Dee L. Clayman

Callimachus (ca. 303–ca. 235 BC), a proud and well-born native of Cyrene in Libya, came as a young man to the court of the Ptolemies at Alexandria, where he composed poetry for the royal family; helped establish the Library and Museum as a world center of literature, science, and scholarship; and wrote an estimated 800 volumes of poetry and prose on an astounding variety of subjects, including the Pinakes, a descriptive bibliography of the Library’s holdings in 120 volumes. Callimachus’ vast learning richly informs his poetry, which ranges broadly and reworks the language and generic properties of his predecessors in inventive, refined, and expressive ways. The “Callimachean” style, combining learning, elegance, and innovation and prizing brevity, clarity, lightness, and charm, served as an important model for later poets, not least at Rome for Catullus, Virgil, Horace, Ovid, and the elegists, among others.

This edition, which replaces the earlier Loeb editions by A. W. Mair (1921) and C. A. Trypanis (1954, 1958), presents all that currently survives of and about Callimachus and his works, including the ancient commentaries (Diegeseis) and scholia. Volume I contains Aetia, Iambi, and lyric poems; Volume II, Hecale, Hymns, and Epigrams; and Volume III, miscellaneous epics and elegies, other fragments, and testimonia, together with concordances and a general index.

Callimachus (ca. 303–ca. 235 BC), a proud and well-born native of Cyrene in Libya, came as a young man to the court of the Ptolemies at Alexandria, where he composed poetry for the royal family; helped establish the Library and Museum as a world center of literature, science, and scholarship; and wrote an estimated 800 volumes of poetry and prose on an astounding variety of subjects, including the Pinakes, a descriptive bibliography of the Library’s holdings in 120 volumes. Callimachus’ vast learning richly informs his poetry, which ranges broadly and reworks the language and generic properties of his predecessors in inventive, refined, and expressive ways. The “Callimachean” style, combining learning, elegance, and innovation and prizing brevity, clarity, lightness, and charm, served as an important model for later poets, not least at Rome for Catullus, Virgil, Horace, Ovid, and the elegists, among others.

This edition, which replaces the earlier Loeb editions by A. W. Mair (1921) and C. A. Trypanis (1954, 1958), presents all that currently survives of and about Callimachus and his works, including the ancient commentaries (Diegeseis) and scholia. Volume I contains Aetia, Iambi, and lyric poems; Volume II, Hecale, Hymns, and Epigrams; and Volume III, miscellaneous epics and elegies, other fragments, and testimonia, together with concordances and a general index.

Callimachus (ca. 303–ca. 235 BC), a proud and well-born native of Cyrene in Libya, came as a young man to the court of the Ptolemies at Alexandria, where he composed poetry for the royal family; helped establish the Library and Museum as a world center of literature, science, and scholarship; and wrote an estimated 800 volumes of poetry and prose on an astounding variety of subjects, including the Pinakes, a descriptive bibliography of the Library’s holdings in 120 volumes. Callimachus’ vast learning richly informs his poetry, which ranges broadly and reworks the language and generic properties of his predecessors in inventive, refined, and expressive ways. The “Callimachean” style, combining learning, elegance, and innovation and prizing brevity, clarity, lightness, and charm, served as an important model for later poets, not least at Rome for Catullus, Virgil, Horace, Ovid, and the elegists, among others.

This edition, which replaces the earlier Loeb editions by A. W. Mair (1921) and C. A. Trypanis (1954, 1958), presents all that currently survives of and about Callimachus and his works, including the ancient commentaries (Diegeseis) and scholia. Volume I contains Aetia, Iambi, and lyric poems; Volume II, Hecale, Hymns, and Epigrams; and Volume III, miscellaneous epics and elegies, other fragments, and testimonia, together with concordances and a general index.

Although what we have from history about Berenice II, daughter of King Magas of Cyrene and wife of Ptolemy III Euergetes, is scattered and uneven, Clayman's interdisciplinary approach presents a woman who was more powerful and fascinating than we had previously imagined. A mother of six, immensely wealthy and ambitious, she was at the center of a group of important poets and intellectuals associated with the Museum and Library, including Callimachus, who wrote "Lock of Berenice" about her. This book offers a portrait of a woman who had access to the cultural riches of both Greece and Egypt and who navigated her way carefully through the possibilities that these assets presented to her, ultimately using them to accrue unprecedented honors that were all but equal to those of the king. 

Pyrrho of Elis, founder of early Skepticism, was introduced to the world in the third century BCE by the poet and philosopher Timon of Phlius. Timon of Phlius: Pyrrhonism into Poetry is the first book-length study in English of the fragments of Timon's works. Of his more than 100 titles, four fragments remain of a catalogue elegy, the Indalmoi, and 133 verses of the Silloi, a hexameter parody in three books in which Timon ridicules philosophers of all periods whom he observes on a trip to Hades. Clayman reconstructs the books of the Silloi starting from an outline in Diogenes Laertius and the book numbers assigned to a few fragments by their sources. Such an approach has not been attempted since Wachsmuth’s edition of 1885. Separate chapters demonstrate that the principle Hellenistic poets, Callimachus, Theocritus and Apollonius of Rhodes, were aware of Timon's work specifically, and of Skepticism generally. The book concludes with a definition of 'Skeptical aesthetics' that places many of the characteristic features of Hellenistic literature in a skeptical milieu.