montreal; the politics of Mexican folk music in Los Angeles; the remaking of ethnic boundaries in Naples; the changing meanings of Tango in the Argentine diaspora and of Alevi music among Turks in Germany; the history of Soca in Brooklyn; and the re-creation of "American" culture by the children of immigrants on the Broadway stage. Taken together, these works demonstrate how music affords us a window onto local culture, social relations, and community politics in the diverse cities of immigrant-receiving societies. Music is often one of the first arenas in which populations encounter newcomers, a place where ideas about identity can be reformulated and reimagined, and a field in which innovation and hybridity are often highly valued. This book highlights why it is a subject worthy of more attention from students of racial and ethnic relations in diverse societies. It was originally published as a special issue of Ethnic and Racial Studies.

Martiniello, research director at the FRS-FNRS, Brussels, Belgium, and director of CEDEM-Faculty of Social Sciences, University of Liège, Liège, Belgium, is a former ARC Distinguished Scholar. 

Elizabeth Alsop

Making Conversation in Modernist Fiction examines the role of character dialogue in key works of Anglo-American modernism. Through close analysis of texts including The Ambassadors, The Sun Also Rises, “The Dead,” The Sound and the Fury, Absalom, Absalom!, The Waves, Between the Acts, “Melanctha,” and Cane, the book documents the ways in which some of the most canonical British and American modernist authors transformed the conventions traditionally used to render talk in fiction.

If historically dialogue had been treated as a subordinate element in fiction — a tool for developing character or advancing plot — this book demonstrates that writers such as Henry James, Ernest Hemingway, James Joyce, William Faulkner, Virginia Woolf, and Gertrude Stein would increasingly emphasize it as a poetic structure in its own right. In this way, Alsop argues, modernist writers “make” conversation in radically new ways and for a diverse range of expressive and communicative ends. Over the course of five chapters that explore this previously overlooked avenue of modernist innovation, Making Conversation offers readers a radical new paradigm not only for understanding fictional talk but also for interpreting some of the most celebrated examples of early twentieth-century narrative.

Alsop received her Ph.D. in comparative literature in 2012 from The Graduate Center.

Once dominated by vast empires, the world is now divided into close to 200 independent countries with laws and constitutions proclaiming human rights—a transformation that suggests that nations and human rights inevitably developed together. But the reality is far more problematic, as Weitz shows in this compelling global history of the fate of human rights in a world of nation-states.

Through vivid histories drawn from virtually every continent, A World Divided describes how, since the 18th century, nationalists have struggled to establish their own states that grant human rights to some people. At the same time, they have excluded others through forced assimilation, ethnic cleansing, or even genocide. From Greek rebels, American settlers, and Brazilian abolitionists in the 19th century to anticolonial Africans and Zionists in the 20th, nationalists have confronted a crucial question: Who has the "right to have rights?" A World Divided tells these stories in colorful accounts focusing on people who were at the center of events. And it shows that rights are dynamic. Proclaimed originally for propertied white men, rights were quickly demanded by others, including women, American Indians, and black slaves.

A World Divided also explains the origins of many of today's crises, from the existence of more than 65 million refugees and migrants worldwide to the growth of right-wing nationalism. The book argues that only the continual advance of international human rights will move us beyond the quandary of a world divided between those who have rights and those who don't.

La estructura del español es un repaso integro del español para estudiantes a nivel universitario. Ha sido concebido para estudiantes de herencia de habla hispana que no han recibido instrucción formal. Este texto tanto se puede usar en un nivel básico como a nivel intermedio, porque ha sido aumentado, con nuevas lecturas, nuevos ejercicios y un lenguaje más inclusivo. Sus 15 capítulos han sido corregidos y modificados con vistas hacia un mejor y más fácil entendimiento del material, teniendo en cuenta la población estudiantil para la que ha sido concebido. Es por esto que cada capítulo se presenta con mínimas, pero precisas, explicaciones. Además de abarcar temas específicos de gramática, este libro también incluye áreas clave en el uso de consonantes o en la confusión entre ciertos pares de palabras y frases que suenan de forma muy parecida pero se escriben de modo muy distinto y no tienen el mismo significado. Se ha resaltado el estudio de cognados español/inglés ayudando así a que el/la estudiante mejore la escritura de esas palabras. Se han incluido ejercicios adicionales en los que el/la estudiante puede poner a prueba su conocimiento de las reglas ortográficas. Este libro rinde mejores resultados cuando se emplea en cursos secuenciales a nivel de universidad y elimina la necesidad de comprar un libro de lectura adicional. Los/las estudiantes invierten en un libro de texto que integra en un solo volumen material adecuado y de calidad que provee una base firme para una sub-especialización o para una carrera en español.

Jump Up! Caribbean Carnival Music in New York City is the first comprehensive history of Trinidadian calypso and steelband music in the diaspora. Carnival, transplanted from Trinidad to Harlem in the 1930s and to Brooklyn in the late 1960s, provides the cultural context for the study. Blending oral history, archival research, and ethnography, Jump Up! examines how members of New York's diverse Anglophile-Caribbean communities forged transnational identities through the self-conscious embrace and transformation of select Carnival music styles and performances. The work fills a significant void in our understanding of how Caribbean Carnival music-specifically calypso, soca (soul/calypso), and steelband-evolved in the second half of the twentieth century as it flowed between its Island homeland and its bourgeoning New York migrant community. Jump Up! addresses the issues of music, migration, and identity head on, exploring the complex cycling of musical practices and the back-and-forth movement of singers, musicians, arrangers, producers, and cultural entrepreneurs between New York's diasporic communities and the Caribbean.

Mikhal Dekel
 

Fleeing East from Nazi terror, over a million Polish Jews traversed the Soviet Union, many finding refuge in Muslim lands. Their story―the extraordinary saga of two-thirds of Polish Jewish survivors―has never been fully told.

Author Mikhal Dekel’s father, Hannan Teitel, and her aunt Regina were two of these refugees. After they fled the town in eastern Poland where their family had been successful brewers for centuries, they endured extreme suffering in the Soviet forced labor camps known as “special settlements.” Then came a journey during which tens of thousands died of starvation and disease en route to the Soviet Central Asian Republics of Uzbekistan and Kazakhstan. While American organizations negotiated to deliver aid to the hundreds of thousands of Polish Jews who remained there, Dekel’s father and aunt were two of nearly one thousand refugee children who were evacuated to Iran, where they were embraced by an ancient Persian-Jewish community. Months later, their Zionist caregivers escorted them via India to Mandatory Palestine, where, at the endpoint of their thirteen-thousand-mile journey, they joined hundreds of thousands of refugees (including over one hundred thousand Polish Catholics). The arrival of the “Tehran Children” was far from straightforward, as religious and secular parties vied over their futures in what would soon be Israel.

Beginning with the death of the inscrutable Tehran Child who was her father, Dekel fuses memoir with extensive archival research to recover this astonishing story, with the help of travel companions and interlocutors including an Iranian colleague, a Polish PiS politician, a Russian oligarch, and an Uzbek descendent of Korean deportees. The history she uncovers is one of the worst and the best of humanity. The experiences her father and aunt endured, along with so many others, ultimately reshaped and redefined their lives and identities and those of other refugees and rescuers, profoundly and permanently, during and after the war.

With literary grace, Tehran Children presents a unique narrative of the Holocaust, whose focus is not the concentration camp, but the refugee, and whose center is not Europe, but Central Asia and the Middle East.

Dekel is a professor of English and middle eastern studies at The Graduate Center and The City College of New York.

For the first time in human history, the globe is dominated by one economic system. In Capitalism, Alone, leading economist Branko Milanovic explains the reasons for this decisive historical shift since the days of feudalism and, later, communism. Surveying the varieties of capitalism, he asks: What are the prospects for a fairer world now that capitalism is the only game in town? His conclusions are sobering, but not fatalistic. Capitalism gets much wrong, but also much right and it is not going anywhere. Our task is to improve it.

Milanovic argues that capitalism has triumphed because it works. It delivers prosperity and gratifies human desires for autonomy. But it comes with a moral price, pushing us to treat material success as the ultimate goal. And it offers no guarantee of stability. In the West, liberal capitalism creaks under the strains of inequality and capitalist excess. That model now fights for hearts and minds with political capitalism, exemplified by China, which many claim is more efficient, but which is more vulnerable to corruption and, when growth is slow, social unrest. As for the economic problems of the Global South, Milanovic offers a creative, if controversial, plan for large-scale migration. Looking to the future, he dismisses prophets who proclaim some single outcome to be inevitable, whether worldwide prosperity or robot-driven mass unemployment. Capitalism is a risky system. But it is a human system. Our choices, and how clearly we see them, will determine how it serves us.

Jordan Schildcrout

In the Long Run: A Cultural History of Broadway’s Hit Plays presents in-depth analysis of 15 plays that ran over 1,000 performances, examining what made each so popular in its time ― and then, in many cases, fall into obscurity.

Covering 100 years of theater history, it traces the long-running Broadway play as a distinct cultural phenomenon that rises and falls from 1918 to 2018. Each chapter focuses on the longest-running plays of a particular decade, synthesizing historical research and dramaturgical analysis to explain how they functioned as works of theatrical art, cultural commodities, and reflections of the values, conflicts, and fantasies of their times. At the heart of each play’s history are the ideological contradictions often present in works of popular culture that appeal to diverse audiences, particularly around issues of gender, race, class, and sexuality.

Suitable for anyone with an interest in Broadway and its history, In the Long Run explores the nature of time in this ephemeral art form, the tensions between commerce and art, between popularity and prestige, and the changing position of the Broadway play within American popular culture.

Schildcrout received his Ph.D. in theatre in 2005 from The Graduate Center.

Laurene Buckley

One of the first American artists to bring French Impressionism home to develop on native soil, Theodore Wendel is likely the last to have a monograph that records his remarkable career and stunning oeuvre. His portraits and still lifes, and especially his landscapes, not only exemplify the joyous palette and vigorous brushwork of the genre, but they also mirror the idyllic, transient beauty of rural hamlets along the Massachusetts coast — Gloucester and Ipswich, the dual epicenters of his distinguished career.

One of the original "Duveneck boys" who studied in Munich at the Royal Academy, Wendel followed his mentor to Florence and Venice; he later went on to Paris and ultimately joined a colony of young artists at Giverny. The scenes and subject matter in the works he completed there are among the earliest by an American artist to adopt and evolve Impressionist strategies. Upon his return to America, he spent the next decades rendering scenes of the farmland and coast north of Boston that contemporary critics acclaimed as some of the best they had seen. Yet despite his talent and the significant accolades earned during his career, in the near-century following his death the recognition of his achievements has faded. The Artist Book Foundation is delighted to have the opportunity to remedy this situation with this monograph on the artist, Theodore Wendel: True Notes of American Impressionism.

Laurene Buckley's years of exhaustive research inform an engaging and detailed narrative of Wendel's time in Europe and his many years capturing the essence of the farms and fishing villages along the rural coast of Massachusetts. Thanks to her efforts, the book features many of his best works, a number of which are in private collections. An informative introduction by William H. Gerdts provides significant artistic context for Wendel and explains the artist's deft ability to draw the viewer into a scene.

Buckley received her Ph.D. in art history in 1996 from The Graduate Center.

The Enigma of Clarence Thomas is a groundbreaking revisionist take on the Supreme Court justice everyone knows about but no one knows.

Most people can tell you two things about Clarence Thomas: Anita Hill accused him of sexual harassment, and he almost never speaks from the bench. Here are some things they don’t know: Thomas is a black nationalist. In college he memorized the speeches of Malcolm X. He believes white people are incurably racist.

In the first examination of its kind, Corey Robin — one of the foremost analysts of the right — delves deeply into both Thomas’s biography and his jurisprudence, masterfully reading his Supreme Court opinions against the backdrop of his autobiographical and political writings and speeches. The hidden source of Thomas' conservative views, Robin shows, is a profound skepticism that racism can be overcome. Thomas is convinced that any government action on behalf of African Americans will be tainted by racism; the most African Americans can hope for is that white people will get out of their way.

There’s a reason, Robin concludes, why liberals often complain that Thomas doesn’t speak but seldom pay attention when he does. Were they to listen, they’d hear a racial pessimism that often sounds similar to their own. Cutting across the ideological spectrum, this unacknowledged consensus about the impossibility of progress is key to understanding today’s political stalemate.

Christopher Ian Foster

In Conscripts of Migration: Neoliberal Globalization, Nationalism, and the Literature of New African Diasporas, author Christopher Ian Foster analyzes increasingly urgent questions regarding crises of global immigration by redefining migration in terms of conscription and by studying contemporary literature. Reporting on immigration, whether liberal or conservative, popular or scholarly, leaves out the history in which the Global North helped create outward migration in the Global South. From histories of racial capitalism, the trans-Atlantic slave trade, and imperialism to contemporary neoliberal globalization and the resurgence of xenophobic nationalism, countries in the Global North continue to devastate and destabilize the Global South. Britain, France, Italy, and the United States, in different ways, police the effects of their own global policies at their borders.

Foster provides a substantial study of a new body of contemporary African diasporic literature called migritude literature. Migritude indicates the work and ideas of a disparate yet distinct group of younger African authors born after independence in the 1960s. Most often migritude authors have lived both in and outside Africa and narrate the experiences of migration under the pressures of globalization. They also emphasize that immigration itself and stereotypes of the immigrant are entangled with the history of colonialism. Authors like Fatou Diome, Shailja Patel, Abdourahman Waberi, Cristina Ali Farah, and others confront critical issues of migrancy, diaspora, departure, return, racism, identity, gender, sexuality, and postcoloniality.

Foster received his M.A. degree in liberal studies in 2008 and his Ph.D. in English in 2015 from The Graduate Center.

This collection of essays inverts the way we see the Cold War by looking at the conflict from the perspective of the so-called developing world, rather than of the superpowers, through the birth and first decades of India's life as a postcolonial nation. Contributors draw on a wide array of new material, from recently opened archival sources to literature and film, and meld approaches from diplomatic history to development studies to explain the choices India made and to frame decisions by its policy makers. Together, the essays demonstrate how India became a powerful symbol of decolonization and an advocate of non-alignment, disarmament, and global governance as it stood between the United States and the Soviet Union, actively fostering dialogue and attempting to forge friendships without entering into formal alliances. Sweeping in its scope yet nuanced in its analysis, this is the authoritative account of India and the Cold War.

Moda e letteratura nell’Italia della prima modernità: Dalla sprezzatura alla satira, has been mentioned in the Sunday edition of the national newspaper: Il Sole 24ore (August 25,19) and Carmilla:  Estetiche del potere. Moda e significati politici nello spazio pubblico della prima modernità [carmillaonline.com] (“Aesthetics of power. Fashion and political meanings in the public space of early modernity.” Part 1.  

Carmilla:  Estetiche del potere. La risposta femminile al mito del lusso donnesco nella prima modernità [carmillaonline.com] (“Aesthetics of power. The feminine response to the myth of womanly luxury in early modernity.” Part 2. 

The Marvel Cinematic Universe is filled with extraordinary humans and abilities. There are teenage geniuses swinging through the streets of New York, billionaires creating impenetrable armor in hidden caves, and aliens flying through wormholes to Earth. All of these characters seem to lie firmly in the realm of fantasy — but the technology behind them might not be as farfetched as you think.

The Science of Marvel pulls back the curtain and reveals the secrets behind Marvel movie magic, and shows us how to recreate these comic book wonders in our everyday life. Using quantum physics, a little bit of mechanical engineering, and some out-of-the-box thinking, you’ll be amazed to discover that it’s possible to create a real-life Captain America, Incredible Hulk, or Black Panther.

David Abraham

In many countries around the world, the idea of the welfare state is currently being questioned, while the issue of flight and migration is giving right-wing populism a rapid boost. Paradigms that have been powerful for decades, such as that of social solidarity and global justice, are losing acceptance, while the fear of "uncontrolled immigration" undermines trust in the functioning of the welfare state. Answers to the question of who belongs to "us" and under what conditions and is allowed to participate in welfare state services are experiencing a dramatic shift. 
 
David Abraham examines the interrelationship between immigration, integration and solidarity in the capitalist West of the 20th and 21st centuries. Using Germany, the U.S., and Israel as examples, the lawyer and historian shows why "soft on the inside, hard on the outside", the formula that was once fundamental for establishing stable welfare states, will no longer be viable in the future. These insights are supplemented and deepened in a biographical interview about history and origins, about law and populism, but also about Abraham's varied academic career. 
 
Abraham, professor of law emeritus, University of Miami, is a former ARC Distinguished Scholar.  

Alastair Pennycook and Sinfree Makoni

Innovations and Challenges in Applied Linguistics from the Global South provides an original appraisal of the latest innovations and challenges in applied linguistics from the perspective of the Global South. Global South perspectives are encapsulated in struggles for basic, economic, political and social transformation in an inequitable world, and are not confined to the geographical South. Taking a critical perspective on Southern theories, demonstrating why it is important to view the world from Southern perspectives and why such positions must be open to critical investigation, this book:

charts the impacts of these theories on approaches to multilingualism, language learning, language in education, literacy and diversity, language rights and language policy;

provides broad historical and geographical understandings of the movement towards a Southern perspective and draws on Indigenous and Southern ways of thinking that challenge mainstream viewpoints;

seeks to develop alternative understandings of applied linguistics, expand the intellectual repertoires of the discipline, and challenge the complicities between applied linguistics, colonialism, and capitalism.

Written by two renowned scholars in the field, Innovations and Challenges in Applied Linguistics from the Global South is key reading for advanced students and researchers of applied linguistics, multilingualism, language and education, language policy and planning, and language and identity.

Pennycook, Distinguished Professor of Language, Society and Education at UTS, was an Advanced Research Collaborative (ARC) Distinguished Fellow at The Graduate Center, CUNY.

This book presents a new reconstruction of Proto-Basque, the mother language of modern Basque varieties, historical Basque, and Aquitanian, grounded in traditional methods of　historical linguistics. Building on a long tradition of Basque scholarship, the comparative method and internal reconstruction, informed by the phonetic bases of sound change and phonological typology, are used to explain previously underappreciated alternations and asymmetries in Basque sound patterns, resulting in a radically new view of the proto-language. The comparative method is then used to compare this new Proto-Basque with Proto-Indo-European, revealing regular sound correspondences in basic vocabulary and grammatical formatives. Evaluation of these results supports a distant genetic relationship between Proto-Basque and Proto-Indo-European, and offers new insights into specific linguistic properties of these two ancient languages. This comprehensive volume, which includes a detailed appendix including Proto-Basque/Proto-Indo-European cognate sets, will be of general interest to linguists, archeologists, historians, and geneticists, and of particular interest to scholars in historical linguistics, phonetics and phonology, language change, and Basque and Indo-European studies.

Horse Crazy explores the meaning behind the love between girls and horses. Jean Halley, a self-professed “horse girl,” contends that this relationship and its cultural signifiers influence the manner in which young girls define their identity when it comes to gender. Halley examines how popular culture, including the “pony book” genre, uses horses to encourage conformity to gender norms but also insists that the loving relationship between a girl and a horse fundamentally challenges sexist and mainstream ideas of girlhood.

Horse Crazy looks at the relationships between girls and horses through the frameworks of Michel Foucault’s concepts of normalization and biopower, drawing conclusions about the way girls’ agency is both normalized and resistant to normalization. Segments of Halley’s own experiences with horses as a young girl, as well as experiences from the perspective of other girls, are sources for examination. “Horsey girls,” as she calls them, are girls who find a way to defy the expectations given to them by society―thinness, obsession with makeup and beauty, frailty―and gain the possibility of freedom in the process.

Drawing on Nicole Shukin’s uses of animal capital theories, Halley also explores the varied treatment of horses themselves as an example of the biopolitical use of nonhuman animals and the manipulation and exploitation of horse life. In so doing she engages with common ways we think and feel about animals and with the technologies of speciesism.

Matt Brim and Amin Ghaziani (Editors)

Imagining Queer Methods showcases the methodological renaissance unfolding in queer scholarship. This volume brings together emerging and esteemed researchers from all corners of the academy who are defining new directions for the field.

From critical race studies, history, journalism, lesbian feminist studies, literature, media studies, and performance studies to anthropology, education, psychology, sociology, and urban planning, this impressive interdisciplinary collection covers topics such as humanistic approaches to reading, theorizing, and interpreting, as well as scientific appeals to measurement, modeling, sampling, and statistics.

By bringing together these diverse voices into an unprecedented single volume, Amin Ghaziani and Matt Brim inspire us with innovative ways of thinking about methods and methodologies in queer studies.

Set against the expansion of Singapore in the years 1834-1854, Chasing the Dragon (Singapore Saga, Vol. 2) continues to vividly portray the lives of the early pioneers of the expanding port city, including Joseph Balestier, Seah Eu Chin, Captain Henry Keppel, Tan Tock Seng, Munshi Abdullah, Governor Butterworth and Whampoa as well as fictional characters who bring nineteenth-century Singapore to life.

Duncan Simpson comes to manhood when he joins James Brooke, the White Rajah of Sarawak, on his expeditions against the piratical Borneo Dayaks; an Indian cattleman turns to tiger hunting when his herd is decimated by disease; a Malay magician conjures up magic spells to capture the love of a woman and destroy her husband; a Chinese mother is haunted by the ghostly cries of her abandoned child; a mesmerist performs a dangerous surgery; and Chinese secret society gangs murder Christian farmers in the interior of the island.

As the troop ships of the British Expeditionary Force assemble in Singapore in preparation for the First Opium War, Hong Xiuquan has a dream that will launch the Taiping Rebellion in China, taking the lives of twenty million and powerfully impacting the fortunes of the new citizens of Singapore.

Chasing the Dragon is volume two in the Singapore Saga, a series of historical fiction that spans the first 100 years of Singapore, and follows Forbidden Hill.

Charlotte Brooks

In the first decades of the 20th century, almost half of the Chinese Americans born in the United States moved to China—a relocation they assumed would be permanent. At a time when people from around the world flocked to the United States, this little-noticed emigration belied America’s image as a magnet for immigrants and a land of upward mobility for all. Fleeing racism, Chinese Americans who sought greater opportunities saw China, a tottering empire and then a struggling republic, as their promised land.

American Exodus is the first book to explore this extraordinary migration of Chinese Americans. Their exodus shaped Sino-American relations, the development of key economic sectors in China, the character of social life in its coastal cities, debates about the meaning of culture and “modernity” there, and the U.S. government’s approach to citizenship and expatriation in the interwar years. Spanning multiple fields, exploring numerous cities, and crisscrossing the Pacific Ocean, this book will appeal to anyone interested in Chinese history, international relations, immigration history, and Asian American studies.

Brooks, a Professor of History at Baruch College, CUNY, was an Advanced Research Collaborative (ARC) Distinguished Fellow. 

Pamela Donovan

This book analyses common perceptions about drink-spiking, a pervasive fear for many and sometimes a troubling reality. Ideas about spiked drinks have shaped the way we think about drugs, alcohol, criminal law, risk, nightspots, and socializing for over one 150 years, since the rise of modern anaesthesia and synthetic 'pharma-ubiquity'. The book offers a wide-ranging look at the constantly shifting cultural and gender politics of 'psycho-chemical treachery'.

It provides rich case histories, assesses evolving scientific knowledge, and analyses the influence of social forces as disparate as Temperance and the acid enthusiasts of the 1960s. Drawing on interdisciplinary research, the book will be of great interest to upper-level students and scholars of criminal law, forensic science, public health, and social movements.

Donovan graduated from The Graduate Center in 2001 with a Ph.D. in sociology.

Mary Gibson

During a period dominated by the biological determinism of Cesare Lombroso, Italy constructed a new prison system that sought to reconcile criminology with nation building and new definitions of citizenship. Italian Prisons in the Age of Positivism, 1861-1914 examines this second wave" of global prison reform between Italian Unification and World War I, providing fascinating insights into the relationship between changing modes of punishment and the development of the modern Italian state. Mary Gibson focuses on the correlation between the birth of the prison and the establishment of a liberal government, showing how rehabilitation through work in humanitarian conditions played a key role in the development of a new secular national identity. She also highlights the importance of age and gender for constructing a nuanced chronology of the birth of the prison, demonstrating that whilst imprisonment emerged first as a punishment for women and children, they were often denied "negative" rights, such as equality in penal law and the right to a secular form of punishment. Employing a wealth of hitherto neglected primary sources, such as yearly prison statistics, this cutting-edge study also provides glimpses into the everyday life of inmates in both the new capital of Rome and the nation as a whole. Italian Prisons in the Age of Positivism, 1861-1914 is a vital study for understanding the birth of the prison in modern Italy and beyond.

Marta Gutman

Over the course of the twentieth century, education was a key site for envisioning opportunities for African Americans, but the very schools they attended sometimes acted as obstacles to black flourishing. Educating Harlem brings together a multidisciplinary group of scholars to provide a broad consideration of the history of schooling in perhaps the nation’s most iconic black community.

Gutman, an award-winning author and historian in The City College of New York’s Bernard and Anne Spitzer School of Architecture, was an Advanced Research Collaborative (ARC) Distinguished Fellow at The Graduate Center, CUNY. She has recently accepted a new leadership role as the president-elect of the Society for American City and Regional Planning History. 

Paul M. Ong and Silvia R. Gonzalez
 

Uneven Urbanscape takes a new theoretically grounded view of how society produces and reproduces ethnoracial economic inequality. Drawing on empirically rich documentation and quantitative analysis utilizing multiple data sources, including the U.S. Census Bureau, Ong and Gonzalez assess the patterns, causes, and consequences of urban spatial disparities, specifically in home ownership, employment, and education. They focus on the global city of Los Angeles in order to examine outcomes across small geographic units that approximate neighborhoods and places, and to analyze the location-specific effects of geographic access and isolation within the region. Using a mix of micro-level data and aggregated statistics, Uneven Urbanscape provides one of the most comprehensive understandings of urban ethnoracial disparities and inequalities from 1960 to the present day.

Ong, professor emeritus of urban planning, social welfare, and Asian American Studies at UCLA, is a former ARC Distinguished Scholar.

Melancholia Africana argues that in the African and Afro-diasporic context, melancholy is rooted in collective experiences such as slavery, colonization, and the post-colony. From these experiences a theme of loss resonates—loss of land, of freedom, of language, of culture, of self, and of ideals born from independence. Nathalie Etoke demonstrates that, beyond territorial expropriation and the pain inflicted upon the body and the soul, the violence that seals the encounter with the ‘other’ annihilates an age-old cycle of life. In the wake of this annihilation, continental and diasporic Africans strive to reconcile that which has been destroyed with what has been newly introduced. Their survival depends on their capacity to negotiate the inherent tension of their historical becoming. The book develops a transdisciplinary method encompassing historicism, critical theory, Africana existential thought, and poetics. 

San Francisco in the early 1990s. Cab is on the deep end of a losing streak. After having been dumped yet again, he moves to Haight-Ashbury fresh out of college. It is the middle of a recession, before the dot-com boom, and AIDS is an immediate and untreatable reality. He finds himself working in a housing program for people with HIV/AIDS. The entire city is reeling. His clients are dying. Cab records their every word. He starts drafting a narrative of every person with whom he’s slept: those who dropped him, those he adored, and those he let go of without a second thought, to reassess what he has left behind from the South of his childhood of dyslexia and infatuations, football and ecstasy, divorce and sex panics. In between girlfriends, acting up, attempts at romance, and trying to find his place in the greater San Francisco narrative, Cab is looking for something, tracing the interconnecting stories of the people he’s meeting, sleeping, and drinking with, as everyone tries to find a space in the city. As treatments emerge and the economy changes, a new story takes shape in Cab’s life and the city.

Earl E. Fitz

This book makes the argument that Machado de Assis, hailed as one of Latin American literature’s greatest writers, was also a major theoretician of the modern novel form. Steeped in the works of Western literature and an imaginative reader of French Symbolist poetry, Machado creates, between 1880 and 1908, a “new narrative,” one that will presage the groundbreaking theories of Swiss linguist Ferdinand de Saussure by showing how even the language of narrative cannot escape being elusive and ambiguous in terms of meaning. It is from this discovery about the nature of language as a self-referential semiotic system that Machado crafts his “new narrative.” Long celebrated in Brazil as a dazzlingly original writer, Machado has struggled to gain respect and attention outside the Luso-Brazilian ken. He is the epitome of the “outsider” or “marginal,” the iconoclastic and wildly innovative genius who hails from a culture rarely studied in the Western literary hierarchy and so consigned to the status of “eccentric.” Had the Brazilian master written not in Portuguese but English, French, or German, he would today be regarded as one of the true exemplars of the modern novel, in expression as well as in theory.

Fitz graduated from The Graduate Center in 1977 with a Ph.D. in comparative literature. He is currently a professor of Portuguese, Spanish, and comparative literature at Vanderbilt University.

Massimiliano Tomba

This book advocates for a tradition of political universality as an alternative to the juridical universalism of the Declaration. Insurgent universality isn't based on the idea that we all share some common humanity but, rather, on the democratic excess by which people disrupt and reject an existing political and economic order. Going beyond the constitutional armor of the representative state, it brings into play a plurality of powers to which citizens have access, not through the funnel of national citizenship but in daily political practice. We can look to recent history to see various experiments in cooperative and insurgent democracy: the Indignados in Spain, the Arab Spring, Occupy, the Zapatistas in Mexico, and, going further back, the Paris Commune, the 1917 peasant revolts during the Russian Revolution, and the Haitian Revolution. This book argues that these movements belong to the common legacy of insurgent universality, which is characterized by alternative trajectories of modernity that have been repressed, hindered, and forgotten. Massimiliano Tomba examines these events to show what they could have been and what they can still be. As such he explores how their common legacy can be reactivated. Insurgent Universality analyzes the manifestos and declarations that came out of these experiments considering them as collective works of an alternative canon of political theory that challenges the great names of the Western pantheon of political thought and builds bridges between European and non-European political and social experiments.

Tomba, a Professor in the History of Consciousness Department at University of California, Santa Cruz, was an Advanced Research Collaborative (ARC) Distinguished Fellow at The Graduate Center, CUNY.

Witold Gombrowicz (1904-1969) was born and lived in Poland for the first half of his life but spent twenty-four years as an émigré in Argentina before returning to Europe to live in West Berlin and finally Vence, France. His works have always been of interest to those studying Polish or Argentinean or Latin American literature, but in recent years the trend toward a transnational perspective in scholarship has brought his work to increasing prominence. Indeed, the complicated web of transnational contact zones where Polish, Argentinean, French and German cultures intersect to influence his work is now seen as the appropriate lens through which his creativity ought to be examined. This volume contributes to the transnational interpretation of Gombrowicz by bringing together a distinguished group of North American, Latin American, and European scholars to offer new analyses in three distinct themes of study that have not as yet been greatly explored — Translation, Affect and Politics. How does one translate not only Gombrowicz’s words into various languages, but the often cultural-laden meaning and the particular style and tone of his writing? What is it that passes between author and reader that causes an affect? How did Gombrowicz’s negotiation of the turbulent political worlds of Poland and Argentina shape his writing? The three divisions of this collection address these questions from multiple perspectives, thereby adding significantly to little known aspects of his work.

Multiplatform Media in Mexico is the first book to treat the exciting, interconnected fields of cinema, television, and internet in Mexico over the last decade, fields that combine to be called multiplatform media. Combining industrial analysis of a major audiovisual field at a time of growth and change with close readings of significant texts on all screens, acclaimed author Paul Julian Smith deftly details these new audiovisual trends.

The book includes perspectives on local reporting on the ground, as covered in the chapter documenting media response to the 2017 earthquake. And, for the first time in this field, the book draws throughout on star studies, tracing the distinct profiles of actors who migrate from one medium to another. As a whole, Smith’s analyses illustrate the key movements in screen media in one of the world’s largest media and cultural producing nations. These perspectives connect to and enrich scholarship across Latin American, North American, and global cases.

Classical logic is concerned, loosely, with the behaviour of truths. Epistemic logic similarly is about the behaviour of known or believed truths. Justification logic is a theory of reasoning that enables the tracking of evidence for statements and therefore provides a logical framework for the reliability of assertions. This book, the first in the area, is a systematic account of the subject, progressing from modal logic through to the establishment of an arithmetic interpretation of intuitionistic logic. The presentation is mathematically rigorous but in a style that will appeal to readers from a wide variety of areas to which the theory applies. These include mathematical logic, artificial intelligence, computer science, philosophical logic and epistemology, linguistics, and game theory.

Sekerina, I. A., Spradlin, L., & Valian, V. V. (Eds.) (2019).

The study of bilingualism has charted a dramatically new, important, and exciting course in the 21st century, benefiting from the integration in cognitive science of theoretical linguistics, psycholinguistics, and cognitive psychology (especially work on the higher-level cognitive processes often called executive function or executive control). Current research, as exemplified in this book, advances the study of the effects of bilingualism on executive function by identifying many different ways of being bilingual, exploring the multiple facets of executive function, and developing and analyzing tasks that measure executive function. The papers in this volume (21 chapters), by leading researchers in bilingualism and cognition, investigate the mechanisms underlying the effects (or lack thereof) of bilingualism on cognition in children, adults, and the elderly. They take us beyond the standard, classical, black-and-white approach to the interplay between bilingualism and cognition by presenting new methods, new findings, and new interpretations.

Jay Seitz

How does the brain function in communion with the body to create complex thought and emotion? Mind Embodied: The Evolutionary Origins of Complex Cognitive Abilities in Modern Humans begins with an investigation of the embodied basis of complex cognitive abilities and sets out a theory of their evolutionary and developmental origins, their autochthonous beginnings in other species, their appearance at the margins of humankind, and their culmination in a panoply of highly elaborated abilities and skills in present-day hominins. This book explores and examines music, aesthetic movement, the visual arts, creative abilities, language and communication, sociality, narrative and conceptual thought, the beginnings of artificial intelligence augmentation, and even the finesse and tastes of an oenophile.

Seitz graduated in 1987 with a Ph.D. in psychology from The Graduate Center.

Brigitte Fielder and Jonathan Senchyne (Editors)
 

The work of black writers, editors, publishers, and librarians is deeply embedded in the history of American print culture, from slave narratives to digital databases. While the printed word can seem democratizing, it remains that the infrastructures of print and digital culture can be as limiting as they are enabling. Contributors to this volume explore the relationship between expression and such frameworks, analyzing how different mediums, library catalogs, and search engines shape the production and reception of written and visual culture. Topics include antebellum literature, the Harlem Renaissance, the Black Arts Movement; “post-Black” art, the role of Black librarians, and how present-day technologies aid or hinder the discoverability of work by African Americans. Against a Sharp White Background covers elements of production, circulation, and reception of African American writing across a range of genres and contexts. This collection challenges mainstream book history and print culture to understand that race and racialization are inseparable from the study of texts and their technologies.

Senchyne, associate professor of book history and print culture in the Information School and director of the Center for the History of Print and Digital Culture at the University of Wisconsin-Madison, is a former ARC Distinguished Scholar. 

Matthew K. Gold (Editor) and Lauren F. Klein, Editors

Contending with recent developments like the shocking 2016 U.S. Presidential election, the radical transformation of the social web, and passionate debates about the future of data in higher education, Debates in the Digital Humanities 2019 brings together a broad array of important, thought-provoking perspectives on the field’s many sides. With a wide range of subjects including gender-based assumptions made by algorithms, the place of the digital humanities within art history, data-based methods for exhuming forgotten histories, video games, three-dimensional printing, and decolonial work, this book assembles a who’s who of the field in more than 30 impactful essays.

Among the book's many contributors is Graduate Center Professor Claire Bishop (Art History). 

Klein is graduated in 2011 with a Ph.D. in English from The Graduate Center. She is a currently an associate professor in the School of Literature, Media, and Communication at the Georgia Institute of Technology.

By Trace Peterson (Ph.D. in English, 2020)

A new & revised edition of the classic book by pathbreaking poet & cultural critic Trace Peterson. This edition contains a new Introduction by Joy Ladin.

The second edition of Trace Peterson’s Since I Moved In is a welcome re-issue, with a new introduction by Joy Ladin, of a landmark collection of poems by one of the most influential transgender poets writing today. Peterson, enacting her self-chosen name, traces connections and lines of flight between genders, between creative expression and acute observation, between her grounding and training in Tucson’s celebrated poetry scene and her on-going involvement in New York’s. Trace is an imperative, as well as a noun, and a name. It means to write over, as well as a faint remainder. Animated by the space of that double signification, and by the practice of making new life through transcribing an old life into a new register, Trace Peterson’s poetry — in life and in words — gives voice to something raw, inchoate, in-process-of-becoming. —Susan Stryker

By Chris Campanioni (Ph.D. in English, 2022)

the Internet is for real inverts the autobiography in the age of dis-integration, calling into question all narratives of national belonging.

“Right? So that the universe could eat me & send traces everywhere, this book or the backroom countertop audio of the same scene.”

Sifting through—and re-writing—the films of Godard, the novels of Henry James, Twin Peaks, VR fantasies, Internet ephemera, and his father’s dreams of Cuba, Chris Campanioni reveals the materiality of our spaceless encounters, and forces us to reckon with the violence hidden below the sleek 4G surface. As he revisits his parents’ migration to the United States and his own first-generation dislocation through a blur of poetry, prose, and screen-play, Campanioni shows us that in a culture of self-dissemination and unlimited arrivals, we are all exiles under the sign of a mythical return.

Navigating the Maze: How Science and Technology Policies Shape America and the World offers a captivating deep dive into the inner workings of the world of public policy. Written by prominent science advocate and renowned physics researcher and educator, Michael S. Lubell, this valuable book provides insights and real-world examples for anyone looking to understand how policy works in reality: for students, scientists, and the public. Well-organized and featuring a compelling historical narrative, this unique resource will enable researchers, educators, elected officials, industrialists, financial managers, science lobbyists, and readers in general to easily navigate the complex world of science and technology (S&T) policy. As science communication and STEM policy occupy rapidly growing areas of interest and provide important career paths, this book provides invaluable insights into the public policy arena, as well as lessons for effective science advocacy.

Co-authored by Rorden Wilkinson

Rethinking Global Governance casts fresh eyes upon a once poignant but now languishing concept. Its purpose is to disrupt the simple association between global governance and the actions and activities of international organizations in the post-Cold War era and to focus instead on a set of questions that probe the intricate and multifaceted manner in which the world is governed. The book moves beyond the ubiquity and imprecision that has plagued the term and offers an intellectual framework with the potential to improve both thinking and practice.

Building on the analytical insights of two of the leading scholars in the field, Rethinking Global Governance provides an antidote to simplistic usage and an authoritative yet readable attempt to grasp the governance of our globe — past, present, and future.

Is public transportation a right? Should it be? For those reliant on public transit, the answer is invariably “yes” to both. Indeed, when city officials propose slashing service or raising fares, it is these riders who are often the first to appear at that officials’ door demanding their “right” to more service. Rights in Transit starts from the presumption that such riders are justified. For those who lack other means of mobility, transit is a lifeline. It offers access to many of the entitlements we take as essential: food, employment, and democratic public life itself. While accepting transit as a right, this book also suggests that there remains a desperate need to think critically, both about what is meant by a right and about the types of rights at issue when public transportation is threatened.

Drawing on a detailed case study of the various struggles that have come to define public transportation in California’s East Bay, Rights in Transit offers a direct challenge to contemporary scholarship on transportation equity. Rather than focusing on civil rights alone, Rights in Transit argues for engaging the more radical notion of the right to the city.

Julia Nevárez

Governing Disaster in Urban Environments: Climate Change Preparation and Adaption after Hurricane Sandy is a comprehensive account of relevant debates, conceptualizations, and practical considerations for the governance of disaster at multiple scales. In this interdisciplinary work, Nevárez uses the example of Hurricane Sandy to analyze the complex phenomenon of climate change and its effects on flood-prone areas. Drawing on the notion of the anthropocene and discourse on resiliency, Nevárez discusses alternative methods of recovery after climate-induced disasters. Nevárez analyzes international climate agreements and neoliberal policies based on austerity measures to highlight the need to secure cooperation from the international community in order to ensure environmental security on a global scale, including communities of solidarity.

Nevárez graduated from The Graduate Center in 1999 with a Ph.D. in psychology. She is currently an assistant professor and sociology coordinator at Kean University. 

Katherine Manthorne and Rosella Mamoli Zorzi 

From Darkness to Light explores from a variety of angles the subject of museum lighting in exhibition spaces in America, Japan, and Western Europe throughout the nineteenth and twentieth centuries.

Written by an array of international experts, these collected essays gather perspectives from a diverse range of cultural sensibilities. From sensitive discussions of Tintoretto’s unique approach to the play of light and darkness as exhibited in the Scuola Grande di San Rocco in Venice, to the development of museum lighting as part of Japanese artistic self-fashioning, via the story of an epic American painting on tour, museum illumination in the work of Henry James, and lighting alterations at Chatsworth (to name only a few topics) this book is a treasure trove of illuminating contributions.

The collection is at once a refreshing insight for the enthusiastic museum-goer, who is brought to an awareness of the exhibit in its immediate environment, and a wide-ranging scholarly compendium for the professional who seeks to proceed in their academic or curatorial work with a more enlightened sense of the lighted space.

Caught between the Lines examines how the figure of the captive and the notion of borders have been used in Argentine literature and painting to reflect competing notions of national identity from the nineteenth to the twenty-first centuries. Challenging the conventional approach to the nineteenth-century trope of “civilization versus barbary,” which was intended to criticize the social and ethnic divisions within Argentina in order to create a homogenous society, Carlos Riobó traces the various versions of colonial captivity legends. He argues convincingly that the historical conditions of the colonial period created an ethnic hybridity—a mestizo or culturally mixed identity—that went against the state compulsion for a racially pure identity. This mestizaje was signified not only in Argentina’s literature but also in its art, and Riobó thus analyzes colonial paintings as well as texts.

Caught between the Lines focuses on borders and mestizaje (both biological and cultural) as they relate to captives: specifically, how captives have been used to create a national image of Argentina that relies on a logic of separation to justify concepts of national purity and to deny transculturation.

In The Difference Aesthetics Makes cultural critic Kandice Chuh asks what the humanities might be and do if organized around what she calls “illiberal humanism” instead of around the Western European tradition of liberal humanism that undergirds the humanities in their received form. Recognizing that the liberal humanities contribute to the reproduction of the subjugation that accompanies liberalism's definition of the human, Chuh argues that instead of defending the humanities, as has been widely called for in recent years, we should radically remake them. Chuh proposes that the work of artists and writers like Lan Samantha Chang, Carrie Mae Weems, Langston Hughes, Leslie Marmon Silko, Allan deSouza, Monique Truong, and others brings to bear ways of being and knowing that delegitimize liberal humanism in favor of more robust, capacious, and worldly senses of the human and the humanities. Chuh presents the aesthetics of illiberal humanism as vital to the creation of sensibilities and worlds capable of making life and lives flourish.

In this second edition of her seminal text, Dr. Todaro-Franceschi offers new insights on professional quality of life, incorporating current practice, research literature, and examples to show how contentment and happiness of the nursing workforce is related to quality of care. The book provides practical strategies for dealing with a myriad of issues, including compassion fatigue, burnout, moral distress, caring for the dying, PTSD, and workplace violence. This resource will help empower nurses so they can create a more compassionate work environment. Written by an acknowledged expert in end of life education, professional quality of life, and clinical leadership, the text addresses the complex nature of well-being in the nursing workforce. Supported by research but written from a holistic and personal perspective, the text includes case studies and exercises that will help the reader to identify negative patterns and explore ways to find purpose in one’s life.

Neeraj Kaushal

Immigration is shaking up electoral politics around the world. Anti-immigration and ultranationalistic politics are rising in Europe, the United States, and countries across Asia and Africa. What is causing this nativist fervor? Are immigrants the cause or merely a common scapegoat?

In Blaming Immigrants, economist Neeraj Kaushal investigates the rising anxiety in host countries and tests common complaints against immigration. Do immigrants replace host country workers or create new jobs? Are they a net gain or a net drag on host countries? She finds that immigration, on balance, is beneficial to host countries. It is neither the volume nor pace of immigration but the willingness of nations to accept, absorb, and manage new flows of immigration that is fueling this disaffection. Kaushal delves into the demographics of immigrants worldwide, the economic tides that carry them, and the policies that shape where they make their new homes. She demystifies common misconceptions about immigration, showing that today’s global mobility is historically typical; that most immigration occurs through legal frameworks; that the U.S. system, far from being broken, works quite well most of the time and its features are replicated by many countries; and that proposed anti-immigrant measures are likely to cause suffering without deterring potential migrants. Featuring accessible and in-depth analysis of the economics of immigration in worldwide perspective, Blaming Immigrants is an informative and timely introduction to a critical global issue.

Kaushal graduated in 2002 with a Ph.D. in economics.

Alexandrea J. Ravenelle 

Choose your hours, choose your work, be your own boss, control your own income. Welcome to the sharing economy, a nebulous collection of online platforms and apps that promise to transcend capitalism. Supporters argue that the gig economy will reverse economic inequality, enhance worker rights, and bring entrepreneurship to the masses. But does it?
 
In Hustle and Gig, Alexandrea J. Ravenelle shares the personal stories of nearly eighty predominantly millennial workers from Airbnb, Uber, TaskRabbit, and Kitchensurfing. Their stories underline the volatility of working in the gig economy: the autonomy these young workers expected has been usurped by the need to maintain algorithm-approved acceptance and response rates. The sharing economy upends generations of workplace protections such as worker safety; workplace protections around discrimination and sexual harassment; the right to unionize; and the right to redress for injuries. Discerning three types of gig economy workers—Success Stories, who have used the gig economy to create the life they want; Strugglers, who can’t make ends meet; and Strivers, who have stable jobs and use the sharing economy for extra cash—Ravenelle examines the costs, benefits, and societal impact of this new economic movement. Poignant and evocative, Hustle and Gig exposes how the gig economy is the millennial’s version of minimum-wage precarious work.

Ravenelle graduated in 2018 with a Ph.D. in sociology.

Samuel Stein

Our cities are changing. Around the world, more and more money is being invested in buildings and land. Real estate is now a $217 trillion dollar industry, worth thirty-six times the value of all the gold ever mined. It forms sixty percent of global assets, and one of the most powerful people in the world—the president of the United States—made his name as a landlord and developer.

Samuel Stein shows that this explosive transformation of urban life and politics has been driven not only by the tastes of wealthy newcomers, but by the state-driven process of urban planning. Planning agencies provide a unique window into the ways the state uses and is used by capital, and the means by which urban renovations are translated into rising real estate values and rising rents.

Capital City explains the role of planners in the real estate state, as well as the remarkable power of planning to reclaim urban life.

Stein is a Ph.D. candidate (Earth and Environmental Studies) at The Graduate Center.

In Technology and the Diva, Karen Henson brings together an interdisciplinary group of scholars to explore the neglected subject of opera and technology. Their essays focus on the operatic soprano and her relationships with technology from the heyday of Romanticism in the 1820s and 1830s to the twenty-first-century digital age. The authors pay particular attention to the soprano in her larger than life form, as the 'diva', and they consider how her voice and allure have been created by technologies and media including stagecraft and theatrical lighting, journalism, the telephone, sound recording, and visual media from the painted portrait to the high definition simulcast. In doing so, the authors experiment with new approaches to the female singer, to opera in the modern - and post-modern - eras, and to the often controversial subject of opera's involvement with technology and technological innovation.

Edited by Alyson Cole and George Shulman

Michael Paul Rogin’s scholarship profoundly altered the scope, content, and disposition of political theory. He reconstituted the field by opening it to an array of texts, performances, and methods previously considered beyond the purview of the discipline. His work addressed the relationship between dimensions of politics typically split apart – institutional power and cultural forms, material interests and symbolic meanings, class projects and identity politics, the public and the private. Rogin’s scholarship enlarges our sense of the borders and genres defining political theory as a field and enriches our capacity to think critically and creatively about the political.

The editors have focused on three categories of substantive innovation:

Demonology and Countersubversion

Rogin used the concepts “countersubversive tradition” and “political demonology” to theorize how constitutive exclusions and charged images of otherness generated imagined national community. He exposed not only the dynamics of suppressing and delegitimizing political opposition, but also how politics itself is devalued and displaced.

The Psychic Life of Liberal Society

Rogin addressed the essential contradiction in liberalism as both an ideology and a regime – how a polity professing equality, liberty, and pluralist toleration engages in genocide, slavery, and imperial war.

Political Mediation: Institutions and Culture

Rogin demonstrated how cultural forms – pervasive myths, literary and cinematic works – mediate political life, and how political institutions mediate cultural energies and aspirations.

In this book, Nuzzo proposes a reading of Hegel’s Logic as “logic of transformation” and “logic of action,” and supports this thesis by looking to works of literature and history as exemplary of Hegel’s argument and method. By examining Melville’s Billy Budd, Molière’s Tartuffe, Beckett’s Endgame, Elizabeth Bishop’s and Giacomo Leopardi’s late poetry along with Thucydides’ History in this way, Nuzzo finds an unprecedented and productive way to render Hegel’s Logic alive and engaging. She argues that Melville’s Billy Budd is the most successful embodiment of the abstract movement of thinking presented in Hegel’s Logic, connecting Billy Budd’s stutter to the puzzlingly inarticulate beginning of Hegel’s Logic, “Being, pure Being,” identical with “Nothing,” and argues that the Logic serves as an especially appropriate tool for understanding the sudden violent action that strikes Claggart dead. Through these and other readings, Nuzzo finds a fresh way to address interpretive issues that have remained unresolved for almost two centuries in Hegel scholarship, and also presents well-known works of literature in an entirely new light. This account of Hegel’s Logic is framed by the need for an interpretive tool able to orient our understanding of the contemporary world as mired in an unprecedented global crisis. How can the story of our historical present—the tragedy or the comedy we all play parts in—be told? What is the inner logic of our changing world?

AI plays a crucial role in the global cultural ecosystem. It recommends what we should see, listen to, read, and buy. It determines how many people will see our shared content. It helps us make aesthetic decisions when we create media. In professional cultural production, AI has already been adapted to produce movie trailers, music albums, fashion items, product and web designs, architecture, etc. In this short book, Lev Manovich offers a systematic framework to help us think about cultural uses of AI today and in the future. He challenges existing ideas and gives us new concepts for understanding media, design, and aesthetics in the AI era.

My Brilliant Friends is a group biography of three women’s friendships forged in second-wave feminism. Poignant and politically charged, the book is a captivating personal account of the complexities of women’s bonds.

Nancy K. Miller describes her friendships with three well-known scholars and literary critics: Carolyn Heilbrun, Diane Middlebrook, and Naomi Schor. Their relationships were simultaneously intimate and professional, emotional and intellectual, animated by the ferment of the women’s movement. Friendships like these sustained the generation of women whose entrance into male-dominated professions is still reshaping American society. The stories of their intertwined lives and books embody feminism’s belief in the political importance of personal experience. Reflecting on aging and loss, ambition and rivalry, competition and collaboration, Miller shows why and how friendship’s ties matter in the worlds of work and love. Inspired in part by the portraits of the intensely enmeshed lives in Elena Ferrante’s Neapolitan novels, My Brilliant Friends provides a passionate and timely vision of friendship between women.

Emily A. Jones. and Kathleen M. Feeley

If you’re the parent, teacher, or therapist of a young child with Down syndrome, you should know that Applied Behavior Analysis (ABA), the evidence-based, gold-standard method for teaching children with autism, is an equally effective strategy for teaching children with Down syndrome! In Off to a Good Start: A Behaviorally Based Model for Teaching Children with Down Syndrome, a two-book set, the authors share the compelling research about the benefits of using ABA methods with children with Down syndrome, describe ABA principles and procedures, and provide the ABA-based curriculum they’ve used for nearly 20 years to successfully teach infants through kindergarteners with Down syndrome. With these books, readers will learn ABA practices for teaching children the all-important foundational skills in motor, social-communication, cognitive, and self-care development.

Book 1: Foundations for Learning is the starting point for parents and professionals with little or no knowledge of ABA. It covers:

an overview of ABA and how to apply its principles and strategies to teach skills

background information on the characteristic learning profile of children with Down syndrome and how strengths (such as visual learning abilities and the desire to interact with others) can be used to overcome weaknesses

the importance of inclusion and high expectations

how to choose target skills to teach and set up learning opportunities

using prompts and reinforcement to shape desired behavior and skills

the importance of generalizing skills learned in one setting to another

how to minimize behavior which interferes with learning

tracking and evaluating progress

how to build a team of caregivers and professionals to teach using ABA

Andrea Parmegiani
 

Emerging from a critical analysis of the glocal power of English and how it relates to academic literacy and culturally responsive pedagogy, this book presents translanguaging strategies for using ESL students' mother tongue as a resource for academic literacy acquisition and college success. Parmegiani offers a strong counterpoint to the "English-only" movement in the United States. Grounded in a case study of a learning community linking Spanish and English academic writing courses, he demonstrates that a mother tongue-based pedagogical intervention and the strategic use of minority home languages can promote English language acquisition and academic success.

Parmegiani, Associate Professor in the English Department at Bronx Community College, was an Advanced Research Collaborative (ARC) Distinguished Fellow at The Graduate Center, CUNY.

Re-enacting Life documents the work of the multifaceted Argentine theatre artist Lola Arias, whose work crosses generations, countries, genres and performance sites. The edited collection brings together playscripts, synopses, interviews, questionnaires, notes, photographs, floorplans and other primary documentation of Arias’s varied performance work, which today includes nearly thirty plays, installations, audience and artist performances and curated events. Also included are the voices of some of her many collaborators and spectators, in the form of reflections and essays written by artists, art historians, and performance and media scholars., many of whom belong to Arias’s own generation.

During the rise of New York from the capital of an upstart nation to a global metropolis, the visual language of Greek and Roman antiquity played a formative role in the development of the city’s art and architecture. This compilation of essays offers a survey of diverse reinterpretations of classical forms in some of New York’s most iconic buildings, public monuments, and civic spaces.

Classical New York examines the influence of Greco-Roman thought and design from the Greek Revival of the late eighteenth and early nineteenth centuries through the late-nineteenth-century American Renaissance and Beaux Arts period and into the twentieth century’s Art Deco. At every juncture, New Yorkers looked to the classical past for knowledge and inspiration in seeking out new ways to cultivate a civic identity, to design their buildings and monuments, and to structure their public and private spaces.
 
Specialists from a range of disciplines―archaeology, architectural history, art history, classics, and history― focus on how classical art and architecture are repurposed to help shape many of New York City’s most evocative buildings and works of art. Federal Hall evoked the Parthenon as an architectural and democratic model; the Pantheon served as a model for the creation of Libraries at New York University and Columbia University; Pennsylvania Station derived its form from the Baths of Caracalla; and Atlas and Prometheus of Rockefeller Center recast ancient myths in a new light during the Great Depression.
 
Designed to add breadth and depth to the exchange of ideas about the place and meaning of ancient Greece and Rome in our experience of New York City today, this examination of post-Revolutionary art, politics, and philosophy enriches the conversation about how we shape space―be it civic, religious, academic, theatrical, or domestic―and how we make use of that space and the objects in it.

Macaulay-Lewis is an assistant professor of liberal studies and the acting executive officer of the M.A. Program in Liberal Studies at The Graduate Center.

This book reviews how new and promising evidence-based interventions are being used with those involved in the criminal justice system.  While there has been an increased emphasis on evidence-based practice within forensic treatment, there remains a disjoint between what we know works and adapting these interventions to those involved in the criminal justice system.

This book seeks to bridge that gap by providing an overview of what we know works and how that information has been translated into offender treatment.  In addition, it highlights avenues where additional research is needed.

Jeglic is an assistant professor of psychology at John Jay College of Criminal Justice and The Graduate Center.

Calkins is an assistant professor of psychology at John Jay College of Criminal Justice and The Graduate Center.

This book is for people who have never thought about syntax, and who don't know anything about grammar, but who want to learn. Assuming a blank slate on the part of the reader, the book treats English grammar as a product of the speaker's mind, and builds up student skills by exploring phrases and sentences with more and more complexity, as the chapters proceed.

This practical guide excites and empowers readers by guiding them step by step through each chapter with intermittent exercises. In order to capitalize on the reader's confidence as a personal authority on English, Understanding Sentence Structure assumes an inclusive definition of English, taking dialect variation and structures common amongst millions of English speakers to be a fact of natural language.

This volume brings together scholarship from two different, and until now, largely separate literatures―the study of the children of immigrants and the study of Muslim minority communities―in order to explore the changing nature of ethnic identity, religious practice, and citizenship in the contemporary western world. With attention to the similarities and differences between the European and American experiences of growing up Muslim, the contributing authors ask what it means for young people to be both Muslim and American or European, how they reconcile these, at times, conflicting identities, how they reconcile the religious and gendered cultural norms of their immigrant families with the more liberal ideals of the western societies that they live in, and how they deal with these issues through mobilization and political incorporation.

A transatlantic research effort that brings together work from the tradition in diaspora studies with research on the second generation, to examine social, cultural, and political dimensions of the second-generation Muslim experience in Europe and the United States, this book will appeal to scholars across the social sciences with interests in migration, diaspora, race and ethnicity, religion and integration.

Since the defeat of the Nazi Third Reich and the end of its horrific eugenics policies, battles over the politics of life, sex, and death have continued and evolved. Dagmar Herzog documents how reproductive rights and disability rights, both latecomers to the postwar human rights canon, came to be seen as competing ― with unexpected consequences.

Bringing together the latest findings in Holocaust studies, the history of religion, and the history of sexuality in postwar ― and now also postcommunist ― Europe, Unlearning Eugenics shows how central the controversies over sexuality, reproduction, and disability have been to broader processes of secularization and religious renewal. Herzog also restores to the historical record a revelatory array of activists: from Catholic and Protestant theologians who defended abortion rights in the 1960s–70s to historians in the 1980s–90s who uncovered the long-suppressed connections between the mass murder of the disabled and the Holocaust of European Jewry; from feminists involved in the militant "cripple movement" of the 1980s to lawyers working for right-wing NGOs in the 2000s; and from a handful of pioneers in the 1940s–60s committed to living in intentional community with individuals with cognitive disability to present-day disability self-advocates.

Herzog is a distinguished professor of history at The Graduate Center.
 

William B. Helmreich

Bill Helmreich walked every block of New York City ― six-thousand miles in all ― to write the award-winning The New York Nobody Knows. Now he has re-walked most of Manhattan ― 721 miles ― to write this new, one-of-a-kind walking guide to the heart of one of the world's greatest cities. Drawing on hundreds of conversations he had with residents during his block-by-block journey, The Manhattan Nobody Knows captures the unique magic and excitement of the island and highlights hundreds of facts, places, and points of interest that you won't find in any other guide.

The guide covers every one of Manhattan's 31 distinct neighborhoods, from Marble Hill to the Financial District, providing a colorful portrait of each area's most interesting, unusual, and unfamiliar people, places, and things. Along the way you'll be introduced to an elderly Inwood man who lives in a cave; a Greenwich Village townhouse where Weathermen terrorists set up a bomb factory; a Harlem apartment building whose residents included W.E.B. DuBois and Thurgood Marshall; a tiny community garden attached to the Lincoln Tunnel; a Washington Heights pizza joint that sells some of the biggest slices in town; the story behind the "Birdman" of Washington Square Park; and much, much more. An unforgettably vivid chronicle of today's Manhattan, the book can also be enjoyed without ever leaving home ― but it's almost guaranteed to inspire you to get out and explore this fascinating metropolis.

Helmreich is a professor of sociology at The Graduate Center and City College.

In Vernacular Latin Americanisms, Fernando Degiovanni offers a long-view perspective on the intense debates that shaped Latin American studies and still inform their function in the globalized and neoliberal university of today. By doing so he provides a reevaluation of a field whose epistemological and political status has obsessed its participants up until the present. The book focuses on the emergence of Latin Americanism as a field of critical debate and scholarly inquiry between the 1890s and the 1960s. Drawing on contemporary theory, intellectual history, and extensive archival research, Degiovanni explores in particular how the discourse and realities of war and capitalism have left an indelible mark on the formation of disciplinary perspectives on Latin American cultures in both the United States and Latin America. Questioning the premise that Latin Americanism as a discipline comes out of the tradition of continental identity developed by prominent intellectuals such as José Martí, José E. Rodó or José Vasconcelos, Degiovanni proposes that the scholars who established the discipline did not set out to defend Latin America as a place of uncontaminated spiritual values opposed to a utilitarian and materialist United States. Their mission was entirely different, even the opposite: giving a place to culture in the consolidation of alternative models of regional economic cooperation at moments of international armed conflict. For scholars theorizing Latin Americanism in market terms, this meant questioning nativist and cosmopolitan narratives about identity; it also meant abandoning any Bolivarian project of continental unity or of socialist internationalism.

This collection of essays, by some of the most distinguished public intellectuals and cultural critics in America explores various dimensions of what it means to live in the age of debt. They ask, what is the debt age? For that matter, what is debt? Is its meaning transhistorical or transcultural? Or is it imbued in ideology and thus historically contingent? What is the relationship between debt and theory? Whose debt is acknowledged and whose is ignored? Who is the paradigmatic subject of debt? How has debt affected contemporary academic culture? Their responses to these and other aspects of debt are sure to become required reading for anyone who wants to understand what it means to live in the debt age.

Reimagines black and brown sensuality to develop new modes of knowledge production

In Sensual Excess, Amber Jamilla Musser imagines epistemologies of sensuality that emerge from fleshiness. To do so, she works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics. Each chapter draws our attention to particular aspects of pornotropic capture that black and brown bodies must always negotiate. Though these technologies differ according to the nature of their encounters with white supremacy, together they add to our understanding of the ways that structures of domination produce violence and work to contain bodies and pleasures within certain legible parameters.

To do so, Sensual Excess analyzes moments of brown jouissance that exceed these constraints. These ruptures illuminate multiple epistemologies of selfhood and sensuality that offer frameworks for minoritarian knowledge production which is designed to enable one to sit with uncertainty. Through examinations of installations and performances like Judy Chicago’s The Dinner Party, Kara Walker’s A Subtlety, Patty Chang’s In Love and Nao Bustamante’s Neapolitan, Musser unpacks the relationships between racialized sexuality and consumption to interrogate foundational concepts in psychoanalytic theory, critical race studies, feminism, and queer theory. In so doing, Sensual Excess offers a project of knowledge production focused not on mastery, but on sensing and imagining otherwise, whatever and wherever that might be.

The Routledge Handbook of Anthropology and the City provides a comprehensive study of current and future urban issues on a global and local scale. Premised on an ‘engaged’ approach to urban anthropology, the volume adopts a thematic approach that covers a wide range of modern urban issues, with a particular focus on those of high public interest. Topics covered include security, displacement, social justice, privatisation, sustainability, and preservation. Offering valuable insight into how anthropologists investigate, make sense of, and then address a variety of urban issues, each chapter covers key theoretical and methodological concerns alongside rich ethnographic case study material. The volume is an essential reference for students and researchers in urban anthropology, as well as of interest for those in related disciplines, such as urban studies, sociology, and geography.

The United Nations is hardly a popular pursuit in today’s academic and policy literatures, and so it is unsurprising that an examination of that multilateral structure before 1945 shows an even more egregious absence of analytical attention. Such ignorance conveniently ignores the forgotten genius of 1942–45, namely in the wide substantive and geographic relevance of multilateralism during World War II and in the foundations for the contemporary world order. This collection of papers critically reviews the worlds of 1945 and 2015, of then and now, to determine the role of continuity and change, of the ongoing bases for compromise, and for the clashes between the Global South and Global North.

Elizabeth Primamore

Shady Women: Three Short Plays follows women—and men—in the worst kind of trouble. All they can do is speak. The three plays are entitled: Just Fine, A Child's Best Interests, and Blank.

Set in a police station, Just Fine tells the story of a college professor who has just lost her love to cancer. The treating physician has been murdered and Susan is a suspect. The play examines the psychological breakdown of a grief-stricken woman. Stay-at-home-mom Heather Fielding of The Child’s Best Interest is in a custody battle for her son and divorcing her husband Gordon, a powerful attorney. In Blank, baby boomer Wilhelmina Brewster's commitment in love backfires and leaves her to confront what she has never confronted before: herself.

Primamore is currently a professor of English at BMCC.

This expanded, one-of-a-kind reference of more than 250 entries provides a comprehensive guide to all of the essential elements of elder care across a breadth of health and social service disciplines. Responding to the needs of providers, direct-care workers, family, and other caregivers, the diverse entries included in this encyclopedia address the complex medical, social, and psychological problems associated with geriatric care. In addition to a brief, accessible summary of each topic, entries include several key references, including web links and mobile apps for additional sources of information.

This updated edition contains more than 30 new entries written by renowned experts that address a variety of elder care topics.

Susan Opotow (co-editor)
New York After 9/11
(Empire State Editions, 2018)

An estimated 2 billion people around the world watched the catastrophic destruction of the World Trade Center. The enormity of the moment was immediately understood and quickly took on global proportions. What has been less obvious is the effect on the locus of the attacks, New York City, not as a seat of political or economic power, but as a community; not in the days and weeks afterward, but over months and years. New York after 9/11 offers insightful and critical observations about the processes set in motion by September 11, 2001 in New York, and holds important lessons for the future.

This interdisciplinary collection brings together experts from diverse fields to discuss the long-term recovery of New York City after 9/11. Susan Opotow and Zachary Baron Shemtob invited experts in architecture and design, medicine, health, community advocacy, psychology, public safety, human rights, law, and mental health to look back on the aftereffects of that tragic day in key spheres of life in New York City. With a focus on the themes of space and memory, public health and public safety, trauma and conflict, and politics and social change, this comprehensive account of how 9/11 changed New York sets out to answer three questions: What were the key conflicts that erupted in New York City in 9/11’s wake? What clashing interests were involved and how did they change over time? And what was the role of these conflicts in the transition from trauma to recovery for New York City as a whole?

Contributors discuss a variety of issues that emerged in this tragedy’s wake, some immediately and others in the years that followed, including: PTSD among first responders; conflicts and design challenges of rebuilding the World Trade Center site, the memorial, and the museum; surveillance of Muslim communities; power struggles among public safety agencies; the development of technologies for faster building evacuations; and the emergence of chronic illnesses and fatalities among first responders and people who lived, worked, and attended school in the vicinity of the 9/11 site. A chapter on two Ground Zeros –in Hiroshima and New York – compares and historicizes the challenges of memorialization and recovery. Each chapter offers a nuanced, vivid, and behind-the-scenes account of issues as they unfolded over time and across various contexts, dispelling simplistic narratives of this extended and complicated period. Illuminating a city’s multifaceted response in the wake of a catastrophic and traumatic attack, New York after 9/11 illustrates recovery as a process that is complex, multivalent, and ongoing.

Opotow is a professor of sociology at John Jay College and psychology at The Graduate Center, CUNY.

Featuring a foreword by renowned neuroscientist Joseph E. LeDoux, The Elusive Brain is an illuminating, comprehensive survey of contemporary literature’s engagement with neuroscience. This fascinating book explores how literature interacts with neuroscience to provide a better understanding of the brain’s relationship to the self.

Jason Tougaw surveys the work of contemporary writers—including Oliver Sacks, Temple Grandin, Richard Powers, Siri Hustvedt, and Tito Rajarshi Mukhopadhyay—analyzing the way they experiment with literary forms to frame new views of the immaterial experiences that compose a self. He argues that their work offers a necessary counterbalance to a wider cultural neuromania that seeks out purely neural explanations for human behaviors as varied as reading, economics, empathy, and racism. Building on recent scholarship, Tougaw’s evenhanded account will be an original contribution to the growing field of neuroscience and literature.

Tougaw is an associate professor of English at Queens College and of Liberal Studies at The Graduate Center.

Cecelia Cutler with Unn Røyneland​ (Editors)
 

With an eye to the playful, reflexive, self-conscious ways in which global youth engage with each other online, this volume analyzes user-generated data from these interactions to show how communication technologies and multilingual resources are deployed to project local as well as trans-local orientations. With examples from a range of multilingual settings, each author explores how youth exploit the creative, heteroglossic potential of their linguistic repertoires, from rudimentary attempts to engage with others in a second language to hybrid multilingual practices. Often, their linguistic, orthographic, and stylistic choices challenge linguistic purity and prescriptive correctness, yet, in other cases, their utterances constitute language policing, linking 'standardness' or 'correctness' to piety, trans-local affiliation, or national belonging. Written for advanced undergraduates, postgraduates and researchers in linguistics, applied linguistics, education and media and communication studies, this volume is a timely and readymade resource for researching online multilingualism with a range of methodologies and perspectives.

Cutler, Associate Professor at Lehman College and The Graduate Center, was an ARC Distinguished Fellow. 

A thought-provoking reappraisal of the first European encounters with Africa

In African Kings and Black Slaves, Herman L. Bennett mines the historical archives of Europe and Africa to reinterpret the first century of sustained African-European interaction. These encounters were not simple economic transactions. Rather, according to Bennett, they involved clashing understandings of diplomacy, sovereignty, and politics. Bennett unearths the ways in which Africa's kings required Iberian traders to participate in elaborate diplomatic rituals, establish treaties, and negotiate trade practices with autonomous territories. And he shows how Iberians based their interpretations of African sovereignty on medieval European political precepts grounded in Roman civil and canon law. In the eyes of Iberians, the extent to which Africa's polities conformed to these norms played a significant role in determining who was, and who was not, a sovereign people—a judgment that shaped who could legitimately be enslaved.

The changing face of the liberal creed from the ancient world to today

The Lost History of Liberalism challenges our most basic assumptions about a political creed that has become a rallying cry―and a term of derision―in today’s increasingly divided public square. Taking readers from ancient Rome to today, Helena Rosenblatt traces the evolution of the words “liberal” and “liberalism,” revealing the heated debates that have taken place over their meaning.

In this timely and provocative book, Rosenblatt debunks the popular myth of liberalism as a uniquely Anglo-American tradition centered on individual rights. She shows that it was the French Revolution that gave birth to liberalism and Germans who transformed it. Only in the mid-twentieth century did the concept become widely known in the United States―and then, as now, its meaning was hotly debated. Liberals were originally moralists at heart. They believed in the power of religion to reform society, emphasized the sanctity of the family, and never spoke of rights without speaking of duties. It was only during the Cold War and America’s growing world hegemony that liberalism was refashioned into an American ideology focused so strongly on individual freedoms.

Today, we still can’t seem to agree on liberalism’s meaning. In the United States, a “liberal” is someone who advocates big government, while in France, big government is contrary to “liberalism.” Political debates become befuddled because of semantic and conceptual confusion. The Lost History of Liberalism sets the record straight on a core tenet of today’s political conversation and lays the foundations for a more constructive discussion about the future of liberal democracy.

Oswaldo Zavala and Magdalena Perkowska

La obra de Horacio Castellanos Moya es un referente crucial no sólo para imaginar el pasado y el presente centroamericano, sino para examinar las implicaciones políticas que derivan de la escritura literaria en español en la era neoliberal. El presente volumen reúne el trabajo crítico de 14 académicos de Latinoamérica, Europa y Estados Unidos que abordan la narrativa moyana en sus principales libros a la par de su itinerario biográfico e intelectual: la novela seminal El asco y su celebrada diatriba en contra de El Salvador; las representaciones del militarismo, la guerrilla y la posguerra en novelas como Insensatez, La diáspora y El arma en el hombre; la compleja saga de la familia Aragón, esa genealogía que en más de un modo inscribe el violento proceso histórico de los distintos países de la región. En cada uno de estos ensayos se analiza la tensión irresuelto entre la escritura de ficción, la experiencia de vida del autor, las relaciones del poder geopolítico y la (im)posibilidad de agencia e intervención desde el proyecto literario de Castellanos Moya. Buscamos en un principio cuestionar los límites críticos de su obra en un momento en apariencia post-político, pero al hurgar en los confines de su poética ante lo político, procuramos también señalar las instancias de libertad radical que desde su intervención discursiva articula la ficción. Son éstas, entonces, excursiones hacia la doble vía de la tiranía y la libertad de la ficción de Horacio Castellanos Moya.

Why do feminism's biggest critics always come from within? From sexual polemics, literary polemics to cultural polemics, re-summon forgotten historical controversies, and re-excavate buried historical conflicts. Sex, High Heels, and Woolf looks at how literary classics, social movements, and popular culture redefined the alternative history of feminism in the twentieth century.

Spanning the 1960s to the 1990s, revisiting the development of feminist theory, and stringing together a history with polemics, this book examines why feminists fight and what they fought about

From Jane Austen to Woolf, how did Woolf, who was regarded as a pioneer of feminism, spark a century of debate in the literary world because of A Room of One’s Own? How did Jane Austen start a feminist battle of ideas? How did "Queer Jane Austen" become an escape route for classic literature?

From Kinsey Scale to lesbian S&M, the rise of erotic research triggered feminist sexuality debate. How was Kinsey Research Team's Sexual Behavior in the Human Female, published in 1953, appropriated by feminists as a weapon to deconstruct patriarchy? Why did a Conference on Sexuality held at Barnard College in New York in 1982 trigger the most fierce "sex debate" in the history of feminism?

From fashion to romance, popular culture opens up a new battlefield for feminism. Why was fashion once an F-Word that feminists can't mention? How did romance go from brainwashing the "reading/poisoning" of the female public to a manifest study of feminist cultural studies? How did the so-called "male gaze" open up a series of debates in feminist film criticism after the seventies?

Shih is a candidate for a Ph.D. in English at the Graduate Center.

Sexual violence has become a topic of intense media scrutiny, thanks to the bravery of survivors coming forward to tell their stories. But, unfortunately, mainstream public spheres too often echo reports in a way that inhibits proper understanding of its causes, placing too much emphasis on individual responsibility or blaming minority cultures. 
 
In this powerful and original book, Linda Martín Alcoff aims to correct the misleading language of public debate about rape and sexual violence by showing how complex our experiences of sexual violation can be. Although it is survivors who have galvanized movements like #MeToo, when their words enter the public arena they can be manipulated or interpreted in a way that damages their effectiveness. Rather than assuming that all experiences of sexual violence are universal, we need to be more sensitive to the local and personal contexts – who is speaking and in what circumstances – that affect how activists’ and survivors’ protests will be received and understood.

Alcoff has written a book that will revolutionize the way we think about rape, finally putting the survivor center stage.

By Shi Shunxiang (Ph.D. candidate in English)

Why do feminism's biggest critics always come from within? From sexual polemics, literary polemics to cultural polemics, re-summon forgotten historical controversies, and re-excavate buried historical conflicts. Sex, High Heels, and Woolf looks at how literary classics, social movements, and popular culture redefined the alternative history of feminism in the twentieth century.

Spanning the 1960s to the 1990s, revisiting the development of feminist theory, and stringing together a history with polemics, this book examines why feminists fight and what they fought about.

Abigail J. Stewart and Virginia Valian

How colleges and universities can live up to their ideals of diversity, and why inclusivity and excellence go hand in hand.

Most colleges and universities embrace the ideals of diversity and inclusion, but many fall short, especially in the hiring, retention, and advancement of faculty who would more fully represent our diverse world―in particular women and people of color. In this book, Abigail Stewart and Virginia Valian argue that diversity and excellence go hand in hand and provide guidance for achieving both.

Stewart and Valian, themselves senior academics, support their argument with comprehensive data from a range of disciplines. They show why merit is often overlooked; they offer statistics and examples of individual experiences of exclusion, such as being left out of crucial meetings; and they outline institutional practices that keep exclusion invisible, including reliance on proxies for excellence, such as prestige, that disadvantage outstanding candidates who are not members of the white male majority.

Perhaps most important, Stewart and Valian provide practical advice for overcoming obstacles to inclusion. This advice is based on their experiences at their own universities, their consultations with faculty and administrators at many other institutions, and data on institutional change. Stewart and Valian offer recommendations for changing structures and practices so that people become successful in ways that benefit everyone. They describe better ways of searching for job candidates; evaluating candidates for hiring, tenure, and promotion; helping faculty succeed; and broadening rewards and recognition.

Brooklyn has all the features of a "global borough": it is a base of immigrant labor and ethnically diverse communities, social and cultural capital, global transportation, cultural production, and policy innovation. At once a model of sustainable urbanization and of overdevelopment, the question is now: what will become of Global Brooklyn? Tracing the emergence of Brooklyn from village outpost to global borough, Brooklyn Tides investigates the nature and consequences of global forces that have crossed the East River and identifies alternative models for urban development in global capitalism. Benjamin Shepard and Mark Noonan provide a unique ethnographic reading of the literature, social activism, and changing tides impacting this ever-transforming space.

Brooklyn has all the features of a "global borough": it is a base of immigrant labor and ethnically diverse communities, social and cultural capital, global transportation, cultural production, and policy innovation. At once a model of sustainable urbanization and of overdevelopment, the question is now: what will become of Global Brooklyn? Tracing the emergence of Brooklyn from village outpost to global borough, Brooklyn Tides investigates the nature and consequences of global forces that have crossed the East River and identifies alternative models for urban development in global capitalism. Benjamin Shepard and Mark Noonan provide a unique ethnographic reading of the literature, social activism, and changing tides impacting this ever-transforming space.

Benjamin Shephard is a professor in the social welfare Ph.D. program at The Graduate Center, CUNY.

The Middle East and North Africa have recently experienced one of the highest population growth rates in the world, something which has profoundly affected the wider region and its institutions. In addition, the recent period of unprecedented political turbulence has further complicated the picture, resulting in uprisings and resistance movements that have coincided with intense shifts in socio-cultural norms, as well as economic and political change. Through highlighting the links between population dynamics and the social and political transitions, this book provides a new view of these recent regional changes. The complexity of the changes is further explained in the context of demographic transitions (mortality, fertility, migration) that work hand in hand with development (economic and social modernization) and ultimately, democratization (political modernization). These three Ds (Demographic, Development and Democratic transitions) are central to Elhum Haghighat's analysis of the Middle East and North Africa at this crucial time

Television Drama in Spain and Latin America addresses two major topics within current cultural, media, and television studies: the question of fictional genres and that of transnational circulation. While much research has been carried out on both TV formats and remakes in the English-speaking world, almost nothing has been published on the huge and dynamic Spanish-speaking sector. This book discusses and analyses series since 2000 from Spain (in both Spanish and Catalan), Mexico, Venezuela, and (to a lesser extent) the US, employing both empirical research on production and distribution and textual analysis of content. The three genres examined are horror, biographical series, and sports-themed dramas; the three examples of format remakes are of a period mystery (Spain, Mexico), a romantic comedy (Venezuela, US), and a historical epic (Catalonia, Spain).

Leketi Makalela

The book begins with Leketi Makalela explaining his metaphor “shifting lenses,” which he contends is necessary to refocus our attention on the role that multilanguaging plays in decolonising education. He locates his discussion within the history of the colonisation of Africa, pointing to the Berlin Convention of 1884–1885, which is generally seen as the official balkanisation of the African states. This process gave rise to the monolingual state that was imposed on the new founded colonies, with the colonial language promoted to the exclusion of the other languages, so that the colonies resembled the colonial “motherland.”

Makalela,  a professor of languages and literacies at Wits University, South Africa, was a former Advanced Research Collaborative (ARC) distinguished scholar.

Janet Elise Johnson
 

This book argues that the primary political obstacle holding women back in the twenty-first century is a bait and switch promising but simultaneously undercutting gender equality. Through a comparison of Russia and Iceland, the book shows how this revised form of male dominance came about, how it constrains feminisms, and how activists are beginning to fight back. It argues that while feminist movements have made it harder for most countries to maintain formal rules discriminating against women, economic liberalization strengthened male-dominated elites in informal institutions. These elites offer women prominent roles as policymakers and in non-governmental organizations, but then box them in with little room to represent women’s interests. Activists’ attempts to shame countries for ignoring problems such as violence against women result in new laws, but, lacking the necessary funding and enforcement, violence and inequality intensify. Explaining this paradox is the principal focus for social scientists, policymakers, and activists concerned with gender equality, women's social inclusion, and human rights.  

Johnson, a Professor of Political Science & Women’s/Gender Studies at Brooklyn College, CUNY, was an Advanced Research Collaborative (ARC) Distinguished Fellow.

This monograph examines rotation sets under the multiplication by d (mod 1) map and their relation to degree d polynomial maps of the complex plane. These sets are higher-degree analogs of the corresponding sets under the angle-doubling map of the circle, which played a key role in Douady and Hubbard's work on the quadratic family and the Mandelbrot set. Presenting the first systematic study of rotation sets, treating both rational and irrational cases in a unified fashion, the text includes several new results on their structure, their gap dynamics, maximal and minimal sets, rigidity, and continuous dependence on parameters. This abstract material is supplemented by concrete examples which explain how rotation sets arise in the dynamical plane of complex polynomial maps and how suitable parameter spaces of such polynomials provide a complete catalog of all such sets of a given degree. As a main illustration, the link between rotation sets of degree 3 and one-dimensional families of cubic polynomials with a persistent indifferent fixed point is outlined.

The monograph will benefit graduate students as well as researchers in the area of holomorphic dynamics and related fields.

Jason Kandybowicz, Travis Major, Harold Torrence, and Philip T. Duncan  

African Linguistics on the Prairie features select revised peer-reviewed papers from the 45th Annual Conference on African Linguistics, held at the University of Kansas. The articles in this volume reflect the enormous diversity of African languages, as they focus on languages from all of the major African language phyla.  The articles here also reflect the many different research perspectives that frame the work of linguists in the Association for Contemporary African Linguistics. The diversity of views presented in this volume are thus indicative of the vitality of current African linguistics research. The work presented in this volume represents both descriptive and theoretical methodologies and covers fields ranging from phonetics, phonology, morphology, typology, syntax, and semantics to sociolinguistics, discourse analysis, language acquisition, computational linguistics and beyond.  This broad scope and the quality of the articles contained within holds out the promise of continued advancement in linguistic research on African languages.

Anne. C McCarthy

Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in Anne C. McCarthy’s Awful Parenthesis. Examining various aesthetics of suspension in the works of poets such as Coleridge, Shelley, Tennyson, and Christina Rossetti, McCarthy shares important insights into the nineteenth-century fascination with the sublime.

Attentive to differences between "Romantic" and "Victorian" articulations of suspension, Awful Parenthesis offers a critical alternative to assumptions about periodization. While investigating various conceptualizations of suspension, including the suspension of disbelief, suspended animation, trance, paralysis, pause, and dilatation, McCarthy provides historically-aware close readings of nineteenth-century poems in conversation with prose genres that include devotional works, philosophy, travel writing, and periodical fiction. Awful Parenthesis reveals the cultural obsession with the aesthetics of suspension as a response to an expanding, incoherent world in crisis, one where the audience is both active participant and passive onlooker.

Graduate Center alumna McCarthy (Ph.D. '12, English) an assistant professor at Penn State University. 

As Katherine Verdery observes, "There's nothing like reading your secret police file to make you wonder who you really are." In 1973 Verdery began her doctoral fieldwork in the Transylvanian region of Romania, ruled at the time by communist dictator Nicolae Ceausescu. She returned several times over the next twenty-five years, during which time the secret police — the Securitate — compiled a massive surveillance file on her. Reading through its 2,781 pages, she learned that she was "actually" a spy, a CIA agent, a Hungarian agitator, and a friend of dissidents: in short, an enemy of Romania.

In My Life as a Spy she analyzes her file alongside her original field notes and conversations with Securitate officers. Verdery also talks with some of the informers who were close friends, learning the complex circumstances that led them to report on her, and considers how fieldwork and spying can be easily confused. Part memoir, part detective story, part anthropological analysis, My Life as a Spy offers a personal account of how government surveillance worked during the Cold War and how Verdery experienced living under it.

Listen to Katherine Verdery on The Graduate Center's podcast, The Thought Project.

Modernist music is centrally concerned with the representation and narration of disability. The most characteristic features of musical modernism—fractured forms, immobilized harmonies, conflicting textural layers, radical simplification of means in some cases, and radical complexity and hermeticism in others—can be understood as musical representations of disability conditions, including deformity/disfigurement, mobility impairment, madness, idiocy, and autism. Modernist musical representation and narration of disability both reflect and shape (construct) disability in a eugenic age, a period when disability was viewed simultaneously with pity (and a corresponding urge toward cure or rehabilitation) and fear (and a corresponding urge to incarcerate or eliminate). Disability is right at the core of musical modernism; it is one of the things that musical modernism is fundamentally about. This book draws on two decades of work in disability studies and a growing body of recent work that brings the discussion of disability into musicology and music theory. This interdisciplinary enterprise offers a sociopolitical analysis of disability, focusing on social and cultural constructions of the meaning of disability, and shifting attention from biology and medicine to culture. Within modernist music, disability representations often embody pernicious stereotypes and encourage sentimentalizing, exoticizing, or more directly negative responses. Modernist music claims disability as a valuable resource, but does so in a tense, dialectical relationship with medicalized, eugenic-era attitudes toward disability.

Elissa Bemporad and Joyce W. Warren
 

The genocides of modern history–Rwanda, Armenia, Guatemala, the Holocaust, and countless others–and their effects have been well documented, but how do the experiences of female victims and perpetrators differ from those of men? In Women and Genocide, human rights advocates and scholars come together to argue that the memory of trauma is gendered and that women's voices and perspectives are key to our understanding of the dynamics that emerge in the context of genocidal violence. The contributors of this volume examine how women consistently are targets for the sexualized violence that serves as an instrument of ethnic cleansing, how female perpetrators take advantage of the new power structures, and how women are involved in the struggle for justice in post-genocidal contexts. By placing women at center stage, Women and Genocide helps us to better understand the nexus existing between misogyny and violence in societies where genocide erupts.

A riveting account of how the Nazi Party came to power and how the failures of the Weimar Republic and the shortsightedness of German politicians allowed it to happen.
 
Why did democracy fall apart so quickly and completely in Germany in the 1930s? How did a democratic government allow Adolf Hitler to seize power? In The Death of Democracy, Benjamin Carter Hett answers these questions, and the story he tells has disturbing resonances for our own time.
 
To say that Hitler was elected is too simple. He would never have come to power if Germany's leading politicians had not responded to a spate of populist insurgencies by trying to co-opt him, a strategy that backed them into a corner from which the only way out was to bring the Nazis in. Hett lays bare the misguided confidence of conservative politicians who believed that Hitler and his followers would willingly support them, not recognizing that their efforts to use the Nazis actually played into Hitler's hands. They had willingly given him the tools to turn Germany into a vicious dictatorship.

Benjamin Carter Hett is a leading scholar of twentieth-century Germany and a gifted storyteller whose portraits of these feckless politicians show how fragile democracy can be when those in power do not respect it. He offers a powerful lesson for today, when democracy once again finds itself embattled and the siren song of strongmen sounds ever louder.

Benjamin Carter Hett is a professor of history at The Graduate Center and Hunter College.
 

CNN host Fareed Zakaria named the The Death of Democracy his book of the week shortly after its publication in April 2018. See the clip.

The northern Chinese mountain range of Mount Wutai has been a preeminent site of international pilgrimage for over a millennium. Home to more than one hundred temples, the entire range is considered a Buddhist paradise on earth, and has received visitors ranging from emperors to monastic and lay devotees. Mount Wutai explores how Qing Buddhist rulers and clerics from Inner Asia, including Manchus, Tibetans, and Mongols, reimagined the mountain as their own during the eighteenth and nineteenth centuries.

Wen-Shing Chou examines a wealth of original source materials in multiple languages and media — many never before published or translated—such as temple replicas, pilgrimage guides, hagiographic representations, and panoramic maps. She shows how literary, artistic, and architectural depictions of the mountain permanently transformed the site’s religious landscape and redefined Inner Asia’s relations with China. Chou addresses the pivotal but previously unacknowledged history of artistic and intellectual exchange between the varying religious, linguistic, and cultural traditions of the region. The reimagining of Mount Wutai was a fluid endeavor that proved central to the cosmopolitanism of the Qing Empire, and the mountain range became a unique site of shared diplomacy, trade, and religious devotion between different constituents, as well as a spiritual bridge between China and Tibet.

A compelling exploration of the changing meaning and significance of one of the world’s great religious sites, Mount Wutai offers an important new framework for understanding Buddhist sacred geography.

Ben Epstein

Over the course of American political history, political elites and organizations have often updated their political communications strategies in order to achieve longstanding political communication goals in more efficient or effective ways. But why do successful innovations occur when they do, and what motivates political actors to make choices about how to innovate their communication tactics?
 
Covering over 300 years of political communication innovations, Ben Epstein shows how this process of change happens and why. To do this, Epstein, following an interdisciplinary approach, proposes a new model called "the political communication cycle" that accounts for the technological, behavioral, and political factors that lead to revolutionary political communication changes over time. These changes (at least the successful ones) have been far from gradual, as long periods of relatively stable political communication activities have been disrupted by brief periods of dramatic and permanent transformation. These transformations are driven by political actors and organizations, and tend to follow predictable patterns.
 
Epstein moves beyond the technological determinism that characterizes communication history scholarship and the medium-specific focus of much political communication work. The book identifies the political communication revolutions that have, in the United States, led to four, relatively stable political communication orders over history: the elite, mass, broadcast, and (the current) information orders. It identifies and tests three phases of each revolutionary cycle, ultimately sketching possible paths for the future. The Only Constant is Change offers readers and scholars a model and vocabulary to compare political communication changes across time and between different types of political organizations. This provides greater understanding of where we are currently in the recurring political communication cycle, and where we might be headed.

The Graduate Center alumna Epstein (Ph.D. 2011, Political Science)

By Chris Campanioni (Ph.D. in English, 2022)

A couple arrive at a Mexican resort town as grisly murders escalate, crowds converge in Manhattan for an End of the World party, a journalist’s search for the real story leads him to the facts of his own disappearance. . . Chris Campanioni’s DRIFT is an apocalyptic riddle, a countdown to dead time, where what’s scripted begins to blur with what’s real and the pervasive fear of being surveilled is matched only by a desire to keep filming.

La historia del narcotráfico en México es, a fin de cuentas, la historia del perverso sistema político que nos gobierna.
Primero lo dicen los medios de comunicación y pronto lo repiten las narconovelas, las películas y los corridos: "Los cárteles de la droga han construido imperios de criminalidad que rebasan el poder del Estado". Todos aseguramos saber de capos, plazas y rutas, y sin embargo lo que conocemos del narco no es real. Nuestras ideas sobre el narcotráfico son, casi en su totalidad, el resultado de una tramposa narrativa concebida por los gobiernos de México y Estados Unidos. Todos hemos aprendido ese relato. Es hora de empezar a desaprenderlo y de afrontar la realidad.
En este libro, a caballo entre el ensayo político y la crítica cultural, Oswaldo Zavala demuele con asombrosa lucidez los mitos construidos alrededor del narcotráfico y se atreve a observar de otro modo el complejo fenómeno del tráfico de drogas. Los cárteles, tal y como nos los han querido vender, no existen. Existen las estrategias políticas que los idearon. Existe el tráfico de drogas, pero fuertemente controlado por instituciones oficiales. Existe la violencia, pero en buena medida perpetrada por el mismo Estado que debería protegernos. La historia del narcotráfico en México es, a fin de cuentas, la historia del perverso sistema político que nos gobierna.
"Pasa algún tiempo con Oswaldo Zavala, conversa un rato con él sobre el tráfico de drogas y, casi seguro, terminarás por darte cuenta de que todo lo que crees saber al respecto no es más que un mito." Remezcla

Syed Akbar Hyder and Manu Bhagavan, editors

The essays in this volume examine 'hidden histories' related to gender, religion, and reform in modern South Asia. Chapters from an array of eminent contributors examine Indo-Muslim cultures and political mobilization, literary aesthetics, and education, broadly defined. Dedicated to Gail Minault, a pioneering scholar of women's history, Islamic reformation, and Urdu literature, this volume raises new questions about the role of identity in politics and public life, about memory and historical archives, and about innovative approaches to envisioning egalitarianism. it showcases interdisciplinary methodologies. Timely and thought provoking, this book will interest all who wish to understand how our diverse and plural pasts have informed our cosmopolitan present as we struggle to arrive at a better future for all.

In The Pursuit of Happiness Bianca C. Williams traces the experiences of African American women as they travel to Jamaica, where they address the perils and disappointments of American racism by looking for intimacy, happiness, and a connection to their racial identities. Through their encounters with Jamaican online communities and their participation in trips organized by Girlfriend Tours International, the women construct notions of racial, sexual, and emotional belonging by forming relationships with Jamaican men and other "girlfriends." These relationships allow the women to exercise agency and find happiness in ways that resist the damaging intersections of racism and patriarchy in the United States. However, while the women require a spiritual and virtual connection to Jamaica in order to live happily in the United States, their notion of happiness relies on travel, which requires leveraging their national privilege as American citizens. Williams's theorization of "emotional transnationalism" and the construction of affect across diasporic distance attends to the connections between race, gender, and affect while highlighting how affective relationships mark nationalized and gendered power differentials within the African diaspora.

Bianca C Willams is an associate professor of anthropology.

Finex Ndhlovu
 

This book examines the linguistic and discursive elements of social and economic policies and national political leader statements to read new meanings into debates on border protection, national sovereignty, immigration, economic indigenisation, land reform and black economic empowerment. It adds a fresh angle to the debate on nationalisms and transnationalism by pushing forward a more applied agenda to establish a clear and empirically-based illustration of the contradictions in current policy frameworks around the world and the debates they invite. The author's novel vernacular discourse approach contributes new points of method and interpretation that will advance scholarly conversations on nationalisms, transnationalism and other forms of identity imaginings in a transient world.

Ndhlovu, associate professor of language in society at the University of New England, Australia, was a Distinguished ARC Fellow.

When we try to understand our world, we ask “why?” a specific event occured. But this profoundly human question often leads us astray. In Cause, sociologist Gregory Smithsimon brings us a much sharper understanding of cause and effect, and shows how we can use it to approach some of our most daunting collective problems.

Smithsimon begins by explaining the misguided cause and effect explanations that have given us tragically little insight on issues such as racial discrimination, climate change, and the cycle of poverty.  He then shows unseen causes behind these issues, and shows how we are hard-wired to overlook them. Armed with these insights, Smithsimon explains how we can avoid these mistakes, and begin to make effective change.
Combining philosophy, the science of perception, and deeply researched social factors, Cause offers us a new way to ask “why?” and a hope that we may improve our society and ourselves.

Gregory Smithsimon is a Associate Professor of Sociology at The Graduate Center.

One of the largest and most important palatial houses of late 18th- and early 19th-century Damascus belonged to the Farhi family, who served as financial administrators to successive Ottoman governors in Damascus and Acre. The conversion of Bayt Farhi to a hotel provided a unique opportunity to make a detailed examination of its architecture, which is comparable to those of affluent Christians and Muslims, and decorated with high quality materials in the latest styles.

Bayt Farhi's outstanding architecture and decoration is documented and presented in this first comprehensive analysis of it and Damascus's other prominent Sephardic mansions Matkab 'Anbar, Bayt Dahdah, Bayt Stambouli, and Bayt Lisbona. Lavishly illustrated with extensive color photographs, plans, and reconstruction drawings the book brings to life the home environment of the lost elite Sephardic community of Ottoman Damascus. It will be an essential resource for those studying the architecture, history, and culture of Syria and the Ottoman Empire. Co-published with Manar al-Athar, University of Oxford.

How to Live, What to Do is an indispensable introduction to and guide through the work of a poet equal in power and sensibility to Shakespeare and Milton. Like them, Stevens shaped a new language, fashioning an instrument adequate to describing a completely changed environment of fact, extending perception through his poems to align what Emerson called our “axis of vision” with the universe as it came to be understood during his lifetime, 1879–1955, a span shared with Albert Einstein. Projecting his own imagination into spacetime as “a priest of the invisible,” persistently cultivating his cosmic consciousness through reading, keeping abreast of the latest discoveries of Einstein, Max Planck, Niels Bohr, Louis de Broglie, and others, Stevens pushed the boundaries of language into the exotic territories of relativity and quantum mechanics while at the same time honoring the continuing human need for belief in some larger order. His work records how to live, what to do in this strange new world of experience, seeing what was always seen but never seen before. 

Joan Richardson, author of the standard two-volume critical biography of Stevens and coeditor with Frank Kermode of the Library of America edition of the Collected Poetry and Prose, offers concise, lucid captures of Stevens’s development and achievement. Over the ten years of researching her Stevens biography, Richardson read all that he read, as well as his complete correspondence, journals, and notebooks. She weaves the details drawn from this deep involvement into the background of American cultural history of the period. This fabric is further enlivened by her preparation in philosophy and the sciences, creating in these thirteen panels a contemporary version of a medieval tapestry sequence, with Stevens in the place of the unicorn, as it were, holding our attention and eliciting, as necessary angel, individual solutions to the riddles of our existence on this planet spinning and hissing around its cooling star at 18.5 miles per second.

Women who use social media are often subjected to blatant sexual harassment, facing everything from name calling to threats of violence. Aside from being disturbing, what does this abuse tell us about gender and sexual norms? And can we use the Internet to resist, even transform, destructive misogynistic norms? Exploring the language of shaming and silencing women in the cybersphere, Tania Levey addresses these questions and also considers how online attempts to regulate women’s behavior intersect with issues of race, ethnicity, and class. 

Graduate Center alumna Levey (Ph.D. '06, Sociology) is an associate professor at York College. 

Do we need the United Nations?  Where would the contemporary world be without its largest intergovernmental organization? And where could it be had the UN’s member states and staff performed better?

These fundamental questions are explored by the leading analyst of UN history and politics, Thomas G. Weiss, in this hard-hitting, authoritative book. While counterfactuals are often dismissed as academic contrivances, they can serve to focus the mind; and here, Weiss uses them to ably demonstrate the pluses and minuses of multilateral cooperation.  He is not shy about UN achievements and failures drawn from its ideas and operations in its three substantive pillars of activities: international peace and security; human rights and humanitarian action; and sustainable development.  But, he argues, the inward-looking and populist movements in electoral politics worldwide make robust multilateralism more not less compelling.  The selection of António Guterres as the ninth UN secretary-general should rekindle critical thinking about the potential for international cooperation. There is a desperate need to reinvigorate and update rather than jettison the United Nations in responding to threats from climate change to pandemics, from proliferation to terrorism. Weiss tells you why and how.

In this succinct dual biography, Laura Chmielewski demonstrates how the lives of two French explorers – Jacques Marquette, a Jesuit missionary, and Louis Jolliet, a fur trapper – reveal the diverse world of early America. Following the explorers' epic journey through the center of the American continent, Marquette and Jolliet combines a story of discovery and encounter with the insights derived from recent historical scholarship. The story provides perspective on the different methods and goals of colonization and the role of Native Americans as active participants in this complex and uneven process.

Chmielewski (Ph.D. '06)  is an associate professor American History at State University of New York at Purchase.

On 6 February 1819, Stamford Raffles, William Farquhar, Temenggong Abdul Rahman and Sultan Hussein signed a treaty that granted the British East India Company the right to establish a trading settlement on the sparsely populated island of Singapore.

Forbidden Hill (Singapore Saga, Vol. 1) is a meticulously researched and vividly imagined historical narrative that brings to life the stories of the early European, Malay, Chinese and Indian pioneers -- the administrators, merchants, policemen, boatmen, coolies, concubines, slaves and secret society soldiers -- whose vision and intrigues drive the rapid expansion of the port city in the early decades of the nineteenth century. While Raffles and Farquhar clash over the administration of the settlement, the Scottish merchant adventurer Ronnie Simpson and Englishwoman Sarah Hemmings find love and redemption as they battle an American duelist and Illanun pirates.

As the ghosts of the rajahs of the ancient city of Singapura fade into the shadows of Forbidden Hill, the new settlers forge their linked destinies in the 'emporium of the Eastern seas'.

Katherine Manthorne and Tricia Laughlin Bloom

Inspired by the grandeur of the Rockies and the Alps, American and European artists strove to capture their power in paint. Landscapes of soaring peaks and spectacular vistas became increasingly popular in the mid-nineteenth century, when photographers, scientists, and armchair travelers were awakening to these wonders. Artistic interests coincided with the rise of tourism, as improved transportation and accommodations made mountains and glaciers more accessible. This richly illustrated volume brings together dazzling depictions of the Rockies and the Alps, while examining the dialogue between artists who visited and recorded these geographically distant ranges.

Two key figures highlighted are Swiss painter Alexandre Calame (1810–1864), frequently identified with Alpine views of torrents, glaciers, and gorges, and Albert Bierstadt (1830–1902), whose impressive canvases often provided American audiences with their first glimpse of the Rockies and the western frontier. Their contemporaries included J.M.W. Turner, John Ruskin, painters of the Hudson River School Thomas Cole, Worthington Whittredge, and John F. Kensett, and photographers Carleton Watkins and Eadweard Muybridge.

The Rockies and the Alps features contributions by four outstanding scholars who investigate how geology, flora and fauna, and social and literary contexts relate to the rise of alpine landscape painting. Each essay explores the close connections among these artists and diverse layers of symbolism these mountain images carried, revealing how the same landscape paintings that became archetypal symbols of American identity were in fact the product of a dialogue between American and European artists.

We live in a factory-made world: modern life is built on three centuries of advances in factory production, efficiency, and technology. But giant factories have also fueled our fears about the future since their beginnings, when William Blake called them "dark Satanic mills." Many factories that operated over the last two centuries―such as Homestead, River Rouge, and Foxconn―were known for the labor exploitation and class warfare they engendered, not to mention the environmental devastation caused by factory production from the beginning of the Industrial Revolution up to today.

In a major work of scholarship that is also wonderfully accessible, celebrated historian Joshua B. Freeman tells the story of the factory and examines how it has reflected both our dreams and our nightmares of industrialization and social change. He whisks readers from the textile mills in England that powered the Industrial Revolution and the factory towns of New England to the colossal steel and car plants of twentieth-century America, Eastern Europe, and the Soviet Union and on to today’s behemoths making sneakers, toys, and cellphones in China and Vietnam.

The giant factory, Freeman shows, led a revolution that transformed human life and the environment. He traces arguments about factories and social progress through such critics and champions as Marx and Engels, Charles Dickens, Alexander Hamilton, Henry Ford, and Joseph Stalin. He chronicles protests against standard industry practices from unions and workers’ rights groups that led to shortened workdays, child labor laws, protection for organized labor, and much more.

In Behemoth, Freeman also explores how factories became objects of great